Retro. Futuristic. We are proud to introduce technical grammy award winner david royer's modern take on a legend - the sony c-37a. Known for its high headroom and ability to tame brittle high end, it became a workhorse in the 60's, especially during the golden age of Hollywood recording - the "Wrecking Crew" era. Studios such as capitol records and sunset sound acquired multiples, which are still use today.
With its exceptional acoustic design, the A125-M is equally suited to use as a mono subwoofer or LFE in surround sound applications or as a bass extension in a stereo system. Working in perfect unison with all speakers from our range, the A125-M offers all the power with outstanding accuracy.
The A214-M is designed as the ideal centre speaker for surround systems. Its incredible power is optimised to satisfy the requirements of post-production and film mixing suites.
The innovative architecture of the A215-M enables its outstanding performance for professional mastering and audiophile listening. Optimised for both seated or standing listening, it reproduces sonic spaces with breathtaking accuracy.
For those who want more than just "some bass": the A225-M is the ideal addition to any PSI Audio monitoring system, granting the same trademark fidelity to the lowest frequencies - precision down to 24 Hz!
A brand new and innovative midrange driver entirely developed and manufactured in-house brings the A25-M even closer to absolute perfection. Imagine hearing sound as naturally as in real life. The speakers disappear, you trust what you hear and let your ears work with total confidence. That's what you get with the A25-M!
The A23-M is the combination of our advanced analogue technology and the development of a unique midrange driver. The result is precision never achieved before on a 3-way monitor. You will wonder how you ever managed to work without it.
The A21-M has unmatched impulse response and stereo image. It is an astonishing monitor used for the most demanding audio productions, allowing the user to be in full control of the sound image in all regards down to the finest details.
The A17-M is the reference of near field monitors. Powerful for its size, it delivers an uncompromised quality in term of stereo image, low end control and transparency all over the bandwidth. Are you ready to step ahead?
The A14-M is designed to produce the highest possible SPL and broad bandwidth in an extremely compact cabinet. It's perfect for applications with limited space that still require the best in terms of precision and reliability. Nothing else comes close.
The A14-M is designed to produce the highest possible SPL and broad bandwidth in an extremely compact cabinet. It is perfect for applications with limited space that still require the best in terms of precision and reliability. Nothing else comes close.
True active bass absorption (and not noise cancelling) - the AVAA C20 is the first of its kind. Many people from the audio industry call it a revolution.Easy to set up and move, no calibration required, and efficient like passive absorbers 25 times its size, the AVAA C20 takes care of any room modes between 15 Hz and 150 Hz.
The Gyraf Audio G23-S Equalizer is an elaboration of Gyraf Audio's G23 Equalizer, where they added a selectable option for either solid-state or tube audio path.
Clean up your stage with the PRO Mixer Distro. The PRO Mixer Distro allows the same 8-port Network Card that goes in the Hear Back PRO Hub to be used stand-alone. A durable anodized aluminum housing protects the Hear Back PRO Network Card and allows it to stand up to years of abuse in the studio or on the road.
Bridge up to 64 audio channels between the Waves SoundGrid and Dante protocols. The WSG Bridge lets you add real-time processing capabilities to a Dante network by using a Waves SoundGrid server dedicated to plugin processing.
The next evolution of the Hear Back 8-channel personal monitoring system has arrived - introducing Hear Back OCTO. With improved audio quality, system performance, and overall ease of use, it revolutionizes monitor mixing on stage or in the studio.
Assign each knob of a PRO Mixer to any mono channel, stereo pair of channels, or even a submix of up to 16 channels with the V6 update. Configure each Mixer differently and add up to 128 input channels to the system using additional Input Cards and Hubs (32 channels of inputs per Hub).
Matched pair CMC 6Ug amplifiers, with (2) MK4 Cardioid microphone capsules(1) B 5 D popscreens and (2) SG 20 stand clamps in each set.
The SR24 is a two-channel, four-band equalizer in a two rack-space chassis. With a dedicated knob and/or switch for each control function, the SR24 is easy to use; by utilizing continuously variable controls for both the frequency and boost/cut, the SR24 can be very precise in applying equalization to the selected audio material.
The SR22 Dual-Channel Compressor features two channels of API's patented award-winning compressor circuit in a rackmount unit with an internal power supply. This same compressor circuit was originally designed into the legendary ATI Paragon analog live mixing console.
The API Select T12 is a classic 2-channel, all-tube, Class-A microphone preamplifier designed with API's proprietary AP2516 transformer in the input stage and a custom API transformer on the output stage. Built with 12AT7WC and 12BH7 dual-triode vacuum tubes, the T12 represents a new and exciting variation in API's preamplifier technology and provides the user with unique tonal options.
Thanks to its smooth, full response, and gentle presence boost, the H47 is well suited to be your main studio mic. Or, if you're looking for a dedicated mic for vocals or kick drum, the H47 is a perfect choice!
The H47 Tube is true to the original circuit and features 100% through-hole components. We tested countless transformers, tubes, capacitors, and resistors before settling on the final design.
The MA-301fetVG is a multi-pattern large diaphragm, solid-state condenser microphone. Based upon the popular MA-201fet designed by David Royer, the MA-301fetVG adds a 3-posistion pickup pattern selector, a15dB pad and a switchable bass roll-off.