Live Sound Mixers, Consoles, Accessories, Processors, and Parts
Professional live sound mixers and consoles: solutions for your live audio reinforcement needs. Mixers, cables, rack mixers, DSP, digital mixers, flight cases, I/O, accessories, and more! DiGiCo, Midas, SSL (Solid State Logic)
The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 12 channel strips complete with manual faders and PAFL switches.
The Allen & Heath GLD-AR84 is an Expander AudioRack for the company's GLD, SQ, Qu, and Avantis digital mixing systems. The AR84 adds 8 XLR inputs and 4 XLR outputs to the GLD system. You can add up to two GLD-AR84s to your system, connected to the GLD-AR2412 main AudioRack (and/or directly to your GLD-80 mixer).
The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 12-channel strips complete with manual faders and PAFL switches.
The gigaACE expansion card is the high-quality, reliable option for expanding your live mix setup among multiple Allen & Heath consoles. Using standard CAT cables, this audio networking card supplies a 128-channnel x 128-channel 96kHz gigaACE point-to-point link to a separate Avantis or a dLive mixing system via Ethernet.
The Allen & Heath Avantis Digital Mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel / 42 bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing.
The BB-DI 2CH is designed to provide accurate reproduction of keyboard and guitar source signals. The unique combination of a high-quality transformer/discrete components adds minimal "color," extremely low distortion, and extended bandwidth, 20hz to 20kHz
The Allen & Heath DX Link fits effortlessly into any A&H dLive I/O port. This audio networking card boasts four DX Link ports, each carrying 32-in/32-out channels of pristine 96kHz audio.
The Allen & Heath superMADI expands your dLive or Avantis console with 128 channels of MADI I/O. This audio networking card features eight BNC ports (four links) and eight SFP slots (modules not included), and supports a switchable 48/96kHz sample rate for each link.
The Allen & Heath SQ MADI card permits an SQ mixer to route 64 bidirectional channels via the MADI protocol. This unlocks a world of possibilities, allowing seamless connection and synchronization with a massive range of MADI-equipped gear for high-channel count feeds over coaxial cables.
32Classic is a modern studio console that comes equipped with Atmos Monitoring and DANTE / Converters
The Allen & Heath dLive DM48 MixRack is tailor-made for mixing in large live venues, thanks to staggering levels of I/O and an extensive array of processing tools. The DM48's tremendously powerful XCVI Core features six parallel mix engines, providing you with enough horsepower for 160 x 64 channels of processing at 96kHz, consisting of 128 live inputs, a configurable 64-bus architecture, and 16 stereo effects returns.
The dLive CDM48 MixRack is packed with ample I/O and Allen & Heath's robust XCVI Core. Enjoy 128 inputs and 16 stereo FX returns with full processing. Turbocharge your input and mix channels with EQs, compressors, and FX emulations. Load the onboard FX slots with reverb, delay, or modulation algorithms. The CDM48 combines with a dLive Surface to form a powerful digital mixing system.
The Allen & Heath dLive DM64 MixRack's staggering levels of I/O and extensive array of processing tools make it especially suited for large-scale mixing applications. The DM64's tremendously powerful XCVI Core features six parallel mix engines, providing you with enough horsepower for 160 x 64 channels of processing at 96kHz, consisting of 128 live inputs, a configurable 64-bus architecture, and 16 stereo effects returns.
The "Ti" in CTi1500 stands for "titanium." That's because the Allen & Heath dLive CTi1500 was engineered with titanium side panels and alloy metalwork. The result is an ultra-lightweight control surface for your dLive mixing system. The CTi1500 is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12-inch touchscreen and 12 faders provide you with at-a-glance visual feedback and tactile control of your mix.
The Allen & Heath dLive DM32 MixRack is packed with staggering levels of I/O and an extensive array of processing tools, making it ideal for large live venues. The DM32's tremendously powerful XCVI core features six parallel mix engines, providing you with enough horsepower for 160 x 64 channels of processing at 96kHz, consisting of 128 live inputs, a configurable 64-bus architecture, and 16 stereo effects returns.
The Allen & Heath dLive C1500 Surface is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12" touchscreen and 12 faders provide you with at-a-glance visual feedback and tactile control of your mix. Assignable inputs, virtual scribble strips, and customizable SoftKeys add to the C1500's effortless operation.
If you use an Allen & Heath ME-1 personal monitor mixer system, then you need an ME-U monitor hub. Rather than creating a complicated chain of ME-1s, the ME-U allows you to easily connect 10 ME-1s to a single monitor hub. You can also daisy chain two ME-Us, giving you the ability to connect a total of 19 ME-1s! Out of the box, the ME-U lets you connect using GLD dSnake or iLive ACE.
The Allen & Heath AHM-16 is a 16-in/16-out audio matrix processor that's tailor-made for sound management and installation. You get eight channels of bi-directional analog I/O, along with an I/O port for networking up to 128 bi-directional channels. The AHM-16 also boasts 16 configurable processing outputs for mono/stereo zones or speaker processing, plus a 96kHz FPGA core with ultra-low latency. Here at Sweetwater, we appreciate the AHM-16's easy-to-read front-panel screen and intuitive navigation.
The Allen & Heath ME-500 personal mixer delivers all the sonic control a performer could ask for. And with plug-and-play compatibility for Allen & Heath's dLive, iLive, GLD, and Qu consoles, as well as Aviom monitoring systems, the ME-500 offers the flexibility that system operators need. Artists can mix up to 16 channels in mono or stereo, with a 2-band EQ and master limiter for polished sound quality.
The Allen & Heath dLive C2500 Surface is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12" touchscreen, 20 faders, and six assignable one-knob/one-function rotary controls provide you with at-a-glance visual feedback and tactile control of your mix.
Harnessing the full potential of digital mixing, the Allen & Heath dLive S7000 control surface rejects the typical faux-analog console experience in favor of intuitive pinch, swipe, drag, and drop gestures. Dual 12" touchscreens, 36 faders, and six assignable one-knob/one-function rotary controls provide you with at-a-glance visual feedback and immediate tactile command over your mix.
The Allen & Heath Avantis digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel/42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 24 channel strips complete with manual faders and PAFL switches.