Available in 8 different variations with MK microphone capsules matched pair CMC 6Ug amplifiers, (1) B 5 D popscreens and (2) SG 20 stand clamps in each set.
Unmistakably silky smooth top end, versatility, and visual presence of the R44 ribbon mic in an economy version: The AEA R44CE Ribbon Mic
Electrical Audio Edition Studio Carioid Microphone
The MA-301fetVG is a multi-pattern large diaphragm, solid-state condenser microphone. Based upon the popular MA-201fet designed by David Royer, the MA-301fetVG adds a 3-posistion pickup pattern selector, a15dB pad and a switchable bass roll-off.
The MA-201fetVG is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern.
The MA-300SN is a multi-pattern large diaphragm, vacuum tube condenser microphone. Based upon the widely accepted MA-200 designed by David Royer, the MA-300SN adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off.
Utilizing hand-selected 3-micron single-sided capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200SN performs at a level reminiscent of some of the best loved classic condenser microphones.
The MA-50BLK is the perfect microphone for pros and semi-pros alike. Utilizing the same single-sided capsule as the MA-200SN and MA-201VG, it handles the fastest transients with ease - even up to 140 dB.
The Signature Series has been exhaustively field tested against microphones often costing $20K or more - universally evoking the same 'Wow' response usually reserved for only the most prized vintage mics.
The Upton C12 microphone is based on the classic AKG C12 condenser microphone.
The Upton 251 microphone is a condenser microphone based on the classic Telefunken Ela M 251 which was produced by AKG from around 1960 to 1965.
Large Diaphragm Multi Pattern Solid State Microphone - Microphone, Shock Mount, Hard Mount, Wind Screen in Flight Case.
Comfortably cushions any CM49 or CM50 as well as any M49 or M50 microphone.
Comfortably cushions any CM12, C12, C12VR or C24 microphone.
Wunder audio tube mic power supply unit is the result of complete creative and engineering freedom.
Wunder Audio offers a one-piece deluxe yoke mount for CM49/CM50 Suprema and FET versions also vintage M49, M50.
Wunder audio offers a carrying case covered in fender blonde tweed that is included with your CM7, CM7-GTS, CM12, CM49, CM50, OR CM67.
Our sturdy shock mount nicely fits the CM7, CM7-GT, CM67, CM7-FET, and a vintage U47.
The Wunder Audio Black Box powers up to 12 PEQ2R modules with plenty of headroom and up to 4 PAFOURs for up to 16 channels.
Wunder Audio Blue Box powers up to 4 PEQ2R modules with plenty of headroom and up to 2 PAFOURs for up to 8 channels.
The Wunder Audio CM50 Suprema uses an M250 style seven-pin Tuchel connector, introduced by Neumann in 1961, that screws on and holds tighter than an eight-pin bayonet Tuchel connector, improving its performance with superior EMI/RF rejection.
The CM12 Suprema uses a period-correct Hiller T14/1 transformer wound to the Braunbuch specification, using laminations made from the identical nickel alloy mixture as used in the historic Hiller T14 transformer.
The Wunder Audio CM7 FET Suprema is a phantom powered version of the original U47.
The CM7 G (Glass Tube Switchable) Suprema is the latest evolution of the CM7-GTS.
Wunder Audio CM50 FET suprema microphone is the solid-state version of the CM50 suprema.
Wunder Audio CM67 S is an exceptional microphone for vocals when a smoother sound is desired.
PSU can be plugged into any voltage in the world without having to jumper a voltage setting switch.
The CM49 JFET S has an incredibly rich audiophile accuracy and a round tone with smoother clarity throughout the frequency range.
Professional level vocal and instrument condenser microphone.
