Apogee Symphony MK1 with 16 Analog In + 16 Analog Out (Used) Apogee Symphony I/O is a modular multi-channel audio interface featuring premium AD/DA conversion and world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering on a Mac, Symphony I/O is the ultimate music production centerpiece for any modern [...]
API 560 Discrete 10 Band Graphic EQ (Used) Price $775 each Originally conceived for use in API consoles of the ’60s and ’70s, the API 560 Discrete 10 Band Graphic EQ is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the [...]
USB audio interface with two AD channels, four DA channels, two mic preamps, two front panel instrument inputs and independent stereo headphone DA
Telefunken Ela Gs1.900 (Vintage) Historic Tube Mic Amplifier sn #222539
Vintage Telefunken V1140 steel tube microphone preamplifier Incredibly rare, from the heydays of German broadcasting design. This V1140 from the 1940s or 1950s according to my best knowledge. It’s a relative of the fabled V41a tube preamp. The tube complement is similar: EZ11, 2 * EF12, EF12k. Variable gain: ca. 45 .. 60dB.
Prior to WWII, the German audio industry was infused with the best and most modern American and Western European radio and amplifier technology. This intense development effort eventually morphed into novel and breakthrough professional audio products developed by the German engineers for the German and European broadcast industry-at-large prior to the outbreak of WWII. After [...]
Prism Orpheus Firewire Audio Interface (Used) Overview Orpheus is a FireWire multi-track audio interface for with 8 channels of analogue input and output as well as digital I/O and sync. The first two channels of analogue input can be mic, line or instrument, the next two mic or line and the last four are line [...]
Urei/Teleronix LA3A (Vintage) Compressor/Limiter Single unit in excellent condition. The LA·3A Solid State Leveling Amplifier is the solid state successor to the well known Teletronix LA·2A. The unique characteristics of the T4A electro·optical attenuator have been maintained. It is these characteristics that have been greatly responsible for the acceptance and world wide popularity of LA·2A’s Improvements [...]
Solid State Logic XR728 XLogic X-Rack Stereo Dynamics Module (Used) The X-Rack Stereo Dynamics module is a Stereo version of the powerful SSL channel dynamics. Featuring independent Compressor/ Limiter and Expander/Gate circuits, the Stereo Dynamics module provides the familiar SSL Superanalogue level control tools for both Recording and Mixing applications. The Compressor section can switch [...]
Solid State Logic XR727 – XLogic X-Rack Stereo EQ Module (Used) X-Rack Stereo EQ Module The X-Rack Stereo EQ Module is a stereo version of SSL’s console Channel EQ. It is a classic SSL four-band parametric EQ that is a superb all round frequency adjustment tool kit. Whether you need pinpoint accuracy for surgical problem [...]
Apogee AD16X 16-Channel A to D Converter (Used) • 16 channels of premium 24-bit A/D conversion • Sample rates up to 192k • 16 channels of AES, ADAT/SMUX Output • Word Clock I/O X/Windows XP and all popular DAW’s • All option cards (X-FireWire and X-HD) facilitate connection of multiple units • “Soft Limit” for [...]
Tannoy System 1200 Passive Dual Concentric Studio Monitors (Used) This loudspeaker is a professional mid-field reference monitor, able to reproduce with accuracy and at high levels frequencies as low as 40 Hz. Using an advanced 12” Dual Concentric driver, if offers the advantages of point source operation in a very cost-effective design. The attractive octagonal [...]
KRK E8 Expose 2 Way Active Monitors (Used) Amplification As a 2-way design loudspeaker, the Exposé E8 utilizes two discrete, 120-watt (RMS) Class A / AB power amplifiers. The system runs Class A up to approximately 8 watts (the crossover point). This is a dual mono system—one amplifier each for HF and LF—with symmetrical heat sinks built into the sides for cool running, reliable operation. Special circuitry [...]
Groove Tubes GT66 Large Diaphragm Cardioid Tube Condenser Microphone Groove Tubes GT6205 tube powers this microphone’s Class A electronics. Large Diaphragm 3-micron gold capsule. Fixed Cardioid with a Hi-Pass filter (75Hz) and a 10 dB pad. The mic is in perfect working order. Includes case and shock mount. Excellent value.
McIntosh MC2150 Stereo Power Amp (Vintage) #2 ELECTRICAL: 150w/ch. (300w mono). Response 20-20kHz (+0 -0.25dB). Distortion 0.02%. Noise and hum -95dB. Output impedance 1, 2, 4, and 8 ohms. (0.5, 1, 2, 4, 8 and 16 ohms in mono). Damping factor 30 or greater. Input impedance 50k. Input sensitivity 0.75v or 2.5v. Headphone impedance: low. [...]
AKG C24 Stereo Large Diaphragm Tube Mic (Vintage) Both “Original” CK12 type capsules are in pristine condition. This is a MKII version with Brass “Wire-mesh” grills. Produced in Austria. Incorporating a dual Triode 6072 tube. The power supply has a dual controlled pattern selector from omni to bi-directional and depending on the directional characteristic selected and [...]
Neve 1060 Vintage Racked Pair EQ/Pre with Octal Transformers Circa 1969. These are extremely rare. The 1060 is the last in the line of the black face germanium transistor modules. The modules use external transformers (Gardners) mounted in the custom rack for the mic and line inputs and have LO1166 output transformers inside. EQ is [...]
Sony ECM23F Condenser Mic (Vintage) Uni-directional Back Electret condenser microphone for battery powered use. Operating for the extremely long period of more than 6,500 hours with one size “AA” battery, the ECM-23F is a high-quality, high-performance microphone suited to professional and semi-professional use in recording and broadcast studios, public address functions, and sophisticated amateur sound [...]
Audix D6 Dynamic Cardioid Mic (Used) Description The D6 dynamic instrument microphone is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. Lightweight, compact and easy to position, the D6 cardioid [...]
Apogee Ensemble Firewire Interface (Used) OVERVIEW 8 channels of top-of-the-line recording. The Ensemble Multichannel Audio Interface from Apogee delivers high performance converters, pristine preamps, and tight integration with Core Audio. You can use the Ensemble easily with Logic, MOTU Digital Performer, Steinberg Cubase, Bias Peak, Propellerhead Reason, Ableton Live, or any professional Macintosh recording application [...]
Crybaby Rack Module DCR 2SR with Foot Controller The Cry Baby Rack Module provides control over the frequency range, Q, and output level of the wah effect and allows for up to six rocker pedals to be connected for access anywhere onstage. The Cry Baby Rack Module gives more control over your wah tone than [...]
DBX 120XP Sub Harmonic Synth (Used) The disco boom of the 70’s was fueled by the throbbing bass beat of dbx Subharmonic Synthesizers in discos around the world. During the 80’s, patented dbx Subharmonic Synthesis was the secret weapon used by mobile DJ’s and film and sound professionals to produce an impact unavailable from any [...]
Rocktron Hush II Guitar Noise Reduction (Used) Hush noise reduction is the standard with touring rigs worldwide. Now you can tap into the same great circuitry to wipe out hiss, pickup buzz, and unwanted feedback. The Rocktron HUSH pedal delivers 65dB of signal cleanup, while your signal integrity remains unaffected. HUSH signal cleanup is provided [...]
Nakamichi CM300 Pair Electret Condenser Microphones (Used) Each microphone is fitted with a CP-1 Cardioid Capsule. These mics take (2) A544 batteries, but can be easily modified to accept phantom power. 1980s, made in Japan.
Sennheiser MKH 20-P48 RF Condenser Microphone Pair (Used) The Sennheiser MKH 20-P48 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omnidirectional microphones do not suffer from ‘proximity effect’. Omni-directional RF condenser [...]
Beyer M640N Miniature Dynamic Mic (Vintage) Requires 3-pin tuchel cable Originally designed as a talkback mic The mic is only 8cm/ 3.14inch long
Sony ECM-55B Omni-Directional Electret Condenser Lavalier Microphone Capsule Type Electret Condenser Frequency Response 30 Hz to 18 kHz Directivity Omni-directional Sensitivity *[1] -52.0 dB ±2 dB Output Impedance *[2] 100Ω±20%, Balanced Dynamic Range 98 dB or more Signal-to-Noise Ratio *[3] 66 dB or more Inherent Noise *[4] 28 dB SPL or less Induction Noise From [...]
Sony ECM-55B Omni-Directional Electret Condenser Lavalier Microphone Capsule Type Electret Condenser Frequency Response 30 Hz to 18 kHz Directivity Omni-directional Sensitivity *[1] -52.0 dB ±2 dB Output Impedance *[2] 100Ω±20%, Balanced Dynamic Range 98 dB or more Signal-to-Noise Ratio *[3] 66 dB or more Inherent Noise *[4] 28 dB SPL or less Induction Noise From [...]
Sony ECM 22P Pair Cardioid Condenser Mics (Vintage) Circa 1972. The Sony microphone Model ECM-22P is a cardioid condenser type with uniform response from 40 to 15,000 Hz. The capsule is 17 mm in diameter and made of a high-polymer film utilizing the electret principle of polarization and two output impedances: 250 or 600 ohms [...]
Neve 33422 Pair Channel Amplifiers (Vintage) With Belclair input transformers. as pictured