Includes (4) CCM 41 Lg, (4) CCM 41V Lg, (2) K Surround 5 M, (1) each AK Surround H M/4U, AK Surround M/4U, WSC ORTF-3D
The Requisite L7 is a 9-pattern, directly coupled condenser microphone capable of 32dB you balanced output.
Includes (4) CCM 41 Lg, ORTF Surround Bar H LM, K Surround 20 M, AK Surround H M/4U, WSC-ORTF Surround Outdoor Windshield, suspension and fur cover with PS-H (Heating)
Includes (2) CCM 41 Lg, (3) CCM 4 Lg, (2) MAB 1000, (1) CB-MAB, KMAB, (5) each K5 LU & SGC
Dummy head for head related stereophony, Pressure transducer with flat diffuse field frequency response, Loudspeaker compatible, Transformerless circuitry, Two stage switchable low frequency roll off, Switchable 10 dB preattenuation.
The M 49 is a great microphone in every respect. As impressive as its physical appearance is its incomparable sound. With its revolutionary technology, the M 49 has set new standards altogether.
The CM12 Suprema uses a period-correct Hiller T14/1 transformer wound to the Braunbuch specification, using laminations made from the identical nickel alloy mixture as used in the historic Hiller T14 transformer.
Large Diaphragm Multipattern Tube Microphone with the original AC701K tube and M7 capsule
Offers natural and transparent sound by handling high sound pressure levels with no distortion.
Stereo Pressure Gradient Microphone with Continuously Variable Pattern, Class-A Electronics and 2 Capsules in One Housing
Variable Cardioid/Omni Directional Condenser Microphone with 20 Hz - 20 kHz Frequency Range
The classic sound of the 017 was previously considered impossible to achieve with new microphones. Engineers routinely spent small fortunes on vintage condensers and fought to keep them operational as they aged as new models - and even reissues - were often not imbued with the same desired characteristics despite their hefty price tags. This is not surprising: manufacturing techniques have changed, why wouldn't the results.
Linear frequency response with a slight boost in the range between 2 and 5 kHz for more clarity to the human voice, Useful amount of proximity effect, particularly good for thin voices, Bass roll off at 40 Hz, switchable high pass filter at 140 Hz.
Available in 8 different variations with MK microphone capsules matched pair CMC 6Ug amplifiers, (1) B 5 D popscreens and (2) SG 20 stand clamps in each set.
Multi-Pattern Large Diaphragm Condenser Microphone with Shock Mount, Windscreen, & Cable
Matched pair CMC 6Ug amplifiers, with (2) MK4 Cardioid microphone capsules(1) B 5 D popscreens and (2) SG 20 stand clamps in each set.
Variable-Pattern Large Diaphragm FET Condenser Microphone with 127dB SPL Handling
The amplifier accepts sound pressure levels up to 134 dB without distortion.
Dual High-definition Random Incidence Mics for Piano, with 9Hz to 40kHz Frequency Response
The 013 Series combines the best elements of classic SDC designs with a unique character of its own. FET versions capture sound with precision while imparting a warm sonic signature. The smooth top end and a midrange accuracy that is musical - never clinical - enable the recording of complex, transient-rich instruments and sounds that span the frequency spectrum and dynamic range in a warm, pleasing way.
The included custom-matched Soyuz ambisonic plugins provide complete control in post-production, allowing you to further shape the sound field to your imagination.
Submicron Metal Diaphragm Omnidirectional Microphone Set with Microtech Gefell MK221 capsules.
Offers linear response up to 40 kHz, unbeatable dynamic range, Extreme SPL handling up to 160 dB and modular flexibility.
The Wunder Audio CM7 FET Suprema is a phantom powered version of the original U47.
Offers high sensitivity and low noise floor with excellent modular flexibility.
Large-diaphragm Transformerless 3 Pattern Condenser Mic with K67 Capsule, Pad and high-pass filter.
A classic condenser microphone technology uses a Lemo Socket with removable connecting cable.