A monitor speaker stand is a studio must. A typical monitor on a stand is located about half way between the floor and the ceiling. The floor/ceiling bounce returns back to the monitor out of phase. This imposes a phase cancel effect on the speaker's output; for example, the first cut is around 74 Hz for 8' ceilings, causing the engineer to boost 74 Hz in the mix unnecessarily.
ASC sound Planks are the perfect companion to ASC TubeTraps for complete control of the acoustics in your room. After the bass range is under control, the soundPlanks further improve imaging and flutter echo without taking up any floor space. Install approximately 16" on center near early reflection points for optimal results. Install with less spacing for a more "dry" sound.
The award winning StudioTrap offers adjustable treble absorption & diffusion, 360 degree mid bass trapping, and variable height in one convenient package. Improve accuracy and ambience in your mixes and recordings by assembling the StudioTrap into AttackWall and Quick Sound Field configurations.
Undoubtedly one of the best-kept secrets in recording, the F760 designed by AD&R and licensed by Helios is one of the most classic FET comp/limiters ever made
The 2128 is the mic preamp circuit from the 0011 in a 500 Series package. It features the same quality preamp with 70 db of gain, 20 db pad, phase control, 48V phantom power and selectable high pass filter
Helios 2128 preamp circuit with 70dB of gain in 5dB increments. 20dB pad, Lustraphone input transformer. A balanced line in section is also featured. Inductor based LF/MF EQ section with selectable LF and MF and fixed 10Khz HF controls.
The Electrodyne 511 is a classic two-band discrete transistor reciprocal active inductor equalizer using early '70s design technology.
Designed by Brad Avenson of Austin, Texas-based Avenson Audio, the BAC-short for Brad Avenson Compressor-is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer.
For over six decades, audio transformers have been the bedrock of Mr. Rupert Neve's audio circuit design philosophy - and Rupert Neve Designs' bespoke transformers are an integral part of virtually every RND product.
With over 25,000 channels shipped since its launch in 2015, the RNDI is firmly established as the direct interface of choice for many of the world's most discerning musicians and engineers.
Firmly rooted in six decades of console design experience, the 5057 Orbit gives your mixes the legendary tonality, power, and wide-open soundstage that only Rupert Neve's class-A analog summing can provide.
The Pyra-Sum is a passive summing mixer that has what other summing mixers don't multiple cascading busses.
This, combined with our painstaking effort to match the commonly used impedances on popular guitars, basses, and amps, makes the GB Tracker sonically transparent. Your guitar or bass going through the GB Tracker will sound exactly the same as plugging directly into your amp.
An expansion to the GB Tracker allowing you chain multiple amps or place amps in a separate room.
H2 Audio could not be more excited about the release of The Helios Channel. With the rise of home recording and hybrid recording methods we have created The Helios Channel, featuring the classic 0011 mic pre/EQ and the F760 compressor limiter, all in a rugged steel 2U 19" rack to give you the ultimate classic recording chain.
The 5011 is the EQ section from the 0011 in a 500 Series package. Featuring an electronically balanced input and transformer balanced output with amp circuit, and the exact same EQ circuit as the 0011.
The original channel module from so many iconic studio recordings of the past. This module features the original Helios 2128 preamp circuit with 70dB of gain in 5dB increments. 20dB pad, Lustraphone input transformer.
10-in/6-out Thunderbolt 2 Audio Interface with QUAD DSP Accelerator, 4 SHARC Processors, 2 Unison Preamps, Monitor Control, DI, Talkback Mic Realtime Analog Classics Plug-in Package featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, plus Softube Amp Room Essentials, Raw Distortion, 610-B Tube Preamp & EQ, and more- Mac/PC AAX 64, VST, AU, RTAS
Rather than a reproduction of existing equipment, the Match Pair RS660 Compressors stand apart and represents a path forward in the recording engineering development department.
Rather than a reproduction of existing equipment, the RS660 Compressor stands apart and represents a path forward in the recording engineering development department.
The UT Twin87 captures the essence of both the original classic and modern incarnations of the "87-style" microphone design.
The UT FET47 features a custom Cinemag transformer, a custom Heiserman designed HZ-Series capsule, vintage polystyrene capacitors, and NOS (new old stock) FETs.
Passive magnetic moving coil transducer and Tuned ported baffled resonant chamber.
Passive magnetic moving coil transducer and Tuned ported baffled resonant chamber.
Soviet military grade carbon granule capsule, Fully balanced output and Quality Hammond output transformer.
Military grade carbon granule capsule, Fully balanced output and Quality Hammond output transformer.
Passive magnetic moving coil transducer and Tuned ported resonant chamber.
High grade passive variable reluctance transducer and High quality Switchcraft 3 pin XLR connector.
The M 49 is a great microphone in every respect. As impressive as its physical appearance is its incomparable sound. With its revolutionary technology, the M 49 has set new standards altogether.