Condenser Mics

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Condenser Mics

Condenser Mics

Earthworks QTC40

Small-diaphragm Time Coherent 4Hz to 40khz Omnidirectional Condenser Microphone Very similar to the QTC30 but with revved-up capabilities, i.e., extended top-end frequency range, ability to handle SPL's up to 140 dB, the QTC40 boasts an incredibly low noise floor. It's perfect for capturing accurate, uncolored recordings of quieter source material, such as acoustic instruments, vocal ensembles etc., yet can also deal with the loud stuff as needed.

Price: $1,039.00

Earthworks QTC30

Small Diaphragm Time Coherent 6Hz to 30khz Omnidirectional Condenser Microphone, Stainless Steel Finish The Quiet Time Coherent QTC30 has an excellent cost/performance ratio.
With a frequency response to 30kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications. Its small stainless steel body is 6.5 inches long and has no handling noise.

Price: $879.00

Earthworks SR30

Small Diaphragm Cardioid Studio Condenser Microphone with 30Hz to 30kHz Frequency Response A cardioid condenser with an extremely flat and natural sound, the SR30 has become a favorite among concert tapers because of its rare combination of uncolored (and very fast) response and directionality (which reduces ambient sound). Also quite awesome on piano, drums, and acoustic instruments.

Price: $879.00

Earthworks SR30/HC

Small Diaphragm Hypercardioid Directional Studio Condenser Microphone with 30Hz to 30kHz Frequency Response Very similar to the SR30, but with a hypercardioid response for less ambient pickup.
The Earthworks SR30HC is a hypercardioid condenser studio microphone designed for precision pick up in crucial recording and sound reinforcement environments. It's precision hypercardioid pickup pattern provides exceptional rejection of off-axis signal and noise due to room ambiance, instruments, monitor speakers etc.

Price: $879.00

Earthworks TC30

Small Diaphragm Omnidirectional Studio Condenser Microphone with 9Hz to 30kHz Frequency Response Question: what mic has no proximity effect, no handling noise, possibly the fastest response time around, a razor-flat frequency response, and the ability to gracefully handle SPL's upwards of 150dB? Yep, the TC30, Earthworks' flagship omni directional condenser. You can close mic incredibly loud sound sources (our friend places his TC30 about a half a centimeter outside a rock snare drum's side vent-hole... with awesome results) and not worry about distortion or proximity.
Remarkable, and a necessity to round out any mic cabinet.

Price: $799.00

Josephson C42

Small Diaphragm FET Cardioid Condenser Studio Microphone, in Stainless Steel Finish The C42 small capsule FET condenser is in a league of it's own. With great off-axis response and a presence rise in the high frequency, the C42 is one of the best newer-generation mics we've heard when micing drum overheads and acoustic guitar. The C42 can be used for spot micing, but it really shines when you pull it back a few feet from the source, where traditional mics can lose presence and imaging. Hear the air!

Price: $435.00

Josephson C617SET

Submicron Metal Diaphragm Omnidirectional Microphone Set with Microtech Gefell MK221 capsules. Josepson's 617SET high-voltage omni marries their 617 amplifier body with Gefell's MK221 half inch metal-diaphragm capsule. This 200V lab-grade mic is for applications where realism and accuracy are critical.
With a dynamic-range of 127db, the C617SET is the concert pianist's dream mic.

Price: $1,995.00

Josephson e22S

Electrical Audio Edition Studio Carioid Microphone This mic has gotten a lot of attention, and deservedly so. The e22S is very possibly the best snare mic we've ever heard. Famous recordist Steve Albini needed an unobtrusive spot mic for drum placement. What resulted is the cardioid side-address e22S.
The mic's Lundahl output transformer gives it great roundness and punch. It's ideal for snare, toms, overheads and percussion (and we even like it on acoustic guitar).

Price: $1,335.00

Neumann KM184 MT

Cardioid Studio Condenser Miniature Microphone, in Matte Black Finish The KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics.
Same as the KM184 NI but in flat black finish.

Price: $849.95

Neumann KM184 NI

Cardioid Studio Condenser Miniature Microphone, in Nickel Finish A pencil condenser based on the celebrated and historic Neumann KM84 (the first ever phantom powered mic), the KM184 exhibits smooth off-axis behavior and super-flat frequency response.
Like its forefather, the KM184 has become a standard of studio and stage for close micing acoustic instruments, stereo micing in pairs, and is especially famous as a foolproof drum overhead mic.

Price: $849.95

Neumann KMS 105 MT

SuperCardioid Hand-Held Condenser Mic in Matte Black Finish. Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment.

Price: $699.95

Neumann KMS 105 NI

SuperCardioid Hand-Held Condenser Mic, Nickel Finish. Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment.

Price: $699.95

Shure SM81-LC

Known for its super-flat frequency response, the classic SM-81 can be found in the mic cabinet of any studio worth its salt. Drum overheads, acoustic guitars, and piano all benefit from the 81's honest sound. Hot tip: it's become our secret weapon for snare (with the pad on) and fiddle.

Price: $349.00

AKG C 451 B

Small-diaphragm Cardioid Condenser Microphone with Selectable Pad and High-pass Filter Along with the Neumann KM84, which is a bit more colored than the super-flat 451, the 451 has for decades been at the top of the pencil condenser field.
The fact that it's durable, versatile, and not-outrageously-priced is what lands it in the mic cabinets of most major studios. We've perennially relied on stereo pairs for micing drum overheads, acoustic guitars, pianos, and the occasional field recording. Hot tip: try using it for the top and bottom of a brushed snare -- brush details will come through loud and clear.

Price: $579.00

Audix ADX51

Small Diaphragm Cardioid Condenser Instrument Microphone Great mic for instruments and drums!
The ADX51 is a pre-polarized condenser microphone designed to handle a wide variety of live, studio, and broadcast applications.

With a cardioid pickup pattern and a smooth uniform response over a frequency range of 40-18kHz, the ADX51 is precision machined from solid brass with a low reflective black e-coat finish.
Low-noise electronic circuitry, low impedance, and balanced output allow interference-free performance even with long cable runs. Road-worthy and capable of reproducing high SPLs of 132dB, the ADX51 is perfect for studio or stage.

Price: $229.00

Audix F-90

Miniature Small Diaphragm Clip-On Condenser Microphone - very low profile for Drums, Percussion and Horns! The Audix F-90 is a miniature clip-on pre-polarized condenser microphone with a cardioid pick-up pattern capable of handling sound pressure levels up to 135 dB - making it ideal for mic'ing up rack & floor toms, along with hand percussion and horns!

Price: $99.00

Audix VX10

Handheld Cardioid Condenser Vocal Microphone Vocal condenser microphone specific for live sound and broadcast applications.
The VX-10 is a true condenser microphone designed to set new performance standards in the areas of live sound and broadcast applications.

Price: $479.00

Audix VX10-LO

Handheld Cardioid Condenser Vocal Microphone with Low Output Design Specially designed VX10 with a lower output level to compensate for loud stage volumes or vocalists with high SPL voices.
The VX10-LO is a true condenser microphone designed to set new performance standards in the areas of live sound and broadcast applications.
With a smooth uniform response over a frequency range of 40 – 20k Hz, the VX10Lo is highly sensitive to transient response and will reproduce vocals and speech with exceptional detail and realism. The VX10Lo will handle close miking with minimal proximity effect and will not lose signal if the user is slightly off-axis from the front of the microphone. A cardioid pattern provides excellent gain before feedback and, even with it’s extended low end response, the VX10Lo offers sonic clarity without boominess in the lower mids – usually difficult to attain with live vocals.

Price: $479.00

Audix VX5

Handheld Supercardioid Condenser Microphone with 40Hz-16kHz Frequency Response and 140dB Maximum SPL - Black Satin Finish Stylish and innovative electret condenser for vocals & acoustic instruments.
The Audix VX5 is a hand-held vocal condenser microphone designed to handle a wide variety of live, studio and broadcast applications.

Price: $479.00

Audix UEM81-C

Battery Powered Small Diaphragm Cardioid Condenser Instrument and Vocal Microphone The Audix UEM81C Multi-Purpose Condenser Microphone is an ideal solution for vocal and instrument capturing in live sound-reinforcement and recording applications. The small-diaphragm microphone features a cardioid polar pattern for maximum gain-before-feedback.
Its smooth, wide frequency response is ideal for both vocal and instrument capturing and the high SPL handling of 135dB minimizes noise and distortion when capturing transient instruments such as drums, guitar and percussion. The UEM81C features a low-frequency roll-off switch for minimizing low-frequency noise, hum and proximity effect.

Price: $149.00