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ADAM Audio S6A MK2 Pair (Matte Black Finish)

Active 4-Way Studio Main Monitor Pair, with two 12'' HexaCone woofers, two 7'' HexaCone bass-midrange units, and A.R.T. Midrange and Tweeter Units
Truly a monitoring force to be reckoned with...
The S6A MK2 are not only at the top of their field for sonic detail and power, they allow for unprecedented control of tweak-ability. In addition to level controls and shelving filters, three fully parametric EQ's enable the user to compensate for standing waves and other control room discrepancies.

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The ADAM S6A MK2 is a real milestone in the history of active main monitors. It combines numerous innovations with great flexibility in compensating for different room acoustics, butforemost it delivers a stunning overall realism in sound reproduction that we consider to be unsurpassed. The woofers and woofer-midrange units carry a HexaCone® diaphragm, a honeycomb structure made of Nomex, coated with Kevlar on both sides, making them lighter and stiffer than possible with classical materials. All drivers are mounted on a 25 mm Aluminum honeycomb plate, that leads to a very close connection between cabinet and drive unit.
As a result the S6A obtains a much better impulse coupling that audibly improves the clarity and precision of the reproduction.

A rich choice of controls influence the characteristics of the built in ICE Power pwm amplifiers. Besides level controls and shelve filters you find three fully parametric EQs that enable you to compensate for standing waves phenomena in the control room.


ADAM Audio S6A MK2 Features :
  • Dual 12" HexaCone Woofer provides tight, punchy bass down to 26Hz
  • Dual 7" HexaCone Midrange Drivers for detailed & accurate midrange
  • A.R.T. Midrange and Tweeter units provide enormous clarity and transient reproduction
  • Bass-Reflex Cabinet with dual bass ports on the front
  • Internal Class-A/B PWM Amplification
  • Input Gain sensitivity and variable low & high shelving EQ filters
  • Level controls for tweeter and midrange amplifiers
  • Three fully parametric EQ's for further tuning
  • XLR Balanced Input


ADAM studio monitors are state-of-the-art, no compromise speakers intended for audio engineers who are interested in the truest possible reproduction of their recordings. ADAM monitors have been constructed with one design objective only: to achieve the most realistic sound quality for each speaker in the line.

Groundbreaking innovation in electro-acoustic transducers, painstaking design and superior materials are the cornerstones of ADAM Technology. The authentic reproduction of recordings of acoustical events (a frequently discussed and subjective issue) is our yardstick in the unconditional search for the finest product possible.
To achieve this goal we combine years of our own musical and acoustic experience and with feedback from the critical 'golden ears' of our professional customers, and double-check the results with the most advanced measurement techniques in order to ensure the finest sound reproduction available at any price.
ADAM Audio produces a complete range of both passive and active monitoring systems to suit any given studio environment, from the smallest home/project studios to the most demanding professional environments and applications.


New HexaCone™-woofer:
The new HexaCone™-woofers are designed with larger and longer voice coils that deliver more linear excursion for higher SPL max. values. A stronger magnetic structure is added as well for an optimum in efficiency and accuracy.

Accelerated Ribbon Technology
The A.R.T. (Accelerated Ribbon Technology) tweeters and midrange units take a completely new approach in kinematics to move air and improve the quality of music reproduction. Based on the original works of Dr. Oskar Heil, who invented his "Air Motion Transformer" back in 1972, new electroacoustic transducers have been developed that are based on improved layouts and new materials. The membrane consists of a lamella like folded diaphragm whose single folds move according to the alternate current, thus squeezing air in and out. All other loudspeaker drive units, whether they are voice coil driven, electrostatics, piezos or magnetostatics, act like a piston, moving air in a 1:1 ratio. This is undesirable, as the specific weight of air is much lower than that of the driving mechanics. Speaking in terms of electrical Engineering one could say there is a bad match between source and load. The A.R.T. principle achieves a 4:1 velocity transformation between driving diaphragm and driven air, i. e. the air moves in and out four times faster than the folds itself are moving. This superior "motor" is responsible for the enormous clarity and transient reproduction that is to be heard from the A.R.T. drive units.

A.R.T. tweeters are superior in musical clarity and transient reproduction. They have an above average efficiency of ~93 dB/W/m, a perfectly linear impedance of 3.2 Ohms, an equally perfect phase response of +/- 1 degree within the used bandwidth, a reasonable directivity characteristic and a thermal power handling that exceeds that of 1" domes by a factor of 2 to 3. Summed up here is a completely new transducer that has no weaknesses in terms of operation, compatibility, reliability or other electroacoustic specifications. Looking back into loudspeaker history you will not find anything comparable.