The MC16 is designed to monitor surround and immersive audio projects (Dolby Atmos, Auro 3D, etc...) in the analog domain, offering the same unrivalled quality as 120V stereo monitoring.
Hermes revolutionizes mastering. Now it is possible to have an audio signal processed by up to eight 2-channel processors in any order that can be stored. At the push of a button you can compare up to four complex processing chains.
Gemini is the first mid/side processor in 120V technology. In mastering, M/S processing is often the best way to get targeted access to individual elements of a mix.
Mercury is the first mastering DA-converter in 120V technology. It offers seven digital stereo input sources, all of which can be synchronized with each other or with a word clock. The additional variable output qualifies Mercury as a monitor controller.
- 3 stereo balanced line level analog audio inputs
- Digital audio input, selectable between AES3 or USB
- 3.5 mm input on front and rear panel
- Bluetooth connectivity
- All 5 inputs are buffered with the API 2510 Op Amp
Avantone Pro, in conjunction with the expertise of legendary mixer Chris Lord Alge, have designed the most faithful reproduction of the world's most iconic studio monitor. Now everyone can mix on the monitors that define "the hitmaker sound". A tremendous amount of design work and exacting detail have finally made the "white cone""monitors available to everyone! And now the world has finally gotten what it always asked for - an active-powered version: the CLA-10A! Black box. White cone. High-range frequency. It's not known as the world's best - it's known for being the world's best reference - the sound that creates hits.
Personal Monitor Package with Hub, 4 Mixers, and Cables
While other systems focus on processing to compensate and adjust your tracks, Radar takes a different approach. The secret formula? Don't touch it! iZ does whatever it takes to make sure the signal enters and leaves the machine with as few digital fingerprints as possible. Over 25 years of feedback from the industry's most respected professionals tells that the formula is working.
While other systems focus on processing to compensate and adjust your tracks, Radar takes a different approach. The secret formula? Don't touch it! iZ does whatever it takes to make sure the signal enters and leaves the machine with as few digital fingerprints as possible. Over 25 years of feedback from the industry's most respected professionals tells that the formula is working.
16 Analog I/O with Dante Connectivity, Ultra Nyquist 192K converters
16 Analog I/O with Dante Connectivity, Classic 96K converters
Personal Monitor Package with 4 Personal Monitor Mixers, Personal Monitor Hub, 4 Cat 5e Cables, DB-25 to 8-1/4" TRSM Snake Cable, and Mixer Bag
The Q2 Audio F765 is the compression and limiting sections of the famous "Compex Limiter" built into a single 500 Series slot. The audio path contains the same blue Phillips type capacitors and BC series transistors as the original Compex.
With improved audio quality, system performance, and overall ease of use, it revolutionizes monitor mixing on stage or in the studio. Imagine getting your mix exactly the way you want it. With the Hear Back OCTO System, you save time and get the sound just right, the first time. This affordable system is perfect for headphones, wired and wireless in-ear monitors, and/or conventional floor monitors.
Designed by five-time Grammy award-winning engineer/producer and iconic studio owner/designer Allen Sides
Active Ribbon Microphone with Aluminum Diaphragm, Neodymium Magnet, and Discrete Preamp Circuit
2-way Bi-amplified Monitor Loudspeaker System with 90W 1" Tweeter, 125W 7" Woofer, XLR Input, and AES3 I/O (pair)
Retro. Futuristic. We are proud to introduce technical grammy award winner david royer's modern take on a legend - the sony c-37a. Known for its high headroom and ability to tame brittle high end, it became a workhorse in the 60's, especially during the golden age of Hollywood recording - the "Wrecking Crew" era. Studios such as capitol records and sunset sound acquired multiples, which are still use today.
With its exceptional acoustic design, the A125-M is equally suited to use as a mono subwoofer or LFE in surround sound applications or as a bass extension in a stereo system. Working in perfect unison with all speakers from our range, the A125-M offers all the power with outstanding accuracy.
The A214-M is designed as the ideal centre speaker for surround systems. Its incredible power is optimised to satisfy the requirements of post-production and film mixing suites.
The innovative architecture of the A215-M enables its outstanding performance for professional mastering and audiophile listening. Optimised for both seated or standing listening, it reproduces sonic spaces with breathtaking accuracy.
For those who want more than just "some bass": the A225-M is the ideal addition to any PSI Audio monitoring system, granting the same trademark fidelity to the lowest frequencies - precision down to 24 Hz!
The ultimate routing management for your speakers setup.Full analog transparent system without internal channels mixing.
A brand new and innovative midrange driver entirely developed and manufactured in-house brings the A25-M even closer to absolute perfection. Imagine hearing sound as naturally as in real life. The speakers disappear, you trust what you hear and let your ears work with total confidence. That's what you get with the A25-M!
The A23-M is the combination of our advanced analogue technology and the development of a unique midrange driver. The result is precision never achieved before on a 3-way monitor. You will wonder how you ever managed to work without it.
The A21-M has unmatched impulse response and stereo image. It is an astonishing monitor used for the most demanding audio productions, allowing the user to be in full control of the sound image in all regards down to the finest details.
The A17-M is the reference of near field monitors. Powerful for its size, it delivers an uncompromised quality in term of stereo image, low end control and transparency all over the bandwidth. Are you ready to step ahead?
The A14-M is designed to produce the highest possible SPL and broad bandwidth in an extremely compact cabinet. It's perfect for applications with limited space that still require the best in terms of precision and reliability. Nothing else comes close.
The A14-M is designed to produce the highest possible SPL and broad bandwidth in an extremely compact cabinet. It is perfect for applications with limited space that still require the best in terms of precision and reliability. Nothing else comes close.
True active bass absorption (and not noise cancelling) - the AVAA C20 is the first of its kind. Many people from the audio industry call it a revolution.Easy to set up and move, no calibration required, and efficient like passive absorbers 25 times its size, the AVAA C20 takes care of any room modes between 15 Hz and 150 Hz.