DiGiCo SD10T-24 Digital Mixing Control Surface

DiGiCo SD10T-24: Trusted in theatres everywhere

For theatres the world over, the only choice when it comes to absolutely reliable mixing is the DiGiCo SD10T-24. Packed with a wealth of features derived from the SD7T, this unshakeable console is fully loaded with the audio firepower you need to ensure that every production is faultless.

Driven by Stealth Digital Processing and floating-point Super FPGA technology, the SD10T has the power and flexibility to deliver the most demanding shows. Ease of operation is assured with three banks of 12 motorised faders and one master fader, each with its own high resolution LED bar graph meter. All functions are quick to hand courtesy of the centrally located 15-inch backlit colour-keyed TFT touchscreen.

With the SD10T, flexibility comes as standard: recall or save presets on the channel strip; recall or save snapshots using the master screen or simply use the dedicated switches on the surface. Special functions can be assigned and accessed instantly via 40 Smart Key Macros, accessed via four layers of 10 RGB backlit keys.

Under The Hood

With 144 processing channels at 48kHz/96kHz, the SD10T has the muscle to handle the most challenging of theatrical productions.

Standard channel processing across inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection and DiGiCo’s renowned DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

You will also benefit from 218 Dynamic EQ processors, all of which can be assigned to any input or output channel, delivering dynamic processing over the four standard parametric bands, plus 218 Multiband Compressors and 218 DiGiTuBes.

All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.

In addition, the SD10T’s 64 busses can be configured as groups or auxiliary busses, while even more configurability is delivered by a 24 x 24 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

An abundance of I/O can be found on the rear of the SD10T, including eight mic line inputs, eight line outputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections – expandable to 32.

The SD10T also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. This opens the door to a wealth of interfacing options and enhanced flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engine consoles can connect to one optical loop for an incredible 1,152 I/O connections (56 inputs and 56 outputs per SD-Rack).

Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

SD10T I/O Racks & Options

• SD-Rack
• SD-MiNi Rack
• SD-Nano Rack
• D2-Rack
• D-Rack
• SD-RE Rack
• Orange Box
• RR-PSU
• Waves SoundGrid
• Purple Box
• Little Red Box
• Little Blue Box
• UB MADI
• SD-RE Rack
• SD10
• SD10B
• SD10-24

Features:

• 144 Input Channels
• 64 Aux / Sub-Group Busses
• LR/LCR/LCRS/5.1 Master Buss
• 24 x 24 Full Processing Matrix
• 218 Dynamic Equalizers
• 48/96kHz Sample Rate

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General Specifications

• Faders 37 x 100mm Touch-Sensitive, Motorised (25 on SD10T-24)
• Screens 1 x 15” (38cm) LCD High - Resolution Touch Screen
• Meters 38 x 20-Segment LED Bargraph (26 on SD10T-24)
• Input Channels 132
• Busses 56 assignable that can be configured as groups / auxiliary busses + LR or LCR Master
• Solo Busses 2 Stereo Busses
• Matrix 24 x 24 Matrix (Additional to Busses Above)
• Control Groups 24, Selectable for VCA-style, Moving Fader, Mute Group
• Graphic EQ 24 x 32-band, Gain +/- 12dB
• Internal FX 24 Stereo FX Processors
• Local I/O 8 x Mic/Line I/O, 8 x AES/EBU I/O (Mono)
• MADI Interface 2 Redundant Interfaces, 75 Ohm BNC Connectivity
• Standard Optics
• MIDI Interface In / Out / Thru
• VGA Port DB-15 Mini-Female (1024 x 768 Resolution)
• USB Ports (3) USB 2
• Light Connection (2) XLR3 1.2 – 12V
• Ext Sync Word Clock, AES, MADI, Optics
• Headphone TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack
• SD10 Dimensions 1398mm (w) x 818mm (d) x 285mm (h)
• SD10 Weight 60Kg/132lbs (175Kg/385.80lbs with Optional Flightcase)
• SD10 Flightcase 1586mm (w) x 1158mm (h) x 504mm (d) Weight 115Kg/253.53lbs (Optional)
• SD10 Power Requirements 90-264 VAC, 47-63Hz Auto Sensing.235 watts

Audio Specification

• Sample Rate: 48kHz, 44.1kHz or 96kHz
• Processing Delay: 2ms Typical @ 48k(60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
• Internal Processing: Up to 40-bit, Floating Point
• A>D & D>A: 24-bit Converter Bit Depth
• Frequency Response: +/- 0.6dB (20Hz – 20kHz)
• THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
• Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
• Residual Output: <90dBu Typical
• Noise: (20Hz - 20kHz)
• Microphone Input: Better Than -126dB: Equivalent Noise
• Maximum Output Level: +22dBu
• Maximum Input Level: +22dBu

Processing Channel Specification: Input Channel

• Name: User-Defined / Presets
• Channel Selection: Mono / Stereo / Multi
• Input Routing: Main & Alternate Input
• Analogue Gain: -20 to +60dB
• Phase: Normal / Reverse
• Digital Trim: -40 to +40dB
• Delay: >1 Sec (Coarse & Fine Control)
• DiGiTuBe: Drive 0.01 50.0
• Bias 0 6
• LPF: 20 – 20kHz, 24dB/Oct
• HPF: 20 – 20kHz, 24dB/Oct
• Insert A: (Pre EQ/Dyn) On/Off
• Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
  • Hi Shelf, Hi/Hishelf)
  • On/Off
  • Freq; 20 – 20kHz
  • Gain; +/18dB
  • Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
  • Dynamic EQ On/Off
  • Over/Under
  • Band On/Off
  • Threshold; -60 – 0dB
  • Attack; 500us – 100ms
  • Release; 10ms – 10s
  • Ratio; 1:1 – 50:1
• Dynamics 1: Single or Multiband (3-Band)
  • Compressor: On/Off
  • Threshold; -60 – 0dB
  • Attack; 500us – 100ms
  • Release; 10ms – 10s
  • Ratio; 1:1 – 50:1
  • Gain; 0 to +40dB with
  • Autogain Option
  • Link; Any Channel/Buss
  • Hi Crossover; 20Hz – 20kHz
  • Lo Crossover; 20Hz – 20kHz
  • Knee : Hard, Med, Soft
  • De-Esser: Threshold : 20us – 20ms
  • Release : 1ms – 100ms
  • Ratio : 1:1 – 50:1
  • Ess-Band : Listen On/Off
  • Ess-Band Filter Freq / Width: 20Hz – 20kHz
• Dynamics 2: On/Off
  • Gate / Ducker: Threshold; -60 – 0dB
  • Attack; 50us – 100ms
  • Hold; 2ms – 2s
  • Release; 5ms – 5s
  • Range; 0 - 90dB
  • Key; Any Source
  • Key Listen
  • Freq/Width; 20 – 20kHz
  • Compressor: On/Off
  • Threshold; -60 – 0dB
  • Attack; 500us – 100ms
  • Release; 10ms – 10s
  • Ratio; 1:1 – 50:1
  • Gain; 0 to +40dB with
  • Autogain Option
  • Link; Any Channel / Buss
  • Hi Crossover; 20Hz – 20kHz
  • Lo Crossover; 20Hz – 20kHz
  • S/C Source : Any Source
  • S/C Listen : On/Off
  • S/C Filter Freq/Width: 20Hz – 20kHz
• Insert B: (Post EQ/Dyn) On/Off
• EQ/Dyn order: EQ/Dyn or Dyn/EQ
• Mute: Channel Mute / Hard Mute
• Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
• Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
• Full Safe
• Output Routing: Buss, Insert A, Insert B, FX
• Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
• Fader: 100mm Motorised Fader 8 to +10dB

Processing Channel Specification: Aux / Group / Matrix Output

• Name: User-Defined / Presets
• Phase: Normal / Reverse
• Digital Trim: -20 to +60dB
• Delay: >1 Sec (Coarse & Fine control)
• DiGiTuBe: Drive 0.01 - 50.0
• Bias 0 - 6
• LPF: 20 – 20kHz, 24dB / Oct
• HPF: 20 – 20kHz, 24dB / Oct
• Insert A: (Pre EQ/Dyn) On/Off
• Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
  • On/Off
  • Freq; 20 – 20kHz
  • Gain; +/18dB
  • Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
  • Dynamic EQ On/Off
  • Over/Under
  • Band On/Off
  • Threshold; -60 – 0dB
  • Attack; 500us – 100ms
  • Release; 10ms – 10s
  • Ratio; 1:1 – 50:1
• Dynamics 1: Single or Multiband (3-band)
  • Compressor: On/Off
  • Threshold; -60 – 0dB
  • Attack; 500us – 100ms
  • Release; 10ms – 10s
  • Ratio; 1:1 – 50:1
  • Gain; 0 to +40dB
  • with Autogain Option
  • Link; Any Channel / Buss
  • Hi Crossover; 20Hz – 20kHz
  • Lo Crossover; 20Hz – 20kHz
  • Knee : Hard, Med, Soft
  • De-Esser: Threshold: 20us – 20ms
  • Release: 1ms – 100ms
  • Ratio: 1:1 – 50:1
  • Ess-Band: Listen On/Off
  • Ess-Band Filter Freq/Width: 20Hz – 20kHz
• Dynamics 2: On/Off
  • Gate / Ducker: Threshold; -60 – 0dB
  • Attack; 50us – 100ms
  • Hold; 2ms – 2s
  • Release; 5ms – 5s
  • Range; 0 90dB
  • Key; Any Source
  • Key Listen
  • Freq/Width; 20 – 20kHz
  • Compressor: On/Off
  • Threshold; -60 – 0dB
  • Attack; 500us – 100ms
  • Release; 10ms – 10s
  • Ratio; 1:1 – 50:1
  • Gain; 0 to +40dB
  • with Autogain Option
  • Link; Any Channel/Buss
  • Hi Crossover; 20Hz – 20kHz
  • Lo Crossover; 20Hz – 20kHz
  • S/C Source : Any source
  • S/C Listen : On/Off
  • S/C Filter Freq/Width: 20Hz – 20kHz
• Insert B: (Post EQ/Dyn) On/Off
• EQ/Dyn Order: EQ/Dyn or Dyn/EQ
• Mute: Channel Mute / Hard Mute
• Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
• Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
• Output Routing: Outputs, Insert A, Insert B, FX
• Fader: 100mm Motorised Fader 8 to + 10dB