Features Continuously variable detented Gain, Threshold, Attack, Ratio and Release controls, 10 segment LED meters, Over Threshold LED, Patented THRUST Switch, 3 selectable compressor curve Knee settings, Selectable New or Old switch, Selectable variable or auto compressor, Audio circuit uses 2520 and 2510 Discrete Op Amps with transformer output.
Features, Mic Preamp, Front and Back Panel Mic Input Access, Line/Instrument Preamp, Front Panel Line/Instrument Input, LED VU meter, 20 dB pad switch, Phantom switchable power, fully discrete circuit design.
A solid-state, large diaphragm condenser microphone, featuring the legendary TG sound, a 'Dual Tone' voicing system and on-board NAB/IEC 'Tape Equalizer' facility.
AKG C451 EB Pair Condenser Mics with CK1 cardioid front address capsules. These are the first issue with input transformers introduced in 1969. The later 451B was transformer- less. C-451 EB,” has a switchable high-pass filter, providing a 14dB/octave cut at either 75Hz or 150Hz. Beautiful vintage high end and a really essential tool for any [...]
Sennheiser MD441 Dynamic Super Cardioid Mic Five-position low frequency contour switch, a two-position high frequency switch, a critically damped internal shock suspension, and a hum bucking coil. Point it at a snare drum and go. Try the treble boost. The microphone body is all metal, with a “simulated leather finish.” The grille is nickel plated.
The MD 421’s has been a fixture in recording studios since its introduction in 1960. Has a fixed cardioid pattern and five-position bass control Generally fatter and tubbier sounding than a SM57. Really good choice for toms and anything you need a good round sound with some snap. The MD421 has a 5-position bass roll-off [...]
Neve 1081 Classic Reissue 4 Band EQ/Mic Pre Modules (Used) several available / price per module
HSE Audio Lab EQ1 designed by R. Huber / Studer (Vintage) High end Swiss parametric EQ 4 Band Parametric with lo and hi cut filter. Dual Mono or Stereo Linkable 10hZ to 30K. One of 50 production units Rare! Clean variable and precise Courtesy of Gear Sluts and MajorDom one of the founding members of [...]
McIntosh MC2150 Stereo Power Amp (Vintage) ELECTRICAL: 150w/ch. (300w mono). Response 20-20kHz (+0 -0.25dB). Distortion 0.02%. Noise and hum -95dB. Output impedance 1, 2, 4, and 8 ohms. (0.5, 1, 2, 4, 8 and 16 ohms in mono). Damping factor 30 or greater. Input impedance 50k. Input sensitivity 0.75v or 2.5v. Headphone impedance: low. Sentry [...]
Millennia Media Quad Preamp & PSU (Used) four channel microphone preamplifier QUADPRE Uncolored timbral accuracy at all dynamic levels. Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm. Effortless, vividly realistic, musical performance. Welded 16 gauge steel rack chassi Unsurpassed ambience retrieval Transformerless design with matched hi-speed discrete transistor octet [...]
Urei LA3A Consecutive Pair Compressors (Vintage) Racked pair of vintage Urei LA-3 Leveling Amplifier’s. Solid state version of the classic LA-2A T4 tube optical limiter. Fully discrete. This stereo consecutive pair (#398 & 399) has been modded with a stereo link switch on the right hand unit (see photo). Rich tone, big and full. Always [...]
SSL FX G384 Stereo Compressor (Vintage) Original SSL FX-G384 Grey Face Stereo Compressor with DBX 2151 VCA’s and 5532/4 opamps is the original rackmount version of the classic SSL 4000 Consoles quad center section compressor. Selectable fixed attack, release and ratio values, but variable threshold and gain make up. Auto Fade
Roland SDD 320 Dimension D Processor (Vintage) Roland SDD-320 Dimension D which was introduced in 1979 and used extensively by Brian Eno, Talking Heads, Kate Bush, U2, and others. The Dimension D works as a fixed chorus machine that intentionally lacks typical pitch modulation, instead achieving its effects through the use of dual synched delay lines that [...]
The Lexicon PCM 70 Digital Effects Processor gives you access to the same astonishing digital effects used by the world’s top artists and studios – all in a compact single-space rack mount unit. The Lexicon PCM 70 offers more than 40 digital effects and reverb programs, including chorus and echo, resonant chords, multiband delays, rich chamber, rich plate, and concert hall. Add [...]
The Yamaha Rev7 Professional Digital Reverberator, is a state-of-the-art sound processing device that is both extremely versatile and easy to operate. This refined stereo reverberator uses highly complex digital technology to create astonishingly authentic, warm, natural reverberation. A host of superb features makes this unit a unique example of modern, sophisticated sound processing – from [...]
DBX FS900 Rack with 2 x 902 De-Essers Excellent industry standard dynamic range processor for curing vocal sibilance,. Also use to create some interesting tonal textures on your mix. Tame harsh cymbals, screechy guitars, string noise etc… The de-esser retains the basic tonal texture of the voice or instrument you are processing. These DBX’s set [...]
Drawmer DS201 Dual Gate (Used) The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Features: Variable high pass and low pass filters for “frequency conscious” gating. Comprehensive envelope control, attack, hold, decay, [...]
DBX 160VU Compressors Pair (Vintage) 1970’s The Father of the VCA Originally founded by David Blackmer in 1971, dbx (shorthand for “decibel expansion”) was the birthplace of many groundbreaking and enduring technologies and designs. Originally employed as a device to restore transient loss due to the negative side effects of magnetic recording, Blackmer’s patented VCA [...]
DBX 160A Mono Compressor (Used) #2 Since its introduction in the mid 1970’s, the dbx 160 series has been the world’s most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios), came the 165, the 160X and the 160XT. The 160X/XT were the models that [...]
DBX 160A Mono Compressor (Used) #1 Since its introduction in the mid 1970’s, the dbx 160 series has been the world’s most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios), came the 165, the 160X and the 160XT. The 160X/XT were the models that [...]
Sony Studios Custom Room 309 console, with Flying Faders Neve Encore Automation 36-input, 12-bus Built for Dave Smith includes 572 position TTL patchbay to Elco panel, Neve Encore Computer, NeveFader Automation Control PSU, Neve MCS 2 Machine Control, Neve Fader Servo rack Article courtesy of Mix Magazine THE UNSUNG HERO I had the pleasure of [...]
Neve 1081 Classic Reissues Rack of 8 Classic Hand-Built Preamp and EQ Designed in 1972, the 1081 was originally conceived as a combined mic/line preamp and equalizer section for the Neve modular consoles. A glance through the credits on today’s platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming [...]
SSL 9000J 8 Channel Bucket with 8 x SL911 Modules Here is an excellent way to get 8 incredible channels of EQ/Pre and Dynamics. The buckets are priced with out power supply and wiring Input/Output Module The input/output module bears a strong resemblance to the SL4000G module, but with a number of enhancements. The MIC gain [...]
Daking FET II – Class A FET Compressor/Limiter with Discrete Circuitry, Seven Release Time Constant Settings, 3-Function VU Meter, and Two Inputs Daking FET II Limited Edition – Compressor Single-channel compressor Backlit VU meter with discrete Class A circuitry Stainless steel construction Transformer-balanced inputs and output Class A amplifiers Threshold adjustable from -10 to [...]
Langevin Dual Vocal Combo (Used) The Langevin Dual Vocal Combo is a 2 channel microphone preamplifier with 2 shelf equalizers plus 2 channels of electro-optical limiters. The combo is the result of suggestions from our customers to combine two of the most popular Langevin products and make the price irresistible, half the price of the [...]
Hafler M5 Passive Monitors (Pair) 70Hz-21kHz,+\-3db ≥110dB (per pair w/music @ 1m) (THD) <3%,70Hz-150Hz <1%, >150Hz at 90db @1m on axis 1” (25mm) Silk Dome 5 1/4” (133mm) Polypropylene Cone Nitrile Rubber Surround Full Magnetic Shielding 0.19 cu.ft (5.3 liters) Black Textured Vinyl on 5/8” MDF Front Firing Vent 20-200 Watts Program >89dB (w/2.83 vrms [...]
UTC 3A Passive EQ Vintage (Pair) 50s UTC 3A Universal passive equalizer. This is pretty much the same as the Cinema 4031 B or Langevin 258A. The low end is selectable at 25Hz, 50Hz or 100Hz (and off), it has up to 25 dB of boost. The top is selectable at 4K, 6K, 8K, and [...]
3M 2″ 24 Track Head Assembly #2 (Vintage) For 3M M79 2″ Recorder
3M 2″ 24 Track Butterfly Headstack (Vintage) For 3M M79 2″ Machine
JBL 4435 Studio Monitors Pair (Vintage) Specifications Type: 2 way, 3 driver loudspeaker system Frequency Response: 30Hz to 16kHz Power Handling: 375W Crossover Frequency: 1000Hz Impedance: 8Ω Sensitivity: 96dB Bass: 2 x 380mm cones Tweeter: 1 x horn Enclosure: bass reflex Finish: oiled walnut Dimensions: 908 x 965 x 435mm Weight: 114kg Year: 1987