Antelope Audio Goliath HD Audio Interface
All Your HD Setups Belong To Goliath:
64 channels of audio now via HDX & USB 3.0
Goliath HD is a 64-Channel interface that can be used with Pro Tools HD or Native DAWs via second generation ThunderboltTM, USB 3.0 or via 2 MADI connections, which are compatible with MADI to Dante Bridge products. Coming with extensive I/O options, featuring 16 Accusonic mic preamps with individual volume controls, 32 analog ins with 124dB of Dynamic Range, 32 analog outs with 129dB of Dynamic Range, plus mastering grade monitor outputs, featuring new technology that boosts dynamic range to a spectacular 132dB.
Goliath HD comes with 8 instrument inputs, 2 transformer re-amp outs, integrated Talkback mic, 2 headphone outs and a pair of analog inserts. And if this wasn’t enough, the descendant of the mighty Goliath offers also AES, MADI, ADAT and S/PDIF connectivity.
The Power Of The Fpga FX:
Explore a growing library of legendary studio gear when tracking, mixing and mastering
FPGA offers a whole new level of real time performance and sonic excellence. The platform is taking advantage of real hardware circuitry and component modeling, allowing engineers to track a vocalist with a zero latency headphone mix, including reverb; record a guitar part with proper feel & tone, using onboard amp and cabinet FX. Capturing a full drum kit is also brought to another level with up to 16 mics using the industry’s best new Microphone and Mic Preamp technology, all in realtime.
Leave Latency Behind:
Revolutionize your Pro Tools HD workflow
With Antelope’s proprietary HDX Delay Compensation, any analog or digital input can arrive in Pro Tools HD sample accurately in the timeline. No other interface on the market offer this level of perfect integration for digital sources to Pro Tools HD software.
The Antelope Audio Real-time FX, zero latency independent software mixers and routing matrix with two alternative views are the perfect compliment to Pro Tools HD studios, which have come to expect maximum power at their disposal. Goliath HD, however, is compatible with any DAW on the market making the device the heart and soul of the highest tier audio facilities around the world. Our newly introduced full Session Presets are the perfect match for the complex and large-scale setups and projects Goliath HD was designed to handle.
HD Studio Centerpiece:
Work on complex projects and multiple DAWs with Goliath HD
By offering both HD and USB 3.0 modes, engineers can now accommodate producers and their laptop projects and integrate them into their existing HD setups by easily switching between HD and our low latency Thunderbolt™ Gen2 and new USB 3.0 modes.
Goliath HD guarantees quiet operation even in the most demanding control rooms. Don’t be surprised if soon expensive machine rooms become a thing of the past.
Clock It Like It’s Hot:
The key to top sound is the Antelope Audio clocking
Another reason why Goliath HD sounds like no other interface on the market is because of the world-renowned Antelope Audio Acoustically Focused Clocking (AFC) jitter management technologies it features. With over 20 years of history in digital clocking behind us, we backed the Goliath HD up with all OCX HD and Trinity sounding audio clocking.
This unbeatable sonic detail and precision, combined with analog authenticity will bring your sound to the realms of hi-end audio. Now you can also spread this perfection across your whole studio as BNC connectors are available for use as Loop Sync, standard Word Clock I/O and the Antelope Audio 10M atomic input.
All The Control You Need:
Goliath HD comes with a revised Touchscreen display and enhanced front panel
Goliath HD features a redesigned front panel. With enhanced monitor and level indicators, the responsive Touchscreen offers multichannel metering, easy access to preferences, presets, and clocking modes for HD or Native interfacing. And if this wasn’t enough, the Goliath HD dedicated Android & iOS compatible mobile app will allow you to turn your smartphone or tablet into a powerful audio interface remote control.
- 16 Mic Pres 16 Class-A Mic preamps. Hi-Z, Mic & Line ins with DMR of 124 dB
- 64 Channels I/O Simultaneous streaming of 24-bit, 192 kHz audio via HDX or USB 3.0 and MADI (to Dante Bridge), ADAT, S/PDIF and DB25
- Supreme AD/DA & Clocking Latest generation of ESS powered audiophile grade conversion, paired with Antelope’s
- 64-bit Acoustically Focused Clocking technology with BNC Word Clock I/O plus the Antelope
- Audio 10M Atomic Input
- Massive FPGA Proprietary FPGA for authentic modeling of vintage EQs, Compressors, Guitar Amps & Cabs; maintaining multiple mixers and zero latency real-time FX processing
- Mastering Grade Monitoring Goliath HD offers high-end monitor outputs, with dynamic range boosted to 132dB
- Software Control Touchscreen, enhanced front panel, user friendly routing, mixing and real-time effects processing via OS X & Windows compatible panel and mobile apps
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