Allen & Heath’s XCVI powered mixers are the go-to choice for live sound engineers working with some of the biggest names in music.
The Allen & Heath Avantis Digital Mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel / 42 bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing.
The Allen & Heath Avantis digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis is a 64-channel/42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 24 channel strips complete with manual faders and PAFL switches.
The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 12-channel strips complete with manual faders and PAFL switches.
The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing.
Based on Allen & Heath's acclaimed XCVI 96kHz FPGA audio engine, the SQ-7 digital mixer delivers extensive live sound mixing capabilities. Even with its powerful processing, the SQ-7 delivers best-in-class audio quality with less than 0.7ms of latency. You'll have a lot of flexibility when it comes to creating monitor mixes, with up to 12 stereo mixes (groups or auxiliaries) in addition to the main LR out.
Onstage or at the board, if you need more high-quality I/O for your Allen & Heath dLive or SQ mixing console, then you have to check out the GX4816. This networkable audio expander adds 48 inputs with professional-grade microphone preamps and 16 XLR line outputs to your system, all simultaneously available at 96kHz resolution.
Equip your facility with world-class preamps and network-ready connectivity, with the Allen & Heath DT164-W Dante I/O Expander. Its reversible frame allows for both in-wall and on-wall mounting, and can also be fitted in a standard NEMA box or mounted in a floor pocket for stage use.
SQ-Rack is the ultimate tool for audio professionals, delivering Allen & Heath's renowned 96kHz SQ core in a compact, rack-mountable design. Perfectly crafted to meet the demands of live sound and installation environments, SQ-Rack combines power, flexibility, and intuitive control in one versatile solution.
Add 128 channels of bi-directional network audio to your dLive mixing system, with this Allen & Heath Dante 128x128 option card. It's the perfect way to split high channel counts, such as feeding the monitor mixing system from front of house. Live sound engineers at Sweetwater appreciate the reassurance of redundant network connections for mission-critical applications.
Designed for maximum portability, the Allen & Heath DT168 Dante I/O Expander is a drop-in solution for adding inputs and outputs to your SQ, Avantis, or dLive Dante network. It features 16 top-notch preamp and eight line outputs, with your choice of 48kHz or 96kHz conversion.
Use the Allen & Heath DX164-W I/O Expander to greatly expand your dLive system. Up to six DX164-W units can be connected - four via your MixRack, and two via your dLive control surface - for an additional 96 remote inputs and 24 remote outputs.
The Allen & Heath superMADI expands your dLive or Avantis console with 128 channels of MADI I/O. This audio networking card features eight BNC ports (four links) and eight SFP slots (modules not included), and supports a switchable 48/96kHz sample rate for each link.
If you use an Allen & Heath ME-1 personal monitor mixer system, then you need an ME-U monitor hub. Rather than creating a complicated chain of ME-1s, the ME-U allows you to easily connect 10 ME-1s to a single monitor hub. You can also daisy chain two ME-Us, giving you the ability to connect a total of 19 ME-1s! Out of the box, the ME-U lets you connect using GLD dSnake or iLive ACE.
Add 64 channels of bi-directional network audio to your dLive mixing system, with this Allen & Heath Dante 64x64 option card. It's the perfect way to split high channel counts, such as feeding the monitor mixing system from front of house. Live sound engineers at Sweetwater appreciate the reassurance of redundant network connections for mission-critical applications.
Need more I/O for your Allen & Heath dLive, SQ, or Avantis system? Grab a DX168, and you can expand your rig by 16 inputs and 8 outputs. Need more? No problem - you can connect up to six units (four via the MixRack and two via the Surface) to your dLive system for a total of 96 inputs and 48 outputs. You can also daisy-chain two units and connect them directly to an SQ SLink port.
The Allen & Heath GLD-AR2412 is the Main AudioRack for the company's GLD digital mixing system. The GLD-AR2412 includes 24 XLR inputs and 12 XLR outputs and connects to the GLD-80 digital mixer via inexpensive and readily available Cat 5 cable running Allen & Heath's dSNAKE protocol, allowing the GLD-AR2412 to be positioned up to 400' from the GLD-80. dSNAKE provides control to the remote mic preamps in the GLD-AR2412; all are scene recallable.
The gigaACE expansion card is the high-quality, reliable option for expanding your live mix setup among multiple Allen & Heath consoles. Using standard CAT cables, this audio networking card supplies a 128-channnel x 128-channel 96kHz gigaACE point-to-point link to a separate Avantis or a dLive mixing system via Ethernet.
Upgrade your dLive Surface, dLive MixRack, Avantis console, SQ mixer, or upstream DX expander with the Allen & Heath DX012 output module. With a single EtherCon network, cable, this output box adds 12 outputs to your system. One of the things Sweetwater sound techs like to point out about the DX012's outputs are both flexible and well thought out. They're flexible, because they're divided into three banks of four.
The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath's flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 12 channel strips complete with manual faders and PAFL switches.
The Allen & Heath AHM-16 is a 16-in/16-out audio matrix processor that's tailor-made for sound management and installation. You get eight channels of bi-directional analog I/O, along with an I/O port for networking up to 128 bi-directional channels. The AHM-16 also boasts 16 configurable processing outputs for mono/stereo zones or speaker processing, plus a 96kHz FPGA core with ultra-low latency. Here at Sweetwater, we appreciate the AHM-16's easy-to-read front-panel screen and intuitive navigation.
The Allen & Heath GLD-AR84 is an Expander AudioRack for the company's GLD, SQ, Qu, and Avantis digital mixing systems. The AR84 adds 8 XLR inputs and 4 XLR outputs to the GLD system. You can add up to two GLD-AR84s to your system, connected to the GLD-AR2412 main AudioRack (and/or directly to your GLD-80 mixer).
The IP6 remote controller is a great way to enhance the flexibility of your Allen & Heath dLive system. This useful add-on connects to your system using standard TCP/IP and can be networked with other controllers, computers, and more via Ethernet.
You can greatly expand your SQ series digital mixer's connectivity options, with the Allen & Heath DX Hub. It also works with Avantis systems, as well as any dLive system equipped with a gigaACE I/O module.
The Allen & Heath SQ MADI card permits an SQ mixer to route 64 bidirectional channels via the MADI protocol. This unlocks a world of possibilities, allowing seamless connection and synchronization with a massive range of MADI-equipped gear for high-channel count feeds over coaxial cables.
Achieve the ultimate in control over your mix with the Allen & Heath ME-1 Personal Mixer. Each performer can tailor their monitor mix easily and quickly with this networked solution. The compact and smart design of the ME-1 makes operation and setup a breeze.
The Allen & Heath DX Link fits effortlessly into any A&H dLive I/O port. This audio networking card boasts four DX Link ports, each carrying 32-in/32-out channels of pristine 96kHz audio.
The Allen & Heath ME-500 personal mixer delivers all the sonic control a performer could ask for. And with plug-and-play compatibility for Allen & Heath's dLive, iLive, GLD, and Qu consoles, as well as Aviom monitoring systems, the ME-500 offers the flexibility that system operators need. Artists can mix up to 16 channels in mono or stereo, with a 2-band EQ and master limiter for polished sound quality.
The Allen & Heath dLive C2500 Surface is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12" touchscreen, 20 faders, and six assignable one-knob/one-function rotary controls provide you with at-a-glance visual feedback and tactile control of your mix.
The Allen & Heath dLive C1500 Surface is the epitome of simple. Control your mix with intuitive pinch, swipe, and drag and drop gestures. A 12" touchscreen and 12 faders provide you with at-a-glance visual feedback and tactile control of your mix. Assignable inputs, virtual scribble strips, and customizable SoftKeys add to the C1500's effortless operation.
Harnessing the full potential of digital mixing, the Allen & Heath dLive S7000 control surface rejects the typical faux-analog console experience in favor of intuitive pinch, swipe, drag, and drop gestures. Dual 12" touchscreens, 36 faders, and six assignable one-knob/one-function rotary controls provide you with at-a-glance visual feedback and immediate tactile command over your mix.