The A14-M is designed to produce the highest possible SPL and broad bandwidth in an extremely compact cabinet. It is perfect for applications with limited space that still require the best in terms of precision and reliability. Nothing else comes close.
True active bass absorption (and not noise cancelling) - the AVAA C20 is the first of its kind. Many people from the audio industry call it a revolution.Easy to set up and move, no calibration required, and efficient like passive absorbers 25 times its size, the AVAA C20 takes care of any room modes between 15 Hz and 150 Hz.
Matched Pair of Studio Ribbon Microphones, Figure 8 polar pattern, with flat frequency response from 30Hz to 15,000 kHz
Clean up your stage with the PRO Mixer Distro. The PRO Mixer Distro allows the same 8-port Network Card that goes in the Hear Back PRO Hub to be used stand-alone. A durable anodized aluminum housing protects the Hear Back PRO Network Card and allows it to stand up to years of abuse in the studio or on the road.
Bridge up to 64 audio channels between the Waves SoundGrid and Dante protocols. The WSG Bridge lets you add real-time processing capabilities to a Dante network by using a Waves SoundGrid server dedicated to plugin processing.
The next evolution of the Hear Back 8-channel personal monitoring system has arrived - introducing Hear Back OCTO. With improved audio quality, system performance, and overall ease of use, it revolutionizes monitor mixing on stage or in the studio.
Assign each knob of a PRO Mixer to any mono channel, stereo pair of channels, or even a submix of up to 16 channels with the V6 update. Configure each Mixer differently and add up to 128 input channels to the system using additional Input Cards and Hubs (32 channels of inputs per Hub).
Matched pair CMC 6Ug amplifiers, with (2) MK4 Cardioid microphone capsules(1) B 5 D popscreens and (2) SG 20 stand clamps in each set.
The SR24 is a two-channel, four-band equalizer in a two rack-space chassis. With a dedicated knob and/or switch for each control function, the SR24 is easy to use; by utilizing continuously variable controls for both the frequency and boost/cut, the SR24 can be very precise in applying equalization to the selected audio material.
The SR22 Dual-Channel Compressor features two channels of API's patented award-winning compressor circuit in a rackmount unit with an internal power supply. This same compressor circuit was originally designed into the legendary ATI Paragon analog live mixing console.
The API Select T12 is a classic 2-channel, all-tube, Class-A microphone preamplifier designed with API's proprietary AP2516 transformer in the input stage and a custom API transformer on the output stage. Built with 12AT7WC and 12BH7 dual-triode vacuum tubes, the T12 represents a new and exciting variation in API's preamplifier technology and provides the user with unique tonal options.
Thanks to its smooth, full response, and gentle presence boost, the H47 is well suited to be your main studio mic. Or, if you're looking for a dedicated mic for vocals or kick drum, the H47 is a perfect choice!
The H47 Tube is true to the original circuit and features 100% through-hole components. We tested countless transformers, tubes, capacitors, and resistors before settling on the final design.
The Hilo also features an independent headphone amplifier with a dedicated D/A converter. Flexible signal routing allows the headphones to be fed directly from any input source. High quality Reference A/D D/A Converter System.
Unmistakably silky smooth top end, versatility, and visual presence of the R44 ribbon mic in an economy version: The AEA R44CE Ribbon Mic
The MA-301fetVG is a multi-pattern large diaphragm, solid-state condenser microphone. Based upon the popular MA-201fet designed by David Royer, the MA-301fetVG adds a 3-posistion pickup pattern selector, a15dB pad and a switchable bass roll-off.
The MA-201fetVG is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern.
The MA-300SN is a multi-pattern large diaphragm, vacuum tube condenser microphone. Based upon the widely accepted MA-200 designed by David Royer, the MA-300SN adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off.
Utilizing hand-selected 3-micron single-sided capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200SN performs at a level reminiscent of some of the best loved classic condenser microphones.
The MA-50BLK is the perfect microphone for pros and semi-pros alike. Utilizing the same single-sided capsule as the MA-200SN and MA-201VG, it handles the fastest transients with ease - even up to 140 dB.
The Signature Series has been exhaustively field tested against microphones often costing $20K or more - universally evoking the same 'Wow' response usually reserved for only the most prized vintage mics.
The MPDI-4 is as musical as it is powerful and flexible, switchable -20 dB input pad and -10 dB output pad.
The UNFa-1 Accessory is an add-on to the UnFairchild 670m mkII vari-mu tube compressor/limiter and feedforward compression in M/S modes.
Undertone Audio Unfairchild 670M II 2-Channel Tube Compressor / Limiter.
The Gyraf Audio G23-S Equalizer is an elaboration of Gyraf Audio's G23 Equalizer, where they added a selectable option for either solid-state or tube audio path.
The Gyraf G22 Dual Stero Vari-Mu Compressor is an updated, dual version of the venerable G10 vari-mu compressor and "backwards compability mode.
The Gyraf Audio G21 Magneto-Dynamic Infundibulum is a true passive stereo soft clipper and nice for cleaning up too-dense areas in mixes, keeping mud and ss'es under invisible control.
LaChapell 992EG 2 Channel Tube Mic Pre The 992EG is two channel fully balanced tube mic preamp and instrument input amplifier. Meticulously hand assembled, every aspect of the 992 speaks to our dedication to quality of sound and solid, robust construction. From the Cinemag and Jensen transformers to the knobs and switches, the 992EG is [...]
Pro Tools | Carbon is a new breed of audio interface-a hybrid audio production system built to capture brilliance.
Rupert Neve Designs 16 Channel +/- 21V Class-A mix buss for massive headroom and Dual-tap output transformers create rich harmonic character without clipping the next device in the chain.