The SR24 is a two-channel, four-band equalizer in a two rack-space chassis. With a dedicated knob and/or switch for each control function, the SR24 is easy to use; by utilizing continuously variable controls for both the frequency and boost/cut, the SR24 can be very precise in applying equalization to the selected audio material.
Fusion is an all-analogue 2U stereo outboard processor introduces five completely new analogue colouration tools: Vintage Drive, Violet EQ, HF Compressor, Stereo Image, Transformer.
Dual-4-band equalizers with classic mic pre. 48V Phantom, 19" Rackmount with Selectable pre-/post-EQ insert point, original discrete, transistor-balanced circuitry based on the late 1970's Trident 80B Analog console.
Dual Channel rack-mountable version of the legendary Trident 'A' Range console channel strip . Discrete Mic/Line Preamp and 4 Band Fully Selectable EQ, Original Small Fader Frequncy Attenuator design
Tube driven, two-channel EQ, Shelving Bass and Treble lift /cut Controls at 2 frequencies each, Mid Cut and Lift at 4 Frequencies each with Three 'Q' combinations, Presence and Air Controls
This analog EQ is a combination of premium sound shaping capabilities with optimally matched parameters and the highest quality components, enabling the user to find musical results quickly and easily.
The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq.
Stereo passive equalizer, variable Q boost at 11 frequencies of 21 dB and simultaneously a cut at 11 frequencies of 21dB, with high shelving boost or cut
Features, Two range switches to individually alter gain steps, Usable as a 550b, 550D or 550M, Peak/shelf switch on Hi and Lo bands, True hardwire bypass, Balanced In and Out on XLR, Balanced input on 1/4", EQ In/Out switch.
GML 8200 Dual Channel 5-Band Parametric Equalizer with PSU Brought to you by the man who invented the term “Parametric Equalization”, the GML 8200 has been an industry standard for over 20 years, and can be found on virtually every major recording studio’s stereo bus. Each of the five broadly-overlapping bands offers 15dB of Boost [...]