Includes two CSMs, one MTM, one MAM, and filler panels/plates in a 4-foot frame.
Dock gives you touch and tactile control right from the surface.
API Legacy Plus 48 frame loaded 32 (Used) 48 channel mainframe with Vision Moving Fader Automation. Loaded 24 x 550L 4 Band Parametric Eq’s, 8 x 560 10 band Graphics Eq’s, 16 x 212L Mic Pre’s, 16 x 215L filters, 2500 Bus Compressor Remote Patchbay Features: API’s all Discrete Signal Path Transformer Outputs Twenty-Four Multi-track [...]
The TF51 is a fresh take on the "Austrian" microphone sound associated with the legendary TELEFUNKEN ELA M 251E and C12. The TF51 continues this legacy, exhibiting a smooth midrange and airy top end and capturing every nuance in pleasant detail. The large diaphragm multi pattern TF51 is a reliable first choice for stand out vocals, acoustic instruments, and percussion.
The TF47 is a modern design based on the "German" sound, drawing inspiration from the historic U47 and M49. With a deep low end and a forward midrange, the TF47 is excellent for adding depth and presence to any source. These characteristics make it especially ideal for recording vocals, guitar amps, and drums.
The TF39 is an expansion of the "Copperhead" sound with the addition of 3-pattern selection between Cardioid, Omnidirectional, and Figure-8. This added feature set gives the TF39 greater flexibility and options in the studio.
The TF11 is a unique design and a new take on the large diaphragm condenser microphone. Blending an Austrian-inspired voicing similar to the legendary C12 with modern FET high performance, the TF11 features a beautifully open and detailed frequency response with exceptionally fast transient response, high SPL handling, and low self-noise.
The TF29 is an original TELEFUNKEN Elektroakustik design that has garnered fans for its natural and non-hyped tonality and unparalleled “quality for price”. It’s a workhorse microphone with a reputation of outstanding sonic performance and value, capable of accurately and honestly capturing vocals, guitars, drums, and nearly any other source put in front of it.
Audiophiles & Recording Engineers have relied on the Award winning TubeTraps to get their room sound just right. The IsoThermal TubeTrap continues this tradition with our new patented technology by delivering twice the bass absorption power, a fully adjustable diffuser with dynamic broadband sound absorption and diffusion. As the acoustic workhorse for solving your room's sonic problems, the Isothermal TubeTrap offers extended bass absorption and treble range diffusion to help your room sound lively and tight.
Audiophiles & Recording Engineers have relied on the Award winning TubeTraps to get their room sound just right. The IsoThermal TubeTrap continues this tradition with our new patented technology by delivering twice the bass absorption power, a fully adjustable diffuser with dynamic broadband sound absorption and diffusion.
The Quick Sound Field is a near field recording environment that allows you get the most sound you can into your mics. The QSF can transform the center of an ordinary room into a lush recording space. It works great for all types of recordings, from tracking drums and vocals in wide open spaces to close miking guitar amps in close quarters. The QSF lets you get more sound into your mics.
The Quick Sound Field is a near field recording environment that allows you get the most sound you can into your mics. The QSF can transform the center of an ordinary room into a lush recording space.
A monitor speaker stand is a studio must. A typical monitor on a stand is located about half way between the floor and the ceiling. The floor/ceiling bounce returns back to the monitor out of phase. This imposes a phase cancel effect on the speaker's output; for example, the first cut is around 74 Hz for 8' ceilings, causing the engineer to boost 74 Hz in the mix unnecessarily.
ASC sound Planks are the perfect companion to ASC TubeTraps for complete control of the acoustics in your room. After the bass range is under control, the soundPlanks further improve imaging and flutter echo without taking up any floor space. Install approximately 16" on center near early reflection points for optimal results. Install with less spacing for a more "dry" sound.
The award winning StudioTrap offers adjustable treble absorption & diffusion, 360 degree mid bass trapping, and variable height in one convenient package. Improve accuracy and ambience in your mixes and recordings by assembling the StudioTrap into AttackWall and Quick Sound Field configurations.
Undoubtedly one of the best-kept secrets in recording, the F760 designed by AD&R and licensed by Helios is one of the most classic FET comp/limiters ever made
The 2128 is the mic preamp circuit from the 0011 in a 500 Series package. It features the same quality preamp with 70 db of gain, 20 db pad, phase control, 48V phantom power and selectable high pass filter
Helios 2128 preamp circuit with 70dB of gain in 5dB increments. 20dB pad, Lustraphone input transformer. A balanced line in section is also featured. Inductor based LF/MF EQ section with selectable LF and MF and fixed 10Khz HF controls.
The Electrodyne 511 is a classic two-band discrete transistor reciprocal active inductor equalizer using early '70s design technology.
Designed by Brad Avenson of Austin, Texas-based Avenson Audio, the BAC-short for Brad Avenson Compressor-is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer.
For over six decades, audio transformers have been the bedrock of Mr. Rupert Neve's audio circuit design philosophy - and Rupert Neve Designs' bespoke transformers are an integral part of virtually every RND product.
With over 25,000 channels shipped since its launch in 2015, the RNDI is firmly established as the direct interface of choice for many of the world's most discerning musicians and engineers.
Firmly rooted in six decades of console design experience, the 5057 Orbit gives your mixes the legendary tonality, power, and wide-open soundstage that only Rupert Neve's class-A analog summing can provide.
The Pyra-Sum is a passive summing mixer that has what other summing mixers don't multiple cascading busses.
This, combined with our painstaking effort to match the commonly used impedances on popular guitars, basses, and amps, makes the GB Tracker sonically transparent. Your guitar or bass going through the GB Tracker will sound exactly the same as plugging directly into your amp.
An expansion to the GB Tracker allowing you chain multiple amps or place amps in a separate room.
Take on the largest music and audio productions with a powerful studio centerpiece that offers exceptional sound quality.
The HA-73 EQ Elite is made to the same specifications as the acclaimed 73 JR II, 73 EQ JR and DMA 73 Heritage Audio models at a price never heard before.
Optical Tube Compressors have been the choice of seasoned engineers and producers for recording critical signals such as voice where it is essential to retain all the individual character and emotion while offering a natural, transparent control.
Introducing the Heritage Audio BritStrip - the culmination of 50 years of analog design in a single rack unit. Britstrip nails the sound of yesterday's iconic recordings for today's demanding engineers.