Showing 31–60 of 301 results


Neumann M269C Large Diaphragm Tube Mic (Vintage) One of our favorite large vintage large diaphragm tube Neumanns.  Same body and K67 capsule as a U67 but more in the M49 family sonically due to the AC701.  The mic is more linear and has much sweeter top end than a U67. Neumann developed the M269 by [...]


Groove Tubes GT66 Large Diaphragm Cardioid Tube Condenser Microphone Groove Tubes GT6205 tube powers this microphone’s Class A electronics. Large Diaphragm 3-micron gold capsule. Fixed Cardioid with a Hi-Pass filter (75Hz) and a 10 dB pad.  The mic is in perfect working order.  Includes case and shock mount.  Excellent value.  


Electro-Voice SXA100+ 12″ Powered Loudspeaker Pair (Used) OVERVIEW High-power output with multiple inputs and an EQ section to optimize your mix. The Electro-Voice SxA100+ sets a new standard for powered speakers. Its design provides users multiple inputs with mix capability, an easy-to-use EQ section, and loads of power in a compact, attractive package. The SxA100+ [...]


Fender Blackface Pre CBS Pro Reverb Clean original 60’s original Jensen Brownback Speakers 40 watts great condition.


McIntosh MC2150 Stereo Power Amp (Vintage) #2 ELECTRICAL: 150w/ch. (300w mono). Response 20-20kHz (+0 -0.25dB). Distortion 0.02%. Noise and hum -95dB. Output impedance 1, 2, 4, and 8 ohms. (0.5, 1, 2, 4, 8 and 16 ohms in mono). Damping factor 30 or greater. Input impedance 50k. Input sensitivity 0.75v or 2.5v. Headphone impedance: low. [...]


Neve 1060 Vintage Racked Pair EQ/Pre with Octal Transformers Circa 1969. These are extremely rare. The 1060 is the last in the line of the black face germanium transistor modules. The modules use external transformers (Gardners) mounted in the custom rack for the mic and line inputs and have LO1166 output transformers inside. EQ is [...]


ProControl will alter your concept of what to expect when working with a professional digital audio workstation. While it looks and feels like a true world- class console, it offers far more extensive control than traditional consoles. Featuring high-quality, hands-on control of your Pro Tools TDM-based mixing, editing, and DSP processing environment, plus a comprehen- [...]


Neumann KM84i Small Diaphragm Condenser Mic The KM 84 is a small-diaphragm FET condenser with a fixed Cardioid pickup pattern. It was the world’s first phantom-powered microphone The Neumann KM 84 i, a classic small diaphragm FET condenser microphone, is the result of a visit to Norwegian State Television by Neumann engineers in the mid-1960s. [...]


Sony ECM23F Condenser Mic (Vintage) Uni-directional Back Electret condenser microphone for battery powered use. Operating for the extremely long period of more than 6,500 hours with one size “AA” battery, the ECM-23F is a high-quality, high-performance microphone suited to professional and semi-professional use in recording and broadcast studios, public address functions, and sophisticated amateur sound [...]


Audix D6 Dynamic Cardioid Mic (Used) Description The D6 dynamic instrument microphone is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. Lightweight, compact and easy to position, the D6 cardioid [...]


AKG 414EB Condenser Mic with CK12 Brass Capsule (Vintage) The AKG C414 EB (Extended Base), the most sought-after of the 414 series, introduced a second pad position (-20dB) and 3 high-pass filter options. As with the original C414, the EB provided 4 polar patterns — Cardioid, Omni, Figure-of-8, and Hypercardioid — selectable via a switch [...]


Altec 670B Ribbon/Dynamic Mic (Vintage) Altec 639 is similar to the STC / Coles 4033. Basically, it has two transducers – a ribbon and a moving-coil. Directivity The microphone has three basic directivity patterns:    P   pressure (omni-directional)    C   cardioid    R   ribbon (bi-directional) Impedance The impedance selecting switch is located underneath the name plate on the front of the [...]


Apogee Ensemble Firewire Interface (Used) OVERVIEW 8 channels of top-of-the-line recording. The Ensemble Multichannel Audio Interface from Apogee delivers high performance converters, pristine preamps, and tight integration with Core Audio. You can use the Ensemble easily with Logic, MOTU Digital Performer, Steinberg Cubase, Bias Peak, Propellerhead Reason, Ableton Live, or any professional Macintosh recording application [...]


Dynaudio BM15A Pair Active Monitors (Used) Excellent 2 way near field monitors with astonishingly good low end tested and working perfectly.  Some light scratches on the tops (see photos) won’t effect the sound.  Step up you’re mixing game. The Dynaudio nearfield experience. The BM15A is a relatively large 2-way active system comprising of a large [...]


24 Channel Mixer with Meter Bridge 8 Bus, Direct Outs All Channels, Series 80B EQ, Modular Design, Inline Monitoring, 6 Aux Sends per channel, 8 Stereo Auxes.  


Lexicon 300 Digital Effects System Tested, working and in mint condition   The Lexicon 300 not only contains the finest sounds, as you’ve come to expect from Lexicon, it incorporates functions that satisfy the needs of today’s audio production. Analog and Digital Audio Interfacing For both analog and digital use the Lexicon 300 takes full advantage of [...]


Crybaby Rack Module DCR 2SR with Foot Controller The Cry Baby Rack Module provides control over the frequency range, Q, and output level of the wah effect and allows for up to six rocker pedals to be connected for access anywhere onstage. The Cry Baby Rack Module gives more control over your wah tone than [...]


Summit EQP-200A Dual Tube Program EQ (Used) This is the early Los Gatos, CA / Dave Hill design Passive EQ Coveted by top professionals for decades, passive EQs have better phase coherence than active designs, and the inductors offer a rich, smooth harmonic quality. Track, mix, master The EQP-200 is an indispensable component to many [...]


DBX 120XP Sub Harmonic Synth (Used) The disco boom of the 70’s was fueled by the throbbing bass beat of dbx Subharmonic Synthesizers in discos around the world. During the 80’s, patented dbx Subharmonic Synthesis was the secret weapon used by mobile DJ’s and film and sound professionals to produce an impact unavailable from any [...]


Summit TLA-100A Mono Tube Opto/Solid State Compressor (Used) Need a great opto compressor with Jensen output and don’t have big bucks for a LA2A?  Very musical compressor with fast/medium/slow attack and fast/medium/slow release switches.  Simple to use and hard to make sound bad. The TLA-100A features a vacuum tube amplifier driving an electronically balanced Jensen [...]


Rocktron Hush II Guitar Noise Reduction (Used) Hush noise reduction is the standard with touring rigs worldwide. Now you can tap into the same great circuitry to wipe out hiss, pickup buzz, and unwanted feedback. The Rocktron HUSH pedal delivers 65dB of signal cleanup, while your signal integrity remains unaffected. HUSH signal cleanup is provided [...]


Nakamichi CM300 Pair Electret Condenser Microphones (Used) Each microphone is fitted with a CP-1 Cardioid Capsule. These mics take (2) A544 batteries, but can be easily modified to accept phantom power. 1980s, made in Japan.


Sennheiser MKH 20-P48 RF Condenser Microphone Pair (Used) The Sennheiser MKH 20-P48 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omnidirectional microphones do not suffer from ‘proximity effect’. Omni-directional RF condenser [...]


Beyer M640N Miniature Dynamic Mic (Vintage) Requires 3-pin tuchel cable Originally designed as a talkback mic The mic is only 8cm/ 3.14inch long  


Sony ECM-55B Omni-Directional Electret Condenser Lavalier Microphone Capsule Type Electret Condenser Frequency Response 30 Hz to 18 kHz Directivity Omni-directional Sensitivity *[1] -52.0 dB ±2 dB Output Impedance *[2] 100Ω±20%, Balanced Dynamic Range 98 dB or more Signal-to-Noise Ratio *[3] 66 dB or more Inherent Noise *[4] 28 dB SPL or less Induction Noise From [...]


Sony ECM-55B Omni-Directional Electret Condenser Lavalier Microphone Capsule Type Electret Condenser Frequency Response 30 Hz to 18 kHz Directivity Omni-directional Sensitivity *[1] -52.0 dB ±2 dB Output Impedance *[2] 100Ω±20%, Balanced Dynamic Range 98 dB or more Signal-to-Noise Ratio *[3] 66 dB or more Inherent Noise *[4] 28 dB SPL or less Induction Noise From [...]


Sony ECM 22P Pair Cardioid Condenser Mics (Vintage) Circa 1972. The Sony microphone Model ECM-22P is a cardioid condenser type with uniform response from 40 to 15,000 Hz. The capsule is 17 mm in diameter and made of a high-polymer film utilizing the electret principle of polarization and two output impedances: 250 or 600 ohms [...]


Neve 33422 Pair Channel Amplifiers (Vintage) With Belclair input transformers. as pictured

MSRP: $1,295.00

Features Four bands, Reciprocal and repeatable filtering, 12 dB of boost/cut per band, EQ band 1 and 4 offer shelf/peak switching, fully discrete circuit design, High headroom +30 dB clip level.

MSRP: $2,195.00
$2,085.25 $1,725.00

Features Continuously variable detented Gain, Threshold, Attack, Ratio and Release controls, 10 segment LED meters, Over Threshold LED, Patented THRUST Switch, 3 selectable compressor curve Knee settings, Selectable New or Old switch, Selectable variable or auto compressor, Audio circuit uses 2520 and 2510 Discrete Op Amps with transformer output.

Sonic Circus Subscribe TodaySubscribe to our weekly specials:
New Arrivals : Exclusive & Vintage Gear