Quantegy 499 2″ Analog Tape 2500′ Reel New Old Stock The High Performance Audio Mastering Tape. Features: Unsurpassed performance. Superior consistency through end-to-end testing. Unique Quantegy packaging. Available in all standard 1/4″ width. 7″ Plastic Reel. PRODUCT OVERVIEW: Led by our continuing commitment to consistent performance, the manufacturing process of Quantegy 499 Grand MasterTM Gold [...]
Quantegy GP9 2″ Analog Tape 2500′ Reel New Quantegy GP9 tape has a 3 percent higher pigment (oxide)-to-binder ratio than most tapes (typically in the 65 percent range). This higher ratio allows the high +9 dB recording levels to be obtained. Typically, the downside to more magnetic material on a tape is it leads to [...]
Furman ASD-120 6 Circuit Sequencing Power Distribution Updated for easier installation and operation, the ASD-120 is a compact rack-mount power distribution system for use where AC power must be distributed to multiple circuits and there is no hard-wired, built-in system. The ASD-120 AC Sequenced Power Distributor updates the ASD-120, optimized for easier installation and operation. [...]
Furman HDS 126 Headphone Distribution System One left in stock brand new! Description Following up on the tremendous success of its HDS-6/ HR-6 Headphone/Audio Distribution System, Furman introduces an enlarged and enhanced system, the HDS-16/HRM-16 Headphone/Audio Distribution System. The HDS-16 Headphone/Audio Distribution System and HRM-16 Headphone/Audio Remote Mixer are the logical extension to Furman‘s very [...]
A 96pt TT Front/Dsub Rear Patchbay, 1U, features rear DB25 connections, rear normalling/grounding switches, 1U chassis size, rear cable tray, can be used for ANALOG and AES DIGITAL signals.
Balanced Attenuator Pack W/ 8 rotary balanced faders, db25 standard analog I/O, Stereo or mono selectable, Passive 5k ohm impedance, Post mic pre attenuation, Stepped volume controls.
Cloud Microphones CL-Z mic activator adds 12 to 24dB of gain to your signal, control over the input impedance (to get the best out of any microphone), while the premium circuitry passes your audio uncolored. It is particularly useful for low-output ribbon and dynamic mics in your studio, and it's perfect for driving long cable runs from the stage to the board in live sound settings.
Features, 7lb counterweight, extra strong boom clutch, recessed threads, SpinGrip mic mount.