The TF29 is an original TELEFUNKEN Elektroakustik design that has garnered fans for its natural and non-hyped tonality and unparalleled “quality for price”. It’s a workhorse microphone with a reputation of outstanding sonic performance and value, capable of accurately and honestly capturing vocals, guitars, drums, and nearly any other source put in front of it.
The UT Twin87 captures the essence of both the original classic and modern incarnations of the "87-style" microphone design.
The UT FET47 features a custom Cinemag transformer, a custom Heiserman designed HZ-Series capsule, vintage polystyrene capacitors, and NOS (new old stock) FETs.
The M 49 is a great microphone in every respect. As impressive as its physical appearance is its incomparable sound. With its revolutionary technology, the M 49 has set new standards altogether.
Very rugged case with sintered disk and can be used with different impeadance capsules.
The 4115 Broadcaster's Noise Cancelling Ribbon Microphone is used for close indoor talking situations where good quality broadcasting and public address announcement speech is required to be reproduced in conditions with high background noise present.
The new 3122V provides 2 channels of API's signature analog sound and features the same legendary circuit design found in the 3124V and 3124MV, as well as the 312, 512V, and 512c mic preamps.
Retro. Futuristic. We are proud to introduce technical grammy award winner david royer's modern take on a legend - the sony c-37a. Known for its high headroom and ability to tame brittle high end, it became a workhorse in the 60's, especially during the golden age of Hollywood recording - the "Wrecking Crew" era. Studios such as capitol records and sunset sound acquired multiples, which are still use today.
Thanks to its smooth, full response, and gentle presence boost, the H47 is well suited to be your main studio mic. Or, if you're looking for a dedicated mic for vocals or kick drum, the H47 is a perfect choice!
The CM7 G (Glass Tube Switchable) Suprema is the latest evolution of the CM7-GTS.
Record in stereo from a single microphone with dual-channel L22 large-diaphragm, three-dimensional soundfield, and extremely low latency.
Premium quality closed-back studio headphone for monitoring, editing, and mixing.
Excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.
Excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.
Designed AMBEO VR Mic has been developed in cooperation with VR content producers.
The e 914 is a high grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e 914 for highly sophisticated tasks.
The e 945 is a super-cardioid lead vocal stage microphone specially designed to perform under pressure while exhibiting a naturally smooth response. Made for the working musician.
The e 965 is Sennheiser's first large-diaphragm, true condenser handheld microphone.
The MD 42 is a high-quality reporters microphone with omni-directional pick-up pattern.
Includes M82 with M782 Mount, 3x M81-SH with M784 and M785 Mount, 5 x SGMC-5R
Includes M82, M80-SH, M81-SHx2, M60x2 Microphones
Includes M82, M80-SH, M81-SHx3, M60x2 Microphones
Large-diaphragm Cardioid Dynamic Microphone with Switchable Low-middle Frequency Filter and high frequency Boost, with 25Hz - 18kHz
Large-diaphragm Cardioid Dynamic Microphone with Switchable Low-middle Frequency Filter and High Frequency Boost
Wireless Supercardioid Dynamic Capsule head with 30Hz - 18kHz Frequency Range
The M81-SH is great for taming brighter vocals, guitar tones, and fattening up toms, percussion, horns and thinner sounding sources.
Dynamic Microphone with Supercardioid Pickup Pattern and 50Hz - 18kHz Frequency Response
Coles 4104 Commentator’s Microphone
The 4104 Commentator's Noise Cancelling Ribbon Microphone is of British Broadcasting (BBC) design and used for reproducing high quality commentary speech from noisy surroundings by cancelling out a considerable degree of background noise.