Whitestone Audio P331 Tube Loading Amplifier

Whitestone Audio P331 Tube Loading Amplifier

The Whitestone Audio P331 Tube Loading Amplifier was developed to bring professional tracking, mix and mastering engineers versatile, elegant, precise and repeatable audio circuit variation. There’s nothing like running a signal through a well-designed piece of analog gear, at “unity” gain without any “processing” applied at all. Simply exploiting the sound of some of these analog input and output gain circuits with processing bypassed is often-times just the thing to help bring subtle life or enhanced depth to recorded audio. That’s what the fully balanced P331 is all about; giving you control of how an audio signal passes from input to output and how it can be enhanced throughout its journey.

In 1939, just a few weeks after the start of WWII in Europe, RCA Radiotron introduced the 6SN7 octal (8-pin) double triode tube to the American market. This was the birth of the true common ancestor of all modern double triodes used in high fidelity amplifiers. The 6SN7 is still in production after over 80 years, for good reason.

6SN7 vacuum tubes of the 1940s vintage were chosen for this amplifier due to their lower distortion capabilities that exceed that of the standard and ubiquitous 12A*7 variety. The 12A*7 varieties were incarnated due to commercial needs such that they were “better, cheaper, lighter” at the expense of embodying more distortion. With the advent of feedback, tube amplifiers could be mass produced with these less expensive 12A*7 style tubes using more feedback to reduce distortion.

While feedback reduces distortion, it also lowers overall amplifier gain. It might have been considered heresy to reduce the gain through feedback (and reduce distortion) in earlier tube designs since minimal gain was still extremely expensive prior to the 1950s. Thusly, earlier tube designs were lower distortion on purpose; especially for their critical role in modulation based communication systems that had more stringent requirements than the average 1950s guitar amplifier tube.

Notwithstanding, ultimate circuit topology can bring out more second harmonic characteristics than usual with any tube design. Hence the impetus for the variable circuit topologies within the P331 Tube Loading Amplifier to allow the user to do so as necessary or not at all.

Both the Whitestone Audio P331 Tube Loading Amplifier and its “EVL twin” were developed to bring professional tracking, mix and mastering engineers versatile, elegant, precise and repeatable audio circuit variation. These are high-fidelity, hybrid vacuum tube /solid-state audio enhancement devices. They’re identical in their signal flow and control circuits, however we designed the P331-EVL to be more direct…more forward…less “polite” in its presentation.

So What are the Differences?

Well let’s start with what’s the same. Like the original P331, the EVL version utilizes digitally controlled analog for all controls. Left/Right coherence is every bit as precise. The fully-differential solid-state output amplifier is unchanged. The LIFT circuit is also identical in both units, however, since the lifted frequencies are affected by the harmonics generated by the LOADING section…LIFT on the EVL will not sound exactly the same as the original P331.

The fully-differential tube LOADING amplifier in the EVL starts from a much different point. While the LOADING control is functionally the same as the original P331 in that it controls the 6SN7 tube’s operating point, it’s being pushed much harder from the start. It’s not like a distorted guitar amp…it’s still “mastering appropriate”. It’s simply a different, more forward “feel” than the original P331.

The XFORMER section is where the most differentiation occurs. We’re driving WAY more current at the EVL transformers …forcing them much further into saturation. The result is a more pronounced low-end presence, thrust and punch without becoming stuffy or losing clarity.

Soul

In 1939, just a few weeks after the start of WWII in Europe, RCA Radiotron introduced the 6SN7 octal (8-pin) double triode tube to the American market. This was the birth of the true common ancestor of all modern double triodes used in high fidelity amplifiers. The 6SN7 is still in production after over 80 years, for good reason.

6SN7 vacuum tubes of the 1940s vintage were chosen for this amplifier due to their lower distortion capabilities that exceed that of the standard and ubiquitous 12A*7 variety. The 12A*7 varieties were incarnated due to commercial needs such that they were “better, cheaper, lighter” at the expense of embodying more distortion. With the advent of feedback, tube amplifiers could be mass produced with these less expensive 12A*7 style tubes using more feedback to reduce distortion.

While feedback reduces distortion, it also lowers overall amplifier gain. It might have been considered heresy to reduce the gain through feedback (and reduce distortion) in earlier tube designs since minimal gain was still extremely expensive prior to the 1950s. Thusly, earlier tube designs were lower distortion on purpose; especially for their critical role in modulation based communication systems that had more stringent requirements than the average 1950s guitar amplifier tube.

Notwithstanding, ultimate circuit topology can bring out more second harmonic characteristics than usual with any tube design. Hence the impetus for the variable circuit topologies within the P331 Tube Loading Amplifier to allow the user to do so as necessary or not at all.

Heart

For any amplifier to be truly great you have to start with good clean power. The P331’s linear power supply is the most critical “component” for audio integrity next to the actual gain structure and circuit topologies within this amplifier. High voltage plate/anode tube power supplies start at around 320V DC and are filtered (up to 6 times) and smoothed with active regulators. It only uses film capacitors and real inductors (chokes) to remove ripple and noise from the high voltage power supplies.

Loading

The Loading circuit is part of the fully differential (balanced) Class-A tube amplifier. It was designed to coerce an audio signal to hit the tube at different points on its response curve. As the gain increases through the tube, the signal is padded down in equal measure. This helps to ensure minimal audible level gain or loss, allowing you to audition the enhancement the tubes are imparting without drastic changes in level.

There are two modes of operation for the LOADING circuit.

“CLEAN” = Feedback Mode – Utilizes the manipulation of feedback to affect internal tube gain, subtle non-linearities and even order harmonics.

“BLOOM” = Feedforward Mode – Utilizes the manipulation of plate loading to affect internal tube gain, slightly-less-subtle non-linearities and even order harmonics.

Auto-Padding

Auto-Padding (PRE, POST, OPEN) – One of the key elements of the P331’s LOADING circuit is its auto-padding feature. As gain increases through the tubes, the signal is padded down automatically in equal measure. It’s a cool feature and essential to the concept of the unit. To make it even cooler, we provide the ability to control where in the circuit that padding occurs (PRE or POST) or disable the auto-padding all together (OPEN). When in PRE, the auto-padding occurs to the signal before it hits the tube. In POST, the auto-padding occurs after the tubes. While in OPEN the auto-padding is disabled and your Loading knob allows you to crank it up while using your output Gain as a “master volume” of sorts similar to how a guitar amplifier with a master volume would function. It’s all about experimenting and letting your ears guide you.

Lift Circuit

(NOTE: Parallel processing as illustrated in the block diagram below is only employed when LIFT is engaged.)

The LIFT circuit is a gentle parallel filter that enhances the highs, lows or both the highs and lows of the signal. Audio passes through the LIFT circuit before the LOADING circuit. When any of the LIFT filters are engaged, the audio is passed unscathed through the fully balanced P331 circuitry and blended with harmonic content of the LIFT and LOADING circuits working in concert.

XFORMER

The P331 is designed to run fully transformerless in its default state. This provides the purest, cleanest and most unaffected audio path through the unit. However, in keeping with the P331’s versatility, the operator may switch in output transformers and select two optional settings to load them in different ways. This provides additional options for enhancing the subtle textures of recorded audio.

Output Gain

To faithfully reproduce the sound of the audio passing through the tubes and other circuits in the P331, we implemented a low distortion, fully balanced solid state amplifier for the output gain section. The output gain circuit offers 11dB of boost or cut in 1dB increments. However, for even finer control, the “Resolution” switch allows the operator to “back-off” .25dB or .5dB from the current setting.

Hard-Wire Bypass

Each section of the P331 (with the exception of the Loading circuit) can be fully hard-wire bypassed. There is also a global hard-wire bypass to remove the entire unit from your signal chain…although, we’re fairly confident you won’t want to use it much.

Brains

We’ve taken the very best of vintage analog technology and married it to the best of modern computer-optimized circuit design. This allows a level of precision and clarity which was simply unimaginable when tubes of this vintage were originally developed.

The P331 is full digitally controlled analog. Each parameter is fully repeatable and can be recalled via front panel rotary and toggle switches commanding over 80 sealed precision relays. No audio runs to the P331’s front panel and only the finest components are used throughout the audio path.

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