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DiGiCo SD7T Digital Mixing Control Surface

DiGiCo SD7T Digital Mixing Control Surface

$257,900.00 – $260,000.00

SD7 for theater applications.

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Description

DiGiCo SD7T Digital Mixing Control Surface

DiGiCo SD7T: Mind-blowing I/O

The console that gives you everything you could ask for and more, the SD7T has rapidly become the first-choice for the world’s most prestigious theatrical productions. Renowned for its intuitive, fast workflow and rock solid stability, the SD7T gives you the audio firepower to tackle the toughest of theatre sound challenges.

Drawing on ground-breaking Stealth Digital Processing and Super FPGA technology, the SD7T offers the engineer previously unimagined I/O capabilities – 256 processing paths at 48kHz/96kHz.

All of that power sits beneath your fingertips when you step up to the iconic SD7T work surface, equipped with three touchscreens, each accommodating a bank of 12 faders, plus 16 assignable faders in the centre. The resulting workflow – designed specifically to meet the requirements of theatre sound – is as innovative as it is practical, with HD meter bridges and colour-coded knobs to ensure at-a-glance operation. You can even choose to expand your fader count with the DiGiCo EX-007 Fader Expansion Unit, while two EX-007s can be connected via Cat5e for either remote control up to 100m or an expanded fader-count of 100.

Under The Hood

With a massive 256 processing paths at 48kHz/96kHz, the SD7T is the Einstein of digital mixing platforms.

Standard channel processing, whether inputs or outputs, includes Channel Delay, DiGiTuBe, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ (eight on outputs) with band curve selection and Dynamic EQ on each band, Dual insert points, and DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

Incorporated within the master section are 32 gangable 32-band graphic EQs, 48 stereo effects, and 36 control groups (VCAs). Using snapshots, engineers can switch between complete configurations in any live environment at the press of a button – during rehearsals, setup or even during a show.

In addition, the SD7T’s 128 busses can be assigned as mono/stereo groups or auxiliary busses, while further configurability is available courtesy of a 32 x 32 output matrix , dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The SD7T is renowned for its heavyweight I/O, and with good reason in the shape of 12 analogue inputs, 12 analogue outputs and 12 AES I/O (mono). With the second engine you benefit from four redundant MADI ports per engine, and one Optocore loop, as standard. This equates to an incredible 1,392 I/O connections on a single optic loop with just one work surface.

Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

SD7T I/O Racks & Options

SD-Rack
SD-MiNi Rack
SD-Nano Rack
D2-Rack
D-Rack
Orange Box
Waves SoundGrid
Purple Box
Little Red Box
Little Blue Box

Features:

253 Input Channels
128 Aux / Sub-Group Busses
L/R/LCR/LCRS/5.1 Master Buss
32 x 32 Full Processing Matrix
253 Dynamic Equalizers
48/96 Sample Rate

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Additional information

Brand	DiGiCo
Condition	New
DiGiCo Connectivity Options:	MADI & One Multi-Mode Optic Loop HMA, MADI & One Multi-Mode Optic Loop ST

Technical Specifications

General Specifications

Faders 38 x 100mm touch-sensitive, motorised + 14 x 60mm touch sensitive, motorised
Screens 3 x 15" LCD high - resolution touch screens
Meterbridge 3 x Custom Mounted LCD high-resolution TFT-LCD screens
Redundancy Internal removable engine x 2
Internal hot-swappable PSU x 2
Processing Channels Up to 256 (combination of Input Channels / Aux / Solo Group Busses)
Busses Up to 128 plus masters Aux / Group busses with full processing - LR/LCR/5.1 Master Buss
Matrix Up to 32 Input / 32 Outputs with full processing
Control Groups Up to 36, selectable for VCA-style, Moving fader, Mute Group
Graphic Eq 32 x 32-band, Gain +/- 12dB
Internal FX Up to 48 stereo effects comprising 16 floating point reverbs and 32 delay/chorus/pitch/enhancer
Local I/O 12 x mic/line I/O, 12 x AES I/O
MADI interface 4 redundant interfaces, BNC connectivity
Standard Optics (Dual Loop - Optional)
Sampling rates 48kHz / 96kHz
GPIO: 2 x DSub37 - 16 as standard, expandable to 32
Video Inputs x 2, Outputs x 2
Ext Sync Wordclock, AES, Video, MADI, Optics
SD7T Dimensions: 1496mm (w) x 875mm (d) x 503mm (h)
SD7T Weight 141Kg / 311lbs (245Kg / 540 lbs. with flightcase)
SD7T Flightcase: 1600mm (w) x 600mm (d) x 1240mm (h)
Power Requirements 90V-260V, 50-60Hz, 600VA

Audio Specification

Sample Rate: 48kHz or 96kHz
Processing Delay: 2ms Typical @ 48k (253 Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
Internal Processing: Up to 40-bit, Floating Point
A>D & D>A: 24-bit Converter Bit Depth
Frequency Response: +/- 0.6dB (20Hz - 20kHz)
THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
Channel Separation: Better Than 90dB: (40Hz - 15kHz)
Residual Output: <90dBu Typical
Noise: (20Hz - 20kHz)
Microphone Input: Better Than -126dB: Equivalent Noise
Maximum Output Level: +22dBu
Maximum Input Level: +22dBu

Processing Channel Specification

Input Channel

Name: User-Defined / Presets
Channel Selection: Mono / Stereo / Multi
Input Routing: Main & Alternate Input
Analogue Gain: -20 to +60dB
Phase: Normal / Reverse
Digital Trim: -40 to +40dB
Delay: >1 Sec (Coarse & Fine Control)
DiGiTuBe: Drive 0.01 - 50.0
Bias 0 - 6
LPF: 20 - 20kHz, 24dB/Oct
HPF: 20 - 20kHz, 24dB/Oct
Insert A: (Pre EQ/Dyn) On/Off
Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/

Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 - 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 - 0dB
Attack; 500us - 100ms
Release; 10ms - 10s
Ratio; 1:1 - 50:1

Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off

Threshold; -60 - 0dB
Attack; 500us - 100ms
Release; 10ms - 10s
Ratio; 1:1 - 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz - 20kHz
Lo Crossover; 20Hz - 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold : 20us - 20ms
Release : 1ms - 100ms
Ratio : 1:1 - 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz - 20kHz

Dynamics 2: On/Off Gate / Ducker: Threshold; -60 - 0dB

Attack; 50us - 100ms
Hold; 2ms - 2s
Release; 5ms - 5s
Range; 0 - 90dB
Key; Any Source
Key Listen
Freq/Width; 20 - 20kHz Compressor: On/Off
Threshold; -60 - 0dB
Attack; 500us - 100ms
Release; 10ms - 10s
Ratio; 1:1 - 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz - 20kHz
Lo Crossover; 20Hz - 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz - 20kHz

Insert B: (Post EQ/Dyn) On/Off
EQ/Dyn order: EQ/Dyn or Dyn/EQ
Mute: Channel Mute / Hard Mute
Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
Full Safe
Output Routing: Buss, Insert A, Insert B, FX
Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification

Aux / Group / Matrix Output

Name: User-Defined / Presets
Phase: Normal / Reverse
Digital Trim: -20 to +60dB
Delay: >1 Sec (Coarse & Fine control)
DiGiTuBe: Drive 0.01 - 50.0
Bias 0 - 6
LPF: 20 - 20kHz, 24dB / Oct
HPF: 20 - 20kHz, 24dB / Oct
Insert A: (Pre EQ/Dyn) On/Off
Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)