Looking for new and innovative tools to craft your mixes? Sonic Circus offers a wide range of world-class signal processors in a variety of formats including desktop units, rackmount gear, and 500 Series processors.
You’ve come to the right place for studio recording equipment! Shop the best selection of professional audio gear. Sonic Circus can help you find exactly what you need while avoiding potential pitfalls.
With its exceptional acoustic design, the A125-M is equally suited to use as a mono subwoofer or LFE in surround sound applications or as a bass extension in a stereo system. Working in perfect unison with all speakers from our range, the A125-M offers all the power with outstanding accuracy.
The A214-M is designed as the ideal centre speaker for surround systems. Its incredible power is optimised to satisfy the requirements of post-production and film mixing suites.
The innovative architecture of the A215-M enables its outstanding performance for professional mastering and audiophile listening. Optimised for both seated or standing listening, it reproduces sonic spaces with breathtaking accuracy.
For those who want more than just "some bass": the A225-M is the ideal addition to any PSI Audio monitoring system, granting the same trademark fidelity to the lowest frequencies - precision down to 24 Hz!
The A23-M is the combination of our advanced analogue technology and the development of a unique midrange driver. The result is precision never achieved before on a 3-way monitor. You will wonder how you ever managed to work without it.
The A21-M has unmatched impulse response and stereo image. It is an astonishing monitor used for the most demanding audio productions, allowing the user to be in full control of the sound image in all regards down to the finest details.
The A17-M is the reference of near field monitors. Powerful for its size, it delivers an uncompromised quality in term of stereo image, low end control and transparency all over the bandwidth. Are you ready to step ahead?
The A14-M is designed to produce the highest possible SPL and broad bandwidth in an extremely compact cabinet. It's perfect for applications with limited space that still require the best in terms of precision and reliability. Nothing else comes close.
The A14-M is designed to produce the highest possible SPL and broad bandwidth in an extremely compact cabinet. It is perfect for applications with limited space that still require the best in terms of precision and reliability. Nothing else comes close.
True active bass absorption (and not noise cancelling) - the AVAA C20 is the first of its kind. Many people from the audio industry call it a revolution.Easy to set up and move, no calibration required, and efficient like passive absorbers 25 times its size, the AVAA C20 takes care of any room modes between 15 Hz and 150 Hz.
The Gyraf Audio G23-S Equalizer is an elaboration of Gyraf Audio's G23 Equalizer, where they added a selectable option for either solid-state or tube audio path.
The Gyraf G22 Dual Stero Vari-Mu Compressor is an updated, dual version of the venerable G10 vari-mu compressor and "backwards compability mode.
Available in 8 different variations with MK microphone capsules matched pair CMC 6Ug amplifiers, (1) B 5 D popscreens and (2) SG 20 stand clamps in each set.
The SR24 is a two-channel, four-band equalizer in a two rack-space chassis. With a dedicated knob and/or switch for each control function, the SR24 is easy to use; by utilizing continuously variable controls for both the frequency and boost/cut, the SR24 can be very precise in applying equalization to the selected audio material.
The SR22 Dual-Channel Compressor features two channels of API's patented award-winning compressor circuit in a rackmount unit with an internal power supply. This same compressor circuit was originally designed into the legendary ATI Paragon analog live mixing console.
The API Select T12 is a classic 2-channel, all-tube, Class-A microphone preamplifier designed with API's proprietary AP2516 transformer in the input stage and a custom API transformer on the output stage. Built with 12AT7WC and 12BH7 dual-triode vacuum tubes, the T12 represents a new and exciting variation in API's preamplifier technology and provides the user with unique tonal options.
The MA-301fetVG is a multi-pattern large diaphragm, solid-state condenser microphone. Based upon the popular MA-201fet designed by David Royer, the MA-301fetVG adds a 3-posistion pickup pattern selector, a15dB pad and a switchable bass roll-off.
The MA-201fetVG is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern.
The MA-300SN is a multi-pattern large diaphragm, vacuum tube condenser microphone. Based upon the widely accepted MA-200 designed by David Royer, the MA-300SN adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off.
Utilizing hand-selected 3-micron single-sided capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200SN performs at a level reminiscent of some of the best loved classic condenser microphones.
The MA-50BLK is the perfect microphone for pros and semi-pros alike. Utilizing the same single-sided capsule as the MA-200SN and MA-201VG, it handles the fastest transients with ease - even up to 140 dB.
The Signature Series has been exhaustively field tested against microphones often costing $20K or more - universally evoking the same 'Wow' response usually reserved for only the most prized vintage mics.