Studio Quality Audio Interface and Monitor System

The Audient iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time.

Features:

• 10-in, 14-out Desktop Interface
• 2 x Class-A Audient Console Mic Preamplifiers
• High Performance Burr Brown AD/DA Converters
• Fully Balanced Inserts
• ADAT Input & Output for Expandability
• 1 x Discrete JFET Instrument Input
• Low Latency DSP Mixer
• Main and Alternative Speaker outputs
• Independent Class-AB Headphone Output
• User Defined Function Keys
• Full Monitor Control Functionality (software controlled)
• USB2.0 Compliant
• 24bit/96khz
• All-Metal Enclosure
• Over £500 worth of plugins and software with ARC

Audient Console Mic Pres

The professional sound you deserve

We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you’re in the studio with an Audient console or on the road with iD22, you’re always guaranteed the same world class Audient sound.

Mic Pre Technology

We take an insight into why our microphone preamplifier design has become so popular amongst so many professionals and hobbyists alike.

The Audient Mic Pre Guarantee

Over 20 years of design heritage at your fingertips

We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you’re in the studio with an Audient console or on the road with iD4, you’re always guaranteed the same renowned Audient sound.

Evolution of the Audient Mic Pre

Quality begins with the first steps of design
Designed by David Dearden (of DDA & Advision Studios) back in 1997 the Audient mic pre is an all discrete high grade op amp design that delivers low noise, low distortion, and high common mode rejection at all gain levels…offering a faithful reproduction of the source with just enough colour to give the signal some character.

The Design Rationale

The quest for musical transparency

The microphone preamplifier has historically been the most difficult circuit block to design and also the block where designers have striven to express their individuality. David Dearden has always been on a quest for musical transparency and below he outlines his design.

Pristine Converter Technology

Brilliance on the inside enables brilliance on the outside

iD22 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it’s supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Expand

Grows with your needs

iD22 is more than just a two in, six out interface. As your system grows iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via an eight-channel mic pre such as our ASP880.

Converter Technology

High quality AD/DA converters are a vital factor in hearing what you’re recording or mixing accurately. We have chosen some of the best converters available to make sure all our products offer you stunning translation.

Balanced Inserts

Integrate your outboard

Two fully balanced insert points enable you to bring your outboard gear in from the cold and prior to conversion. Insert your favourite compressors or EQs and start creating vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters – providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.

Plug and Play

Simply plug in and be inspired

As well as offering you 2 channels of mic pre, iD22 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly

Scroll Control

The virtual scroll wheel
Get hands on control of your software with iD14’s ScrollControl. With a touch of a button iD14’s volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14’s mixer app and even scroll through your iTunes library – just like you’re adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control.

Console Style Monitor Control

Customise your control surface

iD22 has a range of incredibly flexible console style monitor control functions such as mono, polarity, dim, cut, speaker select, talkback & cue mix monitoring. We know how important it is to focus on the music and to make tracking as simple as possible we added three programmable function keys. No more time spent searching for software controlled features, just assign the monitoring functions you need to the three hardware function keys and allow the creativity to flow.

Intuitive Software

Discover just how simple it can be

We understand the need to keep things simple and iD22’s mixer app was designed with that in mind. Whether you’re creating low latency cue mixes or utilising the flexible monitor control, iD22 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what’s really important – the music.

Built to Last

Quality deserves protection

iD22 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD22 will stand up to countless late nights in the studio and days on the road.

Technical Specification:

Microphone Preamplifier:

• Mic Gain: -10 to +60 dB (-10dB Pad)
• Line Gain: -20 to +40 dB (-10dB Pad)
• Phantom Power: 48v +/-4v @ 10mA/Channel
• Mic EIN: <-125dBu
• CMRR: >80dB @ 1kHz
• Maximum Input Level: +22dBu (+32dBu with Pad)
• Input Impedance (Mic): >3kO Balanced
• Input Impedance (Line): >10kO Balanced
• Frequency Response: +/-0.5dB 10Hz to 100kHz
• Crosstalk: <-90dBu @ 1kHz & 10kHz
• THD+N @ 0dBu (1kHz): 0.0015% (-96dBu)
• SNR: 96dB
• HPF: -3dB @ 100Hz, 2nd Order (12dB/Octave)
• XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
• 1/4″ JACK: TIP (Hot), RING (Cold) & SLEEVE (Shield)

D.I (Channel 1):

• D.I Gain: -16 to +54 dB (-10dB Pad)
• Maximum Input Level: +16dBu (typical), +22dBu
• Input Impedance: 1MegO Unbalanced
• Frequency Response: +/-0.5dB 10Hz to 50kHz
• THD+N @ 0dBu (1kHz): <0.03% (-70dBu)
• SNR: 93dB
• 1/4″ JACK: TIP (Hot) & SLEEVE (Shield)

Insert Sends (Mic Pre Out):

• Maximum Output Level: +22dBu
• Output Impedance: <100O Balanced
• 1/4″ Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)

Power Supply:

• 12VDC Centre Positive DC Adapter – >1.5Amps

ADC Line Inputs:

• Maximum Input Level: +18dBu
• Digital Reference Level: 0dBFS = +18dBu
• Input Impedance: >10kO Balanced
• Frequency Response: +/-0.5dB 10Hz to Fs/2
• Crosstalk: -100dBu @ 1kHz & 10kHz
• THD+N @ -1dBFS (1kHz): <0.002% (-94dB)
• THD+N @ -6dBFS (1kHz): <0.0015% (-97dB)

Dynamic Range:

• 117dB un-weighted
• 120dB A-weighted
• 1/4″ Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)

DAC Outputs (1-4):

• Maximum Output Level: +18dBu
• Digital Reference Level: 0dBFS = +18dBu
• Output Impedance: <100Ω Balanced
• Frequency Response: +/-0.5dB 5Hz to Fs/2
• Crosstalk: -110dBu @ 1kHz & 10kHz
• THD+N @ -1dBFS (1kHz): <0.0008% (-101dB)

Dynamic Range:

• 110dB un-weighted
• 114dB A-weighted
• 1/4″ Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)

Headphone Output (5&6):

– Maximum Output Level: +18dBu
– Digital Reference Level: 0dBFS = +18dBu
– Output Impedance: <50O Balanced
– Frequency Response: +/-0.5dB 5Hz to Fs/2
– Crosstalk: -110dBu @ 1kHz & 10kHz
– THD+N @ -1dBFS (1kHz): <0.0008% (-101dB)

Dynamic Range:

– 110dB un-weighted
– 114dB A-weighted

Max Level into 30ohms:

– +8dBu, 0.0032%
– THD+N, 2.75Vpk
– Power: 250mW or Pavg 125mW

Max Level into 60ohms:

– +11dBu, 0.0022%
– THD+N, 4.3Vpk
– Power: 300mW or Pavg 150mW

Max Level into 600ohms:

– +17.2dBu, 0.0013%
– THD+N, 7.94Vpk
– Power: 105mW or Pavg 52.5mW
– 1/4″ Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)

Digital I/O:

• Adat 8 Channels 44.1 – 48kHz
• Adat 4 Channels 88.2 – 96kHZ
• STEREO S/PDIF 44.1 – 96kHz

USB2.0 High Speed

• No. Of Input Channels 10 (2 Analogue, 8 Digital)
• No. Of Output Channels 14 (6 Analogue, 8 Digital)

iD DSP Mixer Roundtrip (in to out) Latency:

• 44.1 kHz 1.43ms
• 48.0 kHz 1.31ms
• 88.2 kHz 0.719ms
• 96.0 kHz 0.656ms

DAW Playback Latency @ 32 Sample Buffer for Software Instrument Playback:

• 44.1 kHz: 3.166ms
• 96.0 kHz: 2.12ms

DAW Roundtrip Software Monitoring Latency @ 32 Sample Buffer (in to out):

• 44.1 kHz: 6.33ms
• 96.0 kHz: 4.24ms

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