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Dynaudio M 1.5 (Pair)

Passive 2-Way Near/Midfield Monitors for Post and Film Dubbing
An obvious feature of the M1.5 is the extraordinary output from such a compact speaker.
For the first time, a performance exceeding that of many so called ''main'' monitors is available from a unit of a size suiting even the smallest facility.

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The Dynaudio M 1.5 is a fairly "punchy" monitor with an incredible bass response mainly suited to popular music tracking and mixing, voice and dialog recording, and as L, C, R monitors in high performance surround monitoring systems.

Mounted either in the nearfield on top of a console or in midfield just behind the console on suitable stands, it can easily fulfill the majority of monitoring needs. Flush mounting is also an option when careful attention is paid to room design, construction and acoustic treatment.

With a frequency response from 40Hz to 20kHz, and a maximum output in excess of 120dB SPL at 1.25m, the M1.5 is truly exceptional.

Where it is quite normal to employ audio processing techniques to extract the last drop of performance from a drive unit in an active system, the totally passive M1.5 relies purely on component quality. The secrets behind its performance lie in the new high sensitivity drivers developed exclusively for this model, coupled with a very efficient twin ported cabinet and an impedance corrected crossover which ensures that the optimum load is presented to the amplifier at all times. Imaging is pin sharp, even in difficult environments, thanks to the directionally controlled tweeters.
A trim switch on the rear of the cabinet allows for fine tuning of the mid/high frequency response, further enhancing its use in near and midfield environments with
varying acoustical characteristics.




Chris Porter, Engineer and Producer
"I use my M2's in my own studio and on location. Working with artists like George Michael, Hall and Oates, and Wycliffe I need a reference point which is absolute, and the M2's are the only speakers I have found which offerthat."

Freddy Hanssen, Sweet Silence Studios
On M4's:" The DA-M4 is simply the best monitoring system that money can buy. It's the first setup I've had where the console doesn't get stacked up with different monitors. People like them so much they ask me to swap apartments with them! Seriously, though, out of 10 album projects since May, only one has had to be remixed. That's impressive."

Victor Waldburger, Masters Studios
"There was a track that we originally did on UREl's. 3 times we sent it to
the cutting room, and 3 times it came back with problems. I spent days
working on it, but could not get it right. I then spent three hours remixlng
it on the M2's, and it was cut flat. That's what monitors are for."