If you haven’t heard the sound that Spectra Sonics Equipment produces, you should! In 1964, Spectra began cranking out amazing mic preamps, EQs and the legendary 610 comp-limiter. A lot of the consoles in the mid to late 60’s were built with Spectra Sonics components in them. They were pioneers in creating preamps and compressors […]
The Spectra 1964 model V610 is a required addition to any mastering suite. In many mastering signal chain configurations, the V610 is used as the first device, as a peak limiter. The result is dramatic and measurable.
50 years ago WIlliam G. Dilley introduced the world to his revolutionary new dynamics processor, the Model 610 Complimiter. A truly unique device, the Model 610 was not only the fastest, cleanest and quietest of it’s type, but was also capable of providing completely separate peak-limiting and compression functions.
The STX 100 represents an affordable alternative for employing the same Spectra Sonics technology of our famous recording desks made over 40 years ago. The unique circuit topology of the STX 100 utilizes a 100 series discrete preamplifier design that was at the heart of every console built by the company. The result is unequaled performance in terms of expanded dynamic range (headroom), low noise and distortion, as well as extended harmonic content of the amplified signal.
The design of the STX 600 uses the same input section as the C610 and V610 Complimiters. The input section, (top knob), allows for quick setup for use as a limiter, limiter/compressor, or mild to moderate compression, (10:1). The output section, (bottom knob), allows for gain control for both compression compensation, and or microphone level adjustment.
The STX 100D is the latest product to be available from Spectra 1964. Based on the Spectra Sonics console design and development from 1964 through 1971, the 100D features an all-discrete topology using two 101 amplifier modules and US-made input and output transformers, packaged in a single space 500 series lunch box format. Without compromising performance, the 101’s were reduced in physical size by over 75% to fit the 500 series lunchbox.
Found in legendary studios like Stax, Ardent, the Record Plant and more, Spectra recording desks were used to record some of the most influential albums of all time. For over 40 years, the Spectra sound has made its way onto countless hit records, including John Lennon’s Imagine, Bruce Springsteen’s Born to Run, Aerosmith’s Toys in the Attic and more.
For years, customers have sought the perfect DI to accompany the renowned 610 series Complimiters. While our options were limited, we understood the challenges posed by reactive impedance variations caused by transformers. Depending on frequencies and source impedance, these variations can alter the instrument’s sound for better or worse. This often leads to dissatisfaction and the need for extensive plug-ins to achieve the desired outcome.
The BB-DI 2CH is designed to provide accurate reproduction of keyboard and guitar source signals. The unique combination of a high-quality transformer/discrete components adds minimal “color,” extremely low distortion, and extended bandwidth, 20hz to 20kHz