Trinnov Audio D-MON Digital Monitoring Processors and Room Optimizer

The D-MON Series is a new range of Digital Monitoring Processors, with the acclaimed Optimizer room correction and EUCON integration for AVID Pro Tools systems. The D-MON will fit exactly into your studio configuration. Whatever your speaker sets may be, whether your mixes are in stereo, 5.1, 7.1 or even Dolby Atmos up to 9.3.6.

Modular And Upgradable

The D-MON series redefines professional audio monitoring.

Comprehensive feature set and unforessen flexibility makes it one of the most sustainable monitoring solution ever designed.

D-MON supports from 6 up to 18 acoustic Optimization channels. Start with what you need and upgrade later via software update.

Trinnov Optimizer

Our world-renowned room correction Optimizer Technology is recognized as best-in-class by users and reviewers across the professional, commercial cinema and high-end audio worlds.

Introduced to the pro audio market in 2006, its revolutionary solution was quickly embraced by many of the most demanding music, broadcast and post-production sound engineers.

Optimizer technology is now used in nearly 2,000 studios across the globe with nearly 10,000 high-performance installations worldwide.

Multiple Speaker Sets

D-MON is a powerful processor when it comes to integrating multiple speaker sets.

You can not only optimize up to 18 speakers but also mix and match them in any way or form.

Use your main sub with your near fields, create a 5.1 out of two sets or optimize only your surrounds, the possibilities are endless.

Perfect Match for Dolby Atmos

D-MON meets Dolby’s requirements for Atmos.

Whether you mix TV or Music content, D-MON accomodates any Atmos Home speaker layouts.

Optimize any system from 5.1.4 up to 9.3.6.

Matrix Bass Management

D-MON supports and helps with the integration of multiple subwoofers.

Bass manage any speaker to one or multiple subwoofers.

Advanced management system with custom filter details (freq, slope, shape).

Integrates with Audio Over IP

• Ravenna/AES 67 support, compatible with Aneman
• Dante compatibility mode
• Add an extra 16in/16outs (no speaker output) at 48kHz to every D-MON processor

Enhanced Monitoring

• Both Analog and Digital professional inputs and outputs
• Integrates easily from MIDI and GPIO to Avid and EUCON protocols
• A zero latency Switching Matrix to route all signals
• An Internal Mixer which can create various sums of stems
• Trinnov’s Optimizer to perfectly tune any speaker sets

Made for One Another

Our brand-new hardware remote controller “La Remote” is the perfect companion to our D-MON.

• Access all monitoring function by the touch of a button
• Customize all buttons and labels to your workflow
• Easy set-up via our web-based configuration software
• Added talk back microphone and headphone volume knob

Eucon & Avid Integration

The Trinnov App acts as a gateway between EUCON and Trinnov protocols, letting you control all parameters of your processor from your AVID control surface. Any EUCON enabled product is compatible.

D-MON offers extensive EUCON compatibility and full integration with AVID control surfaces: S6, S5, S3, Dock as well as Icon D-Command & D-Control.

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Digital Audio Connectivity:

• AES3 Outputs (DB25) Tascam Pinout: x16
• AES3 Outputs (DB25) Tascam Pinout: x16
• Ravenna/AES67: 16 inputs/16 outputs
• Dante compatibility: Yes (48kHz)
• Wordclock (BNC): x1 Input, x1 Output

Analogue Audio Connectivity:

• Balanced inputs (DB25): x8
• Balanced outputs (DB25): x16
• Balanced outputs (XLR): x8

Audio Over IP Connectivity:

• Ravenna / AES67: 16 inputs/16 outputs (no speaker outputs)
• Dante Compatibility: Yes (48kHz)
• PTP Leader Clock: No (sync via AES/EBU or WC)

Multi Purpose I/O (Db25):

• General purpose control inputs: x2
• General purpose control outputs: x1
• Talk Back / Listen Back inputs: Balanced inc. 36V Phantom power
• Headphones output: x1 unbalanced
• MIDI: x1 Input, x1 Output

Switching & Summing:

• Sources: 8 Cues/TB/LB
• Monitor Selection: Programmable presets & profiles
• Switching: Any input, bus or Optimizer out to any physical out
• Summing: 18 in / 16 bus

Audio Processing:

• Native resolution (up to 12 channels): 96kHz
• Native resolution (above 12 channels): 48Khz
• Per channel: 31 band EQ, FIR EQ, gain, polarity and delay
• Per channel delay setting: Meters / Milliseconds / Frames
• Global delay setting: Meters / Milliseconds / Frames

Audio Performance:

• ADC Resolution / Sampling Rate: 24 Bits/96 kHz
• DAC Resolution / Sampling Rate: 24 Bits/96 kHz
• A/D Signal-To-Noise Ratio: 119 dB (A-Weighted)
• D/A Signal-To-Noise Ratio: 118 dB (A-Weighted)
• Processing Sampling Rate: Native, up to 96kHz
• Processing Resolution: 64 bits floating point
• Clock / Jitter: Attenuation > 50 dB Above 100Hz

Power Supply:

• Power requirement: 240V / 110V - 50 / 60Hz (Manual Switch)
• Power consumption: 60W
• Mains fuse: 1A slow blow
• Analogue section PSU: Dedicated linear PSU with toroidal transformer
• Digital section PSU: Switch-mode PSU

Weight & Dimensions:

• Dimensions (W x H x D) mm: 444 x 89 x 405
• Dimensions (W x H x D) inches: 17 1/2" x 3 1/2" x 16"
• Shipping box dimensions (W x H x D) cm: 68 x 56 x 21
• Weight: 9.60kg / 21.1 lbs
• Shipping weight / volume: 12.50 kg / 0.08 M3
• Rackmounting: 2U - Fixed Rack Ears