The TF29 is an original TELEFUNKEN Elektroakustik design that has garnered fans for its natural and non-hyped tonality and unparalleled “quality for price”. It’s a workhorse microphone with a reputation of outstanding sonic performance and value, capable of accurately and honestly capturing vocals, guitars, drums, and nearly any other source put in front of it.
The UT Twin87 captures the essence of both the original classic and modern incarnations of the "87-style" microphone design.
The UT FET47 features a custom Cinemag transformer, a custom Heiserman designed HZ-Series capsule, vintage polystyrene capacitors, and NOS (new old stock) FETs.
The M 49 is a great microphone in every respect. As impressive as its physical appearance is its incomparable sound. With its revolutionary technology, the M 49 has set new standards altogether.
Very rugged case with sintered disk and can be used with different impeadance capsules.
The 4115 Broadcaster's Noise Cancelling Ribbon Microphone is used for close indoor talking situations where good quality broadcasting and public address announcement speech is required to be reproduced in conditions with high background noise present.
Switchable between Cardioid, Omni, and Fig 8 patterns High Pass Filter and -15 dB pad, Designed, machined, assembled, and fully made in the USA
The new 3122V provides 2 channels of API's signature analog sound and features the same legendary circuit design found in the 3124V and 3124MV, as well as the 312, 512V, and 512c mic preamps.
Active Ribbon Microphone with Aluminum Diaphragm, Neodymium Magnet, and Discrete Preamp Circuit
Retro. Futuristic. We are proud to introduce technical grammy award winner david royer's modern take on a legend - the sony c-37a. Known for its high headroom and ability to tame brittle high end, it became a workhorse in the 60's, especially during the golden age of Hollywood recording - the "Wrecking Crew" era. Studios such as capitol records and sunset sound acquired multiples, which are still use today.
The API Select T12 is a classic 2-channel, all-tube, Class-A microphone preamplifier designed with API's proprietary AP2516 transformer in the input stage and a custom API transformer on the output stage. Built with 12AT7WC and 12BH7 dual-triode vacuum tubes, the T12 represents a new and exciting variation in API's preamplifier technology and provides the user with unique tonal options.
Thanks to its smooth, full response, and gentle presence boost, the H47 is well suited to be your main studio mic. Or, if you're looking for a dedicated mic for vocals or kick drum, the H47 is a perfect choice!
The MA-301fetVG is a multi-pattern large diaphragm, solid-state condenser microphone. Based upon the popular MA-201fet designed by David Royer, the MA-301fetVG adds a 3-posistion pickup pattern selector, a15dB pad and a switchable bass roll-off.
The MA-201fetVG is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern.
The MA-300SN is a multi-pattern large diaphragm, vacuum tube condenser microphone. Based upon the widely accepted MA-200 designed by David Royer, the MA-300SN adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off.
Utilizing hand-selected 3-micron single-sided capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200SN performs at a level reminiscent of some of the best loved classic condenser microphones.
The MA-50BLK is the perfect microphone for pros and semi-pros alike. Utilizing the same single-sided capsule as the MA-200SN and MA-201VG, it handles the fastest transients with ease - even up to 140 dB.
The Signature Series has been exhaustively field tested against microphones often costing $20K or more - universally evoking the same 'Wow' response usually reserved for only the most prized vintage mics.
The CM7 G (Glass Tube Switchable) Suprema is the latest evolution of the CM7-GTS.
Attaches to any standard mic stand and threaded ring nuts included.
Record in stereo from a single microphone with dual-channel L22 large-diaphragm, three-dimensional soundfield, and extremely low latency.
Premium quality closed-back studio headphone for monitoring, editing, and mixing.
The Neumann KMS 104 D Digital Stage Microphone takes the well-established KMS 104 stage microphone into the digital domain.
Excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern.
Excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.
Excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.
Great speech-intelliibility, Phantom power via PoE, Remote controllable gain level, Daisy-chaining possible.
Dual mono Tube Pre Amp EQ, mic line switching, distortion controls, and DI with balanced output
Coles 4104 Commentator’s Microphone
The 4104 Commentator's Noise Cancelling Ribbon Microphone is of British Broadcasting (BBC) design and used for reproducing high quality commentary speech from noisy surroundings by cancelling out a considerable degree of background noise.