The Mic Pre IIT's high pass filter is continuously variable from 10-200Hz, and drops at 12dB per octave. It seems to have a magical ability to clean up the muck while making what remains sound even better.
The Daking Mic Pre 4T will elevate any recording offering unique solutions to common problems. The "low-distortion" Jensen input and output transformers offer more linear low-end performance under brutal dynamic conditions.
RedNet PCIeR is a dedicated 128x128 Dante interface for Intel-based Mac and Windows PCs. The 4x PCIe card operates with ASIO or Core Audio applications, and features a primary and secondary Ethernet port, to deliver high channel counts at very low latency with the utmost reliability.
The RedNet D16R MkII is a 16-channel bi-directional AES3 interface for Dante networks. The 1U rackmount device features individual input and output channel level controls, allowing for precise calibration and control of all input and output levels using RedNet Control.
RedNet A16R MkII is a 16-channel analogue interface for Dante networks, with two channels of AES3 I/O. Precision A-D and D-A conversion provides 119dB of dynamic range, flat from 20Hz - 20kHz (+/- 0.15dB).
The ISA 828 MkII incorporates eight of Focusrite's classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel.
ISA ADN2 is an optional two-channel A-D card that provides high-quality analogue-to-digital conversion for the ISA One mic preamp and DI. Featuring Dante, AES3, ADAT andS/PDIF connectivity, the card operates at sample rates up to 24-bit/192kHz.
ISA ADN8 is an optional eight-channel A-D card that provides high-quality analogue-to-digital conversion for the Focusrite ISA 428 MkII and ISA 828 MkII microphone preamps. Featuring Dante, AES3 and ADAT connectivity, the card operates at sample rates up to 24-bit / 192kHz.
RedNet X2P is a compact, portable and robust 2x2 Dante audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P allows you to effortless add a high quality Dante audio interface by integrating power, audio, clock and remote control over a single Ethernet cable - simply use a power over Ethernet switch or PoE injector.
RedNet A8R is a 1U, 8x8 analogue line-level I/O interface for any Dante audio-over-IP network. Featuring network and power supply redundancy, RedNet A8R is the ideal choice for providing analogue I/O in many critical-path applications, whether in Post Production, Broadcast, Live Sound or the Recording Studio.
RedNet HD32R is a 1U, Pro Tools | HD interface for any Dante audio-over-IP network, providing up to 32x32 channels of I/O (16x16 at 192kHz) Featuring network and power supply redundancy, RedNet HD32R is the ideal choice for integrating your Pro Tools HD system into a Dante networked I/O environment in many critical-path applications, whether in Post Production, Broadcast, Live Sound or the Recording Studio.
RedNet MP8R is a 1U, eight-channel remote-controlled mic pre and A-D interface for any Dante audio-over-IP network. Featuring network and power supply redundancy, RedNet MP8R is the ideal choice for providing mic pres in many critical-path applications, whether in Post Production, Broadcast, Live Sound or the Recording Studio.
RedNet D64R is a 1U, 64x64 MADI interface for any Dante audio-over-IP network. Featuring network and power supply redundancy, RedNet D64R is the ideal choice for providing MADI I/O in many critical-path applications, whether in Post Production, Broadcast, Live Sound or the Recording Studio.
Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio.
Joining the Hazelrigg Industries Solutions Series, the VNE is a handcrafted, single-channel compressor designed to elegantly control dynamics without negatively affecting the tonal qualities of the source material.
In the PASSEQ we have revived the concept of the passive equalizer that was used in the 50's and 60's. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equalizer.
As a mastering compressor, IRON is inspired by the legendary vintage tube compressors à la Fairchild, Collins or Gates and has been developed in a way to give modern productions more energy and power with the advantages of the 120V technology.
The DMC is the heart of the mastering studio. The converters, the players, the DAW, the recorders and the speakers are connected to them. The audio quality of the console is therefore crucial. And like all devices of the mastering series, the DMC also works on unparalleled 120V operating voltage.
The MC16 is designed to monitor surround and immersive audio projects (Dolby Atmos, Auro 3D, etc...) in the analog domain, offering the same unrivalled quality as 120V stereo monitoring.
Hermes revolutionizes mastering. Now it is possible to have an audio signal processed by up to eight 2-channel processors in any order that can be stored. At the push of a button you can compare up to four complex processing chains.
Gemini is the first mid/side processor in 120V technology. In mastering, M/S processing is often the best way to get targeted access to individual elements of a mix.
Mercury is the first mastering DA-converter in 120V technology. It offers seven digital stereo input sources, all of which can be synchronized with each other or with a word clock. The additional variable output qualifies Mercury as a monitor controller.
- 3 stereo balanced line level analog audio inputs
- Digital audio input, selectable between AES3 or USB
- 3.5 mm input on front and rear panel
- Bluetooth connectivity
- All 5 inputs are buffered with the API 2510 Op Amp
Avantone Pro, in conjunction with the expertise of legendary mixer Chris Lord Alge, have designed the most faithful reproduction of the world's most iconic studio monitor. Now everyone can mix on the monitors that define "the hitmaker sound". A tremendous amount of design work and exacting detail have finally made the "white cone""monitors available to everyone! And now the world has finally gotten what it always asked for - an active-powered version: the CLA-10A! Black box. White cone. High-range frequency. It's not known as the world's best - it's known for being the world's best reference - the sound that creates hits.
Personal Monitor Package with Hub, 4 Mixers, and Cables
While other systems focus on processing to compensate and adjust your tracks, Radar takes a different approach. The secret formula? Don't touch it! iZ does whatever it takes to make sure the signal enters and leaves the machine with as few digital fingerprints as possible. Over 25 years of feedback from the industry's most respected professionals tells that the formula is working.
While other systems focus on processing to compensate and adjust your tracks, Radar takes a different approach. The secret formula? Don't touch it! iZ does whatever it takes to make sure the signal enters and leaves the machine with as few digital fingerprints as possible. Over 25 years of feedback from the industry's most respected professionals tells that the formula is working.
16 Analog I/O with Dante Connectivity, Ultra Nyquist 192K converters
16 Analog I/O with Dante Connectivity, Classic 96K converters