Midas Venice 240

Features:

• Channels: 24
• Inputs (total): 38
• Mono-Inputs (Mic/Line) with Inserts: 24
• Stereo-Line/Mono-Mic-Input Channels: 4/4
• Stereo-Effect-Returns (Line): 4
• Stereo-Tape-Return (Line): 1 left/right
• Busses: 15
• Subgroups: 4
• Aux Pre-Fader (Monitor): 2
• Aux Post-Fader (Effects): 2
• Aux switchable Pre/Post-Fader: 2
• Master L/R: 2
• Mono-PFL: 1
• Stereo-AFL: 2
• Output
• Subgroups (with Inserts): 4 impedance balanced 1/4 inch jacks
• Aux Pre-Fader (Monitor): 2 XLR (balanced)
• Aux Post-Fader (Effects): 2 impedance balanced 1/4 inch jacks
• Aux switchable Pre/Post-Fader: 2 XLR (balanced)
• Master (with Inserts): 2 XLR (balanced)
• Master B Out (switchable Mono/Stereo, pre-post Fader): 2 XLR (balanced)
• Tape Send (Recording): 1 Stereo (Phono)
• Direct Outputs (1/4 inch Jack): 16
• Stereo-Headphones: 2 Stereo-1/4 inch jack
• Stereo-Speakers: 2 impedance balanced 1/4 inch jacks
• Dimensions (W x D x H): 27.5" x 22.4" x 7.6" (698 mm x 568 mm x 194 mm)
• Weight: 46.5 lbs (21.1 kg)
• Power Consumption: 95W
• Mains Voltage: 110V/120V/220V/230V/240V, 50-60Hz
• Additional Features:
• Connector for desk lamps: 2 x 12V/5W (4-Pin XLR)
• External Power Supply (EPS 1200): not included
• Accessories:
• Dust Cover: included
• 12 V Desk Lamp: not included
• Input Transformer: not included
• Input Impedance: Mic - 2k Balanced, Line: 20k Balanced
• Input Gain: Mic - Continuously variable from 0dB to + 60dB, Line Mono Channel - Continuously variable from- 20dB to + 40dB, Line Stereo Channel - Continuously variable from- 20dB to + 20dB, Line Level Inputs - 0dB
• Maximum Input Level: Mic: + 22dBu, Line Level Inputs: + 22dBu, Line Mono Channel + 42dBu, Line Stereo Channel + 28dBu
• CMR at 100Hz: Mic (gain + 40dB) Typ. 75dB
• CMR at 1kHz: Mic (gain + 40dB) > 85dB, Line > 45dB
• Frequency Response (20 to 20kHz)(gain + 60dB): Mic to Mix: + 0dB to - 1dB
• Noise (20 to 20kHz) (gain + 60dB): Mic EIN ref. 150ohms: - 129dBu
• System Noise (20 to 20kHz): Summing Noise (16 channels routed with faders down) - 90dBu; Line to Mix Noise (16 channels routed at 0dB, pan centre) - 86dBu
• Distortion at 1kHz: Mic to Insert (+ 30dB gain, + 20dBu output) - Typ 0.0007%, Mic to Mix (+30dB gain, + 20dBu output) - < 0.009%
• Crosstalk at 1kHz: Channel to Channel < - 80dB, Mix to Mix < - 80dB, Channel to Mix < - 80dB, Fader Attenuation > 100dB, Switch Rejection > 100dB
• Output Impedance: All Line Outputs - 75 Ohms Balanced Source, Headphones - To drive 32 Ohms
• Maximum Output Level: Master Outputs on XLR: + 25dBu, All other Outputs on XLR: + 22dBu, All Outputs on 1/4 inch jacks :+ 22dBu
• Headphones: + 22dBu/600ohms
• Nominal Signal Level: Mic - 60dBu to 0 dBu; Line 0dBu
• Equalizer Mono Channel
• Hi Pass Slope: 12dB / Oct
• Hi Pass Frequency: 80Hz
• Treble Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
• Treble Frequency: 12k
• Hi Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
• Hi Mid Frequency: Continuously variable, 400 Hz to 8k, Hi Mid Bandwidth: 1.4 Oct. (Q = 1)
• Lo Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
• Lo Mid Frequency: Continuously variable, Centre from 100Hz to 2k
• Lo Mid Bandwidth: 1.4 Oct. (Q = 1)
• Bass Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
• Bass Shelving Frequency: 80Hz

Equalizer Stereo Channel: