Meet FREQ, the latest addition to the Wolff Audio family. FREQ is a Sweepable 4 Band, Proportional Q Parametric EQ packaged for 500 series. It is very flexible, extremely accurate and will deliver exceptional audio performance for every project type and size.
The Tutti microphone and instrument preamplifier is designed and produced in collaboration with Wolff Audio and Sunset Sound Recorders, Hollywood. The product is made in tribute to Tutti Camarata, an audio innovator and the founder of Sunset Sound. Tutti, along with his internal engineering staff, created the original preamp that was installed into the Sunset Sound Studio 1 console and used to record thousands of tracks in legendary sessions.
The 500 Series RefPre Reference Preamp stands out for what it won't do. It won't color your audio. Never Ever. The transparent design uses minimal circuitry and signal paths.
The STX 100 represents an affordable alternative for employing the same Spectra Sonics technology of our famous recording desks made over 40 years ago. The unique circuit topology of the STX 100 utilizes a 100 series discrete preamplifier design that was at the heart of every console built by the company. The result is unequaled performance in terms of expanded dynamic range (headroom), low noise and distortion, as well as extended harmonic content of the amplified signal.
The design of the STX 600 uses the same input section as the C610 and V610 Complimiters. The input section, (top knob), allows for quick setup for use as a limiter, limiter/compressor, or mild to moderate compression, (10:1). The output section, (bottom knob), allows for gain control for both compression compensation, and or microphone level adjustment.
The STX 100D is the latest product to be available from Spectra 1964. Based on the Spectra Sonics console design and development from 1964 through 1971, the 100D features an all-discrete topology using two 101 amplifier modules and US-made input and output transformers, packaged in a single space 500 series lunch box format. Without compromising performance, the 101's were reduced in physical size by over 75% to fit the 500 series lunchbox.
Get The Fairchild Sound in the 500 Seires format Originally designed for broadcast and cutting of lacquer masters for vinyl albums the Fairchild evolved into what is probably the most famous and coveted compressors of all time.
LOOPTROTTER MODULAR CONSOLE is a perfect solution for all studios, producers and engineers who already use 500 series modules in their creative environment. The console is fully customizable and compatible with almost every 500 series module currently available on the market.
A variable-frequency low-cut filter and unique low and high detail equalization controls, a 20dB pad, polarity invert, +48V phantom power, a front panel instrument input, VU metering, and peak indicator.
Precise RMS gain reduction and input/output meter display with calibration control for different operating levels.
A frequency control with a range from 800Hz to 8kHz, gain reduction metering, and a De-essing amount range from 0dB to 20dB.
Based on the classic dbx 905 and 3-band parametric EQ with a selectable bell or shelf type filters on low and high-frequency bands.
API's classic 312 microphone preamp in a 500 series module and vintage style analog vu meter, 20 db pad switch.
The Wunder Audio cobalt pre has the same circuit/ input transformer and output transformer as the wunder audio PEQ2.
Transformerless differential-balanced input and transformer-balanced output.
Circuitry features two inward connection’s VF600 all-discrete amp blocks.
Features Continuously variable detented Gain, Threshold, Attack, Ratio and Release controls, 10 segment LED meters, Over Threshold LED, Patented THRUST Switch, 3 selectable compressor curve Knee settings, Selectable New or Old switch, Selectable variable or auto compressor, Audio circuit uses 2520 and 2510 Discrete Op Amps with transformer output.
Low band frequency range 35hz to 1khz and high band frequency range 560hz to 16khz.
Dual concentric knobs for frequency and bandwidth controls fit standard 500 series slot configuration mechanically and electrically.
Independent Slot Power technology and tantalum caps on each slot with XLR sockets in/out for each slot.
Proprietary THD implementation and flexible DAW/Live plug-in control for instant recall.
500 Series Tube Compressor with Hard/Soft Knee Modes, Switchable Feedback Modes, Wet/Dry Parallel Compression, and Multi-unit Linking.
8-Slot 500 Series Chassis with Integrated 10-channel Summing Mixer, Individual Pan, Fader, and 48V Phantom. Master Fader, External +_16V PSU. 3RU 19" Rackmount. DB25 and XLR I/O Daisychainable
10 Slot Powered 500 Series Rack. 19" Rackmount with XLR in/out and Phantom 48V
6 Slot Powered 500 Series Rack. 19" Rackmount with XLR in/out and Phantom 48V
Features Continuously variable detented Gain, Threshold, Attack, Ratio and Release controls, 10 segment LED meters, Over Threshold LED, Patented THRUST Switch, 3 selectable compressor curve Knee settings, Selectable New or Old switch, Selectable variable or auto compressor, Audio circuit uses 2520 and 2510 Discrete Op Amps with transformer output.
A Single slot blank panel, used in the API lunchbox, 500V Rack and expansion slots for the 1608.
500 Series 10-band Graphic EQ with Transformer-balanced Signal Path, Highpass and Lowpass Filters, and 2520 Style Op-amp
