The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 12-channel strips complete with manual faders and PAFL switches.
The Allen & Heath Avantis Digital Mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel / 42 bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing.
32Classic is a modern studio console that comes equipped with Atmos Monitoring and DANTE / Converters
The "Ti" in CTi1500 stands for "titanium." That's because the Allen & Heath dLive CTi1500 was engineered with titanium side panels and alloy metalwork. The result is an ultra-lightweight control surface for your dLive mixing system. The CTi1500 is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12-inch touchscreen and 12 faders provide you with at-a-glance visual feedback and tactile control of your mix.
The Allen & Heath dLive C1500 Surface is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12" touchscreen and 12 faders provide you with at-a-glance visual feedback and tactile control of your mix. Assignable inputs, virtual scribble strips, and customizable SoftKeys add to the C1500's effortless operation.
The Allen & Heath AHM-16 is a 16-in/16-out audio matrix processor that's tailor-made for sound management and installation. You get eight channels of bi-directional analog I/O, along with an I/O port for networking up to 128 bi-directional channels. The AHM-16 also boasts 16 configurable processing outputs for mono/stereo zones or speaker processing, plus a 96kHz FPGA core with ultra-low latency. Here at Sweetwater, we appreciate the AHM-16's easy-to-read front-panel screen and intuitive navigation.
The Allen & Heath dLive C2500 Surface is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12" touchscreen, 20 faders, and six assignable one-knob/one-function rotary controls provide you with at-a-glance visual feedback and tactile control of your mix.
Harnessing the full potential of digital mixing, the Allen & Heath dLive S7000 control surface rejects the typical faux-analog console experience in favor of intuitive pinch, swipe, drag, and drop gestures. Dual 12" touchscreens, 36 faders, and six assignable one-knob/one-function rotary controls provide you with at-a-glance visual feedback and immediate tactile command over your mix.
The Allen & Heath Avantis digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel/42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 24 channel strips complete with manual faders and PAFL switches.
Add 128 channels of bi-directional network audio to your dLive mixing system, with this Allen & Heath Dante 128x128 option card. It's the perfect way to split high channel counts, such as feeding the monitor mixing system from front of house. Live sound engineers at Sweetwater appreciate the reassurance of redundant network connections for mission-critical applications.
Add 64 channels of bi-directional network audio to your dLive mixing system, with this Allen & Heath Dante 64x64 option card. It's the perfect way to split high channel counts, such as feeding the monitor mixing system from front of house. Live sound engineers at Sweetwater appreciate the reassurance of redundant network connections for mission-critical applications.
The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing.
Based on Allen & Heath's acclaimed XCVI 96kHz FPGA audio engine, the SQ-7 digital mixer delivers extensive live sound mixing capabilities. Even with its powerful processing, the SQ-7 delivers best-in-class audio quality with less than 0.7ms of latency. You'll have a lot of flexibility when it comes to creating monitor mixes, with up to 12 stereo mixes (groups or auxiliaries) in addition to the main LR out.
The IP6 remote controller is a great way to enhance the flexibility of your Allen & Heath dLive system. This useful add-on connects to your system using standard TCP/IP and can be networked with other controllers, computers, and more via Ethernet.
Quantum 225 incorporates all of the new design features introduced in 2020 with the Quantum 338, and of course uses three large-scale seventh generation FPGAs to continue the unrivaled Quantum legacy. The console merges tried and tested workflows with immense processing muscle, bold innovation and all of the Quantum features, giving you the ultimate tool set.
72 Input Compact Digital Console
Features 80 Input Channels, 24 Aux / Sub-Group Busses, LR/LCR/LCRS/5.1 Master Buss, 12 x 8 Full Processing Matrix 118 Dynamic Equalizers with 48/96kHz Sample Rate.
Features 120 Input Channels, 48 Aux / Sub-Group Busses, LR/LCR/LCRS Master Buss, 16 x 16 Full Processing Matrix, 190 Dynamic Equalizers with 48/96kHz Sample Rate
Features 120 Input Channels, 48 Aux / Sub-Group Busses, LR/LCR/LCRS Master Buss, 16 x 16 Full Processing Matrix, 190 Dynamic Equalizers with 48/96kHz Sample Rate
Features 132 Input Channels, 56 Aux / Sub-Group Busses, LR/LCR/5.1 Master Buss, 24 x 24 Full Processing Matrix, and 218 Dynamic Equalizers with 48/96kHz Sample Rate.
Features 253 Input Channels, 128 Aux / Sub-Group Busses, LR/LCR/5.1 Master Buss, 24 x 24 Full Processing Matrix, and 253 Dynamic Equalizers.
A 24 Fader Expansion Unit for SD7 Consoles and dual touchscreens for enhanced remote operation.
Features 253 Input Channels, 128 Aux / Sub-Group Busses, 32 x 32 Full Processing Matrix, 253 Dynamic Equalizers with 48/96 kHz Sample Rate.
Features 256 Input Channels, 128 Aux/Sub-Group Busses, 48 x 48 Full Processing Matrix, 688 Dynamic Equalizers with 48/96 kHz Sample Rate.
SD10-24 for broadcast applications.
SD10T- 24 Series for theatre production.
Features 120 Input Channels, 48 Aux / Sub-Group Busses, LR/LCR/LCRS Master Buss, 16 x 16 Full Processing Matrix, 190 Dynamic Equalizers with 48/96kHz Sample Rate
SD10 for broadcast applications.
24 Fader Surface with Stealth Digital Processing and floating-point Super FPGA technology