Stage Box – Live Sound
The stage box is the ‘hub’ of your live audio system through which all your individual signals are patched and pass through. Sonic Circus carries a large range of brands for all of your live sound and reinforcement needs.
The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 12 channel strips complete with manual faders and PAFL switches.
The Allen & Heath GLD-AR84 is an Expander AudioRack for the company's GLD, SQ, Qu, and Avantis digital mixing systems. The AR84 adds 8 XLR inputs and 4 XLR outputs to the GLD system. You can add up to two GLD-AR84s to your system, connected to the GLD-AR2412 main AudioRack (and/or directly to your GLD-80 mixer).
The Allen & Heath Avantis Digital Mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel / 42 bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing.
The Allen & Heath dLive DM48 MixRack is tailor-made for mixing in large live venues, thanks to staggering levels of I/O and an extensive array of processing tools. The DM48's tremendously powerful XCVI Core features six parallel mix engines, providing you with enough horsepower for 160 x 64 channels of processing at 96kHz, consisting of 128 live inputs, a configurable 64-bus architecture, and 16 stereo effects returns.
The dLive CDM48 MixRack is packed with ample I/O and Allen & Heath's robust XCVI Core. Enjoy 128 inputs and 16 stereo FX returns with full processing. Turbocharge your input and mix channels with EQs, compressors, and FX emulations. Load the onboard FX slots with reverb, delay, or modulation algorithms. The CDM48 combines with a dLive Surface to form a powerful digital mixing system.
The Allen & Heath dLive DM64 MixRack's staggering levels of I/O and extensive array of processing tools make it especially suited for large-scale mixing applications. The DM64's tremendously powerful XCVI Core features six parallel mix engines, providing you with enough horsepower for 160 x 64 channels of processing at 96kHz, consisting of 128 live inputs, a configurable 64-bus architecture, and 16 stereo effects returns.
The Allen & Heath dLive DM32 MixRack is packed with staggering levels of I/O and an extensive array of processing tools, making it ideal for large live venues. The DM32's tremendously powerful XCVI core features six parallel mix engines, providing you with enough horsepower for 160 x 64 channels of processing at 96kHz, consisting of 128 live inputs, a configurable 64-bus architecture, and 16 stereo effects returns.
If you use an Allen & Heath ME-1 personal monitor mixer system, then you need an ME-U monitor hub. Rather than creating a complicated chain of ME-1s, the ME-U allows you to easily connect 10 ME-1s to a single monitor hub. You can also daisy chain two ME-Us, giving you the ability to connect a total of 19 ME-1s! Out of the box, the ME-U lets you connect using GLD dSnake or iLive ACE.
The Allen & Heath Avantis digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel/42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 24 channel strips complete with manual faders and PAFL switches.
Add 128 channels of bi-directional network audio to your dLive mixing system, with this Allen & Heath Dante 128x128 option card. It's the perfect way to split high channel counts, such as feeding the monitor mixing system from front of house. Live sound engineers at Sweetwater appreciate the reassurance of redundant network connections for mission-critical applications.
Add 64 channels of bi-directional network audio to your dLive mixing system, with this Allen & Heath Dante 64x64 option card. It's the perfect way to split high channel counts, such as feeding the monitor mixing system from front of house. Live sound engineers at Sweetwater appreciate the reassurance of redundant network connections for mission-critical applications.
Based on Allen & Heath's acclaimed XCVI 96kHz FPGA audio engine, the SQ-7 digital mixer delivers extensive live sound mixing capabilities. Even with its powerful processing, the SQ-7 delivers best-in-class audio quality with less than 0.7ms of latency. You'll have a lot of flexibility when it comes to creating monitor mixes, with up to 12 stereo mixes (groups or auxiliaries) in addition to the main LR out.
16 mic/line in and 4 line out I/O Expander using A3232 network protocol and providing fixed, additional I/O anywhere on the network. Up to two A164WALL LCD units can be daisy-chained via A3232, or the second A3232 port can be used to create a redundant network. All LCD labels are dimmable and can be customised using 4REA4 software.
The compact 6U rack sports 48 mic inputs and up to 24 line outputs. Clever audio design allows the last 4 outputs to be switched between line outputs and stereo AES/EBU outputs, adding up to a maximum of 8 AES/EBU output channels.
The DQ-Rack provides all of the power of our larger racks, but in a more compact unit, and harnessing the flexibility of Audinate's Dante protocol.
Stage Rack, 32 inputs, 8 line output and 8 outputs that can be selected as either analogue or AES (expandable to 16 Outputs)
4x4 Portable Active Splitter - 4 Inputs/16 Outputs
Features Ultra-compact 2U rack, Redundant Power Supplies with Supports the full range of SD card options.