Yamaha CL5 and RIO 3224-D Dante Stage Box (Used)
Also includes 2- (Pivitec e16i/o-MY) 16ch AVB network cards
Church owned. Never moved.
Yamaha CL5
Yamaha CL series digital mixing consoles represent a new level of refinement. They offer an evolved experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most imaginative engineer unprecedented creative freedom. The CL series embodies the leading standards in live sound in their most advanced, most expressive form.
Every engineer, artist, and audience agrees that sound quality is the bottom line. Through thorough analysis, review, and refinement of every detail of the circuitry and technology used, Yamaha CL series consoles deliver naturally superior sound plus a comprehensive range of coloring options that give the sonic craftsmen who will use them extraordinary creative freedom. The signal processors provided are plentiful and of the highest quality, including extraordinary Portico 5033/5043 EQ and compressor devices that bring Yamaha VCM technology together with the legendary talents of Rupert Neve. The platform is pure and natural, so the engineer can create and deliver the ideal sound.
Yamaha CL5 Features
- Input channels: 72 mono, 8 stereo
- Mix/Matrix Buses: 24 mixes / 8 matrices (Input to Matrix supported)
- Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section
- Stainless steel stay for iPad support
- Built-in meter bridge
YAMAHA RIO 3224-D
R Series I/O racks employ Dante network audio protocol for exceptional flexibility and freedom in setup and placement, while delivering natural, musical sound that brings out the full sonic potential of mixing consoles and other system components. They also allow redundancy for the utmost reliability in any application. Four models accommodate a wide range of I/O requirements.
Features:
Sonic performance that brings out the best in any system
The “natural, musical sound” that was a key element of the CL Series design policy is carried on without compromise in the R Series. Mechanical construction, circuit board layout, power supply, grounding, and parts selection have all been executed with meticulous attention to detail and quality, combined with exhaustive performance and listening tests at each stage of development. The result is eminently natural, musical sound.
Dante network protocol contributes to greater system scalability and flexibility
The Dante network audio protocol developed by Audinate offers outstanding system scalability and flexibility. The required number of audio inputs and outputs can be placed wherever they are needed most, and the ability to implement redundant connections makes it possible to design a system that will keep going in the face of technical problems. With CL Series components a complete daisy-chained system can be easily set up without the need for network switches. Dante Controller software running on a personal computer allows flexible patching of devices on the network.
Support for CL series consoles as well as other Dante based systems
CL Series components are not the only Yamaha professional audio devices that will work with R Series I/O racks. With the Dante-MY16-AUD Mini-YGDAI card from Audinate installed, the M7CL, LS9, DME64N, and other compatible Yamaha pro audio gear can be used with Rio Series devices in capable and robust Dante network systems. The Rio3224-D, Rio1608-D, and Ri8-D head amplifiers can even be controlled directly from the interface of the M7CL, LS9, or other compatible console.
Automatic digital-stage compensation for analog gain changes (CL/QL series only)
When multiple consoles are connected to one I/O rack unit, analog gain adjustments made by the console operators can result in unexpected level changes. The Rio Series features a gain compensation function that works with CL/QL consoles to automatically compensate for analog gain adjustments in the digital stage, so that the sound level transmitted from the R Series I/O unit to the network remains constant.
Four models flexibly accommodate any system requirements
In addition to the Rio3224-D and Rio1608-D models that were released together with the CL Series consoles, input-only Ri8-D and output-only Ro8-D models are now available, making up a four-model lineup that reinforces the underlying Rio Series concept: “the number of inputs and outputs you need, wherever you need them.” The Ri8-D can be used as a portable input rack, and the Ro8-D can be used for output in an amp room, for example. The possibilities are extensive, making it easy to optimally match systems of any size or complexity.
Mixing Capacity: | |
Input Mixing Channels | 72 mono + 8 stereo |
Mix Buses | 24 |
Matrices | 8 (Input to Matrix supported) |
Stereo Bus | 1 |
Mono | 1 |
Cue | 1 (Second Cue Bus supported in CL V4.0 or later) |
Local Connectors: | |
Analog Inputs | 8 |
Analog Outputs | 8 |
MY Slots | 3 |
Dante I/O | Primary / Secondary |
Digital Out | 1 (AES/EBU) |
GPI | 5 in / 5 out (CL V1.11 or later) |
Word Clock I/O | Yes |
MIDI I/O | In / Out |
External Redundant PSU | Optional PW800W |
Meter Bridge | Output meter built-in |
Ethernet | Yes |
AC Inlet | V-Lock Type |
Scene Memory: | |
Number of Scenes | 300 |
Recall Safe | Yes |
Focus Recall | Yes |
Fade Time | Yes (0s ~ 60s) |
Preview | Yes (CL V1.51 or later) |
Selective Load / Save | Yes (CL V1.7 or later) |
Tactile Control Keys | Yes |
Input Channel Functions: | |
Gain Compensation | Yes |
Digital Gain | Yes (-96dB ~ +24dB) |
ATT | -96dB ~ 0dB |
HPF | 20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later) |
PEQ | 4 Band Full PEQ (RTA overlay support in |
CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later) | |
Dynamics 1 | Gate / Ducking / Compressor / Expander |
(Key-in Filter on the Compressor and Expander in CL V4.0 or later) | |
Dynamics 2 | Compressor / Compander-H / Compander-S / De-esser |
Input Delay | Yes (0ms ~ 1000ms, frame delay support in CL V3.0 or later) |
Pan | CENTER NOMINAL or LR NOMINAL for monaural input channels in CL V3.1 or later |
L-MONO, R-MONO or LR-MONO for stereo input channels in CL V3.1 or later | |
DCA Group | 16 (Output DCA and DCA Roll-Out support in |
CL V2.0 or later, Scrollable DCA Roll-Out support in CL V4.0 or later) | |
MUTE Group | 8 |
Number of Inserts | 2 (CL V2.0 or later) |
Direct Out | Yes |
Output Channel Functions: | |
PEQ | 4 Band Full PEQ (RTA overlay support in |
CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later) | |
Dynamics 1 | Compressor / Expander / Compander-H / Compander-S |
MUTE Group | 8 |
Number of Inserts | 2 (CL V2.0 or later) |
Premium Rack: | |
Number of Premium Racks | 8 |
Mountable Device | RND Portico5033 / RND Portico5043 / U76 |
/ Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 | |
(CL V3.0 or later) / MBC4 (CL V4.0 or later) | |
Effect Rack: | |
Number of Effect Racks | 8 |
Number of Effect Programs | 54 |
Mountable Device | Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (CL V3.0 or later) |
GEQ Rack: | |
Number of GEQ Racks | 16 |
Mountable Device | 31BandGEQ / Flex15GEQ / Dugan Automixer |
(CL V3.0 or later) / 8Band PEQ (CL V3.0 or later) | |
(RTA overlay support in CL V3.0 or later, GEQ gain control | |
from the TOUCH AND TURN knob in CL V4.0 or later) | |
Dante: | |
Number of I/O Channels | 64 in / 64 out |
Dante Patch from Console | Yes |
Recording: | |
USB Memory Recording | Yes |
DVS Recording | Yes (DVS and Nuendo Live bundled) |
Broadcast Functions: | |
5.1 Surround Panning | Yes (CL V3.0 or later) |
Surround Monitor | Yes (CL V3.0 or later) |
Mix Minus | Yes (CL V2.0 or later) |
L-Mono / R-Mono / LR-Mono | Yes (CL V3.0 or later) |
Monitor: | |
Solo Mode | Yes (CL V4.0 or later) |
Second Cue Bus (allows the MATRIX 7/8 to be used as a CUE B bus) | Yes (CL V4.0 or later) |
Oscillator | Sine Wave 1ch / Sine Wave 2ch (CL V3.0 or later) / Pink Noise / Burst Noise |
Other Functions: | |
Port to Port | No |
RTA | Yes (CL V3.0 or later) |
Output Port Delay | Yes (0ms ~ 1000ms, frame delay support in CL V3.0) |
Cascade | Yes (via MY slots) |
User Level | Yes |
Help File | Yes (CL V1.51 or later) |
Channel Link | Yes (Output Channel Link support in CL V3.0 or later) |
Channel Copy/Move | Yes |
Control & Monitoring for Digital Wireless Receivers | Shure ULXD4D/ULXD4Q (CL V4.0 or later) |
User Interface: | |
Display | 10 inch Touch Panel |
Centralogic Section | Yes |
Faders | 16 + 8 + 8 + 2 |
Selected Channel Encoders | Gain, HPF, PEQ (controls for 4 bands), |
Dynamics 1/2(Threshold only), Pan, Mix/Matrix Sends | |
Channel Encoder | Yes (for Gain, Send Level, or an assigned parameter) |
Channel Name / Color Display | Yes |
Custom Fader Banks | Yes (customized for each fader section) |
User Defined Keys | 16 (x 4 banks in CL V3.0 or later) |
User Defined Knobs | 4 |
Touch and Turn Knob | Yes (using a User Defined Knob) |
Monitor Level Knob | Yes |
Wooden Arm Rest | Yes |
iPad Stay | Yes |
Rack-mounting | No |
Software: | |
Editor | CL Editor (Win/Mac, CSV files |
import/export in CL Editor V4.0.0 or later) | |
StageMix | CL StageMix (iPad app) |
MonitorMix | Yes (CL V4.00 or later) |
Console File Converter | Yes (Win/Mac) |
Analog input characteristics: OMNI IN 1-8 | |
GAIN | +66dB, -6dB |
Actual Load Impedance | 7.5kΩ |
For use with nominal | 50-600Ω Mics & 600Ω Lines |
Input level Senstivity | -82dBu (61.6μV), -10dBu (245mV) |
Input level Nominal | -62dBu (0.616mV), +10dBu (2.45V) |
Input level Max before Clip | -42dBu (6.16mV), +30dBu (24.5V) |
Connector | XLR3-31 type (Balanced)*² |
Analog input characteristics: TALKBACK | |
GAIN | +64dB, -20dB |
Actual Load Impedance | 10kΩ |
For use with nominal | 50-600Ω Mics & 600Ω Lines |
Input level Senstivity | -70dBu (0.245mV), -26dBu (38.8mV) |
Input level Nominal | -60dBu (0.775mV), -16dBu (0.123V) |
Input level Max before Clip | -40dBu (7.75mV), +4dBu (1.23V) |
Connector | XLR3-31 type (Balanced)*² |
Analog output characteristics: OMNI OUT 1-8 | |
Actual Source Impedance | 75Ω |
For Use With Nominal | 600Ω Lines |
GAIN SW*5 | +24dB (default), +18dB |
Output Level Nominal | +4dBu (1.23 V), -2dBu (616mV) |
Output Level Max. before clip | +24dBu (12.3 V), +18dBu (6.16V) |
Connector | XLR-3-32 type(Balanced)*1 |
Analog output characteristics: PHONES | |
Actual Source Impedance | 15Ω |
For Use With Nominal | 8Ω Phones, 40Ω Phones |
Output Level Nominal | 75mW*6, 65mW*6 |
Output Level Max. before clip | 150mW, 150mW |
Connector | Stereo Phone Jack (TRS) (Unbalanced)*2 |
Digital Input & Output Characteristics: | |
Terminal | Primary/Secondary |
Format | Dante |
Data length | 24bit or 32bit |
Level | 1000Base-T |
Audio | 64ch Input/64ch Output @48kHz |
Connector | etherCON Cat5e |
Digital Output Characteristics: | |
Terminal | DIGITAL OUT |
AES/EBU | |
Format | AES/EBU Professional Use |
Data length | 24bit |
Level | RS422 |
Connector | XLR-3-32 type (Balanced)*1 |