Gibson SG Standard 1973 Cherry Finish, Bigsby, Mahogany Body, Ebony Fingerboard, Gibson Tuners, Made in USA, Serial #138609
Apogee Symphony MK1 with 16 Analog In + 16 Analog Out (Used) Apogee Symphony I/O is a modular multi-channel audio interface featuring premium AD/DA conversion and world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering on a Mac, Symphony I/O is the ultimate music production centerpiece for any modern [...]
Prism Orpheus Firewire Audio Interface (Used) Overview Orpheus is a FireWire multi-track audio interface for with 8 channels of analogue input and output as well as digital I/O and sync. The first two channels of analogue input can be mic, line or instrument, the next two mic or line and the last four are line [...]
Teac 80-8 1/2″ 8 Track Analog Recorder Excellent economical 8 Track Analog Recorder. VU Meters, 7.5 & 15 IPS, Accepts 10.5″ NAB Hubs. The machine will be checked and serviced prior to shipping.
The Maag Audio EQ4M is a 6-band dual channel mastering EQ with AIR BAND® (shelf boost from 2.5 to 40kHz), a true in/out bypass, a transparent INPUT ATTN (attenuator), and stepped (detent) controls. In 1993, Cliff Maag first introduced the AIR BAND® to the audio world in the NTI EQ3. The EQ3 was a dual [...]
Full analog tape simulator and optimizer with classic knee compression.
Features Continuously variable detented Gain, Threshold, Attack, Ratio and Release controls, 10 segment LED meters, Over Threshold LED, Patented THRUST Switch, 3 selectable compressor curve Knee settings, Selectable New or Old switch, Selectable variable or auto compressor, Audio circuit uses 2520 and 2510 Discrete Op Amps with transformer output.
McIntosh MC2150 Stereo Power Amp (Vintage) #2 ELECTRICAL: 150w/ch. (300w mono). Response 20-20kHz (+0 -0.25dB). Distortion 0.02%. Noise and hum -95dB. Output impedance 1, 2, 4, and 8 ohms. (0.5, 1, 2, 4, 8 and 16 ohms in mono). Damping factor 30 or greater. Input impedance 50k. Input sensitivity 0.75v or 2.5v. Headphone impedance: low. [...]
McIntosh MC2150 Stereo Power Amp (Vintage) ELECTRICAL: 150w/ch. (300w mono). Response 20-20kHz (+0 -0.25dB). Distortion 0.02%. Noise and hum -95dB. Output impedance 1, 2, 4, and 8 ohms. (0.5, 1, 2, 4, 8 and 16 ohms in mono). Damping factor 30 or greater. Input impedance 50k. Input sensitivity 0.75v or 2.5v. Headphone impedance: low. Sentry [...]
Chandler Limited REDD.47 Microphone Pre-Amplifier (Used) Chandler Limited’s REDD.47 Mic Amplifier is a recreation of the original valve line amplifiers used in Abbey Road Studios’ heralded and rare EMI REDD.51 recording consoles circa 1959-1968. Designed as a central component to the EMI REDD.51 recording console, the original REDD.47 line amplifier was used to amplify virtually [...]
Universal Audio 1176 LN Reissue (Used) #2 Legendary FET compression with tone and attitude — true to the original. Upon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent [...]
Universal Audio 1176 LN Reissue (Used) Legendary FET compression with tone and attitude — true to the original. Upon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, [...]
with 8-Analog I/O + 8-AES/Optical I/O + 2-Ch S/PDIF
Filtek MK3 Racked Pair EQ Modules (Vintage) History: Originally designed by Stefan Sulke in the 1970´s the MK3 was first only build and distributed by the swiss based company FILTEK. Later this design was the most copied and licenced eq design for dannercassettes. The LAWO W995/7 and the BFE MK3 are exact 1:1 copies of [...]
Sennheiser MKH 20-P48 RF Condenser Microphone Pair (Used) The Sennheiser MKH 20-P48 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omnidirectional microphones do not suffer from ‘proximity effect’. Omni-directional RF condenser [...]
GE BA9B Uni-Level varimu tube compressor The GE Uni-level was designed as a mono fixed level control device. The original threshold control and gain controls were brought up to the front panel. The unit sounds interesting and provides real depth in the bass with a sort of smattering effect on the upper mids.
Pressure Gradient Ribbon Microphone with Active Electronics, Figure-8 Polar Pattern and 20 Hz to 25 kHz Frequency Response
A solid-state, large diaphragm condenser microphone, featuring the legendary TG sound, a 'Dual Tone' voicing system and on-board NAB/IEC 'Tape Equalizer' facility.
AKG C451 EB Pair Condenser Mics with CK1 cardioid front address capsules. These are the first issue with input transformers introduced in 1969. The later 451B was transformer- less. C-451 EB,” has a switchable high-pass filter, providing a 14dB/octave cut at either 75Hz or 150Hz. Beautiful vintage high end and a really essential tool for any [...]
Fender Tremolux Head Blackface (Vintage) The blackface Fender Tremolux was produced just a few years between 1963 and 1966 and had one circuit model; the blackface Tremolux AA763. In terms of power and clean headroom it is the smallest of all the Fender piggy back amps The blackface Tremolux and Bandmaster (AB763) are almost identical [...]
Mesanovic Model 2S Ribbon Microphone (Used) The Mesanovic Microphones Model 2S uses two matched ribbon motors angled at 90 degrees to each other to create a Blumlein configuration. It uses the same motors and transformers found in the Mesanovic Model 2. The motors feature a very short front to back path length along with our [...]
Moog Ladder Filter 500 Series (Used) The Ladder 500-Series Ladder Filter from Moog is a 500-series compatible dynamic ladder filter. It features a selectable high- or low-pass filter with adjustable cutoff and a 2- or 4-pole slope, equivalent to 12 or 24dB respectively. Designed to provide creative EQ and filtering options, the Ladder has variable [...]
Fender Bandmaster “Drip Edge” Head Silverface (Vintage) Serial # 34898 Controls: Front: Normal: In, In, Bright Sw, Vol, Treb, Bass – Vibrato: In, In, Bright Sw, Vol, Treb, Bass, Speed, Intensity – Pilot Lamp Grill Cloth: Drip Edge w/ aluminum frame ~ 1968-1969 Logo: Grill mounted, raised, chrome & black, script Weight: Head: 30lbs Effects: [...]
Fairchild 664B EQ’s racked pair (Vintage) The MODEL 664 Equalizer is designed around the thin line dimensions of the FAIRCHILD INTEGRA/series, 1-1/211 wide by 5-1/411 high by 5-1/2″ deep. It has five high frequency accent positions: 4KC, 6KC, 8KC, 10KC and l5KC. Equalization [J [J is accomplished in five steps for each of these selected [...]
Fender Tremolux Blackface Head (Vintage) Production years 1963 -1966 blackface circuits AA763 Tube layout AA763 Tube layout (Seen from behind, V1 is to the right side) V1 12ax7 = Preamp normal channel V2 12ax7 = Preamp vibrato channel V3 12ax7 = Vibrato tube V4 12at7 = Phase inverter V5 GZ34 = Rectifier tube V6 6L6 = Power tube #2 [...]
Dangerous Music 2-Bus 16 x 2 Summing Mixer (Used) PRODUCT DESCRIPTION Digital Audio Workstations have taken over the world of recording and there is no going back. While we all embrace the wonderful benefits of the computer-based workflow, we also have to deal with the issues and limitations of digital recording and mixing. The Dangerous [...]