The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 12-channel strips complete with manual faders and PAFL switches.
The Allen & Heath Avantis Digital Mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel / 42 bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing.
The "Ti" in CTi1500 stands for "titanium." That's because the Allen & Heath dLive CTi1500 was engineered with titanium side panels and alloy metalwork. The result is an ultra-lightweight control surface for your dLive mixing system. The CTi1500 is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12-inch touchscreen and 12 faders provide you with at-a-glance visual feedback and tactile control of your mix.
The Allen & Heath dLive C1500 Surface is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12" touchscreen and 12 faders provide you with at-a-glance visual feedback and tactile control of your mix. Assignable inputs, virtual scribble strips, and customizable SoftKeys add to the C1500's effortless operation.
The Allen & Heath dLive C2500 Surface is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12" touchscreen, 20 faders, and six assignable one-knob/one-function rotary controls provide you with at-a-glance visual feedback and tactile control of your mix.
Harnessing the full potential of digital mixing, the Allen & Heath dLive S7000 control surface rejects the typical faux-analog console experience in favor of intuitive pinch, swipe, drag, and drop gestures. Dual 12" touchscreens, 36 faders, and six assignable one-knob/one-function rotary controls provide you with at-a-glance visual feedback and immediate tactile command over your mix.
The Allen & Heath Avantis digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel/42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 24 channel strips complete with manual faders and PAFL switches.
The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing.
Based on Allen & Heath's acclaimed XCVI 96kHz FPGA audio engine, the SQ-7 digital mixer delivers extensive live sound mixing capabilities. Even with its powerful processing, the SQ-7 delivers best-in-class audio quality with less than 0.7ms of latency. You'll have a lot of flexibility when it comes to creating monitor mixes, with up to 12 stereo mixes (groups or auxiliaries) in addition to the main LR out.
Quantum 225 incorporates all of the new design features introduced in 2020 with the Quantum 338, and of course uses three large-scale seventh generation FPGAs to continue the unrivaled Quantum legacy. The console merges tried and tested workflows with immense processing muscle, bold innovation and all of the Quantum features, giving you the ultimate tool set.
Features of 128 Input Channels and 64 Aux / Sub-Group Busses with LR/LCR/LCRS/5.1 Master Buss.
72 Input Compact Digital Console
Features 80 Input Channels, 24 Aux / Sub-Group Busses, LR/LCR/LCRS/5.1 Master Buss, 12 x 8 Full Processing Matrix 118 Dynamic Equalizers with 48/96kHz Sample Rate.
Digital Console for Live and Studio with 40 Input Channels, 32 MIDAS Microphone Preamplifiers and 25 Mix Buses.
Digital Console for Live and Studio with 40 Input Channels, 32 MIDAS Microphone Preamplifiers and 25 Mix Buses.
Surface with 36 Faders with up to 132 input channels with 218 EQ's and Multiband Compressors, 24 x 24 Matrix, LR/LCR/LCRS/5.1 Master Busses, 56 aux/sub group 24 digital FX