Featured Used & Vintage
Neve 3104 Modules 3 Band EQ/Pre (Vintage) Class A/B Features: Gain: -90db range: +10dB to -80dB in 5dB steps HF: 15, 10, 6.8, 4.7, 3.3 kHz MF: 8k2, 3k9, 1k8, 1k2, 820, 560, 390, 270 Hz LF: 330, 180, 100, 56, 33 Hz HPF: 270, 150, 82, 47, 27 Hz HPF: 3.9, 5.6, 8.2, 12, [...]
Super Lead Overdrive Head
Aurora Audio GT4-8 with GTP8 (Used) The GT4-8 and GT4-8TRS EQ feature 30 selectable frequencies ranging from 33Hz to 15K. The GT4-8 is designed to be used with our GTP8 eight-channel preamp. The GT4-8TRS has input and output transformers so is self-contained, though the transformers add to the costs. Geoff’s design takes that classic British [...]
Ampex ATR 102 1″ 2 Track conversion by ATR Services Introduced in 1976 the Ampex ATR-102 Mastering Tape Recorder soon became the standard mixdown deck in American Studios and used on countless records. Previously fully restored by ATR Services including the 1″ transport and tape head conversion. Includes the Pad Net (Search to Cue) and [...]
Neve 33609J/D Stereo Compressor Limiter (Used) from Sony Studios The AMS Neve 33609 compressor was made to the highest design standards and provides complete limiting and compression features for music recording, post production, and broadcast applications. The 2254 limiter/compressor, which Neve created in 1969, served as the prototype for the circuit design that became the [...]
Featured Consoles
Studer 169 10×2 Mixer with Jensen Direct outs Modifications performed by Carl Ferrugia of Sony Studios. Modifications include: -Jensen Direct out Box -Inline Switches on each channel. -Penny & Giles Faders. -Custom wood sides etc. Studer 169 is made with very high quality components for the best possible sound. The equaliser is very “musical”: it [...]
Broadcast option surface with 36 Faders with up to 132 input channels with 218 EQ’s and Multiband Compressors, 24 x 24 Matrix, LR/LCR/LCRS/5.1 Master Busses, 56 aux/sub group 24 digital FX
SSL AWS 948 Analog Console with Automation and Recall (Used) Used mint condition less than 100 hours of use Total DAW Control for Analog Souls SSL AWS 948 – Solid State Logic (SSL) reinvented the premium, professional production, in-line, analog console by combining classic SSL SuperAnalogue™ console technology with amazing DAW control hardware in a [...]
API Legacy AXS 32 Channel loaded 24 x 550A 8 x 560 Graphic 16 x 212L Mic Preamps additional modules available a la – carte Left hand patchbay DAW Center Section Inline Dual Input (100mm Main Fader, 45mm Upper Fader) Final Touch Motorized Fader and Mute Automation Buses and Routing 24 Main Bus 12 Aux [...]
Neve 88R 36 Frame Loaded 24 with Encore Automation Rare Small frame Neve 88R 5.1 mixing and monitoring Encore Moving Fader Automation (Upper and Lower Faders) Right Hand Patchbay LED Bargraph Metering Al Schmitt with the Neve 88R console at Capitol Studios 48 multitrack outs and six main outputs. Eight auxes are mono/stereo configurable in [...]
Daniel Flickinger “The Association” Console Custom built for the Association in the late 60s, this Flickinger console is one of a kind, and considering Daniel Flickinger only made roughly 22 consoles makes it a super rarity. Flickinger also made custom consoles for Sly Stone, Ike Turner (2), George Clinton, Paragon Studios, and Muscle Shoals, among others. [...]
Trident Series 80 (Vintage) Circa 1980 32 Input x 24 Bus x 24 Monitor “Split Monitor” 3 Mono Aux 1 Stereo Aux Pre/Post Selectable on inputs and monitors 3 Band EQ with Hi Pass at 50Hz. Lo 120/60Hz Mid Sweep 1K to 15K Hi 8K/12K 32 Discrete Mic Pre’s with original Sowter Input Transformers Right [...]
Electrodyne 16 channel Custom 1608 console This was one of two Electrodyne consoles ordered by legendary Stax producer Chips Moman for his American Sound Studios in Memphis, where Elvis, Neil Diamond, Dusty Springfield and many more cut top ten tracks. This is the original Electrodyne 1608 from Stax producer Chips Moman’s American Sound Studios in [...]
Featured New & Demo
The BAE 1073 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.
3-way Active Main Studio Monitor with Time-aligned 500W 1" HF, 500W 8" LF, and 2400W Dual 12" Sub-bass Drivers; Hybrid Horn/Waveguide System; and 3400W 3-channel Amplifier (each)
The Upton 251 microphone is a condenser microphone based on the classic Telefunken Ela M 251 which was produced by AKG from around 1960 to 1965.
The Gyraf G22 Dual Stero Vari-Mu Compressor is an updated, dual version of the venerable G10 vari-mu compressor and "backwards compability mode.
The MPDI-4 is as musical as it is powerful and flexible, switchable -20 dB input pad and -10 dB output pad.
Rather than a reproduction of existing equipment, the RS660 Compressor stands apart and represents a path forward in the recording engineering development department.
KLANG:vier supports individual immersive in-ear mixes for 5 musicians. Plug your headphones or in-ears directly into the four high-end stereo headphone amps during rehearsal or use the DB-25 break-out interface to connect your wireless transmitters on stage.
Quantum 225 incorporates all of the new design features introduced in 2020 with the Quantum 338, and of course uses three large-scale seventh generation FPGAs to continue the unrivaled Quantum legacy. The console merges tried and tested workflows with immense processing muscle, bold innovation and all of the Quantum features, giving you the ultimate tool set.
This 8 channel analog to digital converter has absolutely no active electronics in the audio path.
Stereo analog meters to show input level /output level and gain reduction.
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